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01. The Flying Hats - Night Bus
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02. The Flying Hats - Grafter
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03. The Flying Hats - An Autumn Sun
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04. The Flying Hats - Power Cut
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05. The Flying Hats - Strong Fish
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06. The Flying Hats - Bust Up
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07. The Flying Hats - Forward
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08. The Flying Hats - Tough Swagger
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09. The Flying Hats - Iron Fist
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ARTIST
FLYING HATS, THE
TITLE
The Return Of The Flying Hats
FORMAT
LP
LABEL
ATA RECORDS
CATALOG #
ATA 040LP
ATA 040LP
GENRE
WORLD
RELEASE DATE
5/16/2025
Every ATA project is marked by collaboration -- some over a few weeks and some over decades. When drummer
Sam Hobbs
and bassist
Neil Innes
decided to make
The Return Of
, by
The Flying Hats
, they were building on twenty years of playing together; Innes's years of nightclub residencies and love of Afro-American dance music, and Hobbs's intensive exploration of the links between American soul and R&B, Jamaican rocksteady and roots, and the music of the wider Caribbean from Cuba to Trinidad and Brazil. Organist Bob
Birch (the original organ player for
New Mastersounds
) and guitarist
Chris Dawkins
(
Nightmares On Wax
,
Jimi Tenor
,
David Holmes
,
Finlay Quaye
) were the other crucial elements -- Birch started out as a jazz Hammond player in the bluesy
McGriff/McDuff
mould before discovering the more exotic colors of
Art Neville
and
Jackie Mittoo
, and Dawkins has been a session guitarist for the cream of British reggae and rock for a generation.
The Return of the Flying Hats
occupies a space somewhere between
The Aggrovators
and
The Meters
, under the influence of
Lynn Taitt & the Jets
, and
Fatman Riddim Section
. Tracks like "Grafter" and "Bust Up" conjure up the image of classic New Orleans funk recorded in Kingston, whilst "Tough Swagger" sounds like half of
Bunny Lee
's Aggrovators have dropped in at "Ultrasonic" to jam with
Ziggy Modeliste
. In other places the Jamaican sound predominates: "An Autumn Sun" is as sweet a dish of Kingston soul as you could wish for, "Strong Fish" an honest homage to
Hot Milk
-era Mittoo, whilst the introductory fanfares of opener "Night Bus" and "Power Cut" feel like they should be ushering in hot
I Roy
cuts. Meanwhile, "Iron Fist" mixes everything up together in a fresh brew of asymmetric drums, talking bass and free-flowing organ melodies: when Innes and Hobbs started jamming together they roughed out melodies to every groove, but Birch came in and ignored virtually every note, preferring instead to simply channel extempo lines that sound both original and traditional at once. It would be a mistake to call this group a new band, with all the communal miles they've travelled together: what this undoubtedly is though, is a fresh take on a couple of cherished genres (New Orleans R&B, Instrumental Rocksteady) that comes up with something more than the sum of its parts.
Other releases on ATA RECORDS