PRICE:
$14.00
LOW STOCK LEVEL
1-2 Weeks
ARTIST
TITLE
Garden (feat. ASOK Remix)
FORMAT
12"

LABEL
CATALOG #
DIRT 122EP DIRT 122EP
GENRE
RELEASE DATE
12/6/2019

It's been a busy eight months since Dampé's debut on Dirt Crew Recordings. That time has seen the producer hold down monthly slots on Rinse FM, contribute a downtempo electronica/jazz edit to the S3A Pages Remixes EP (DIRT 121EP) as well as open big rooms for the likes of Surgeon and Blawan. The intervening months have also seen the producer set up camp in the Rhythm Section studio in South East London, and the result of new access to studio gear can be heard all across Garden. Compared to the debut Peach Shuffle, this is a far more machine-led and darker listening experience. Snatches of acoustic instruments and space remain, but it's never long before the disembodied vocals and oversaturated classic drum kits return reminding you this is music best enjoyed in the club. "A Basement, 10 Years Ago" featuring C_YS started just there. A bass line dimly recalled from a long-lost 6am jam is sequenced on a weighty analogue keyboard, while syrupy R&B vocals dance around mbira and gangsa, all slowly building and building together. "727 and Arp Breaks" is a love letter to two of the producer's favorite instruments from the studio. A TR-727 and an Arp Odyssey collide across dubbed out stabs to form some very rolling breaks. "Sunday Night Machines" sees Dampé tame the box-of-physics that is the Arp Odyssey again with a sprawling meditation on two repeating arpeggios. "Garden" is the one for the dancers. Four variations play with the same melodic theme in distinct sections, with the second variation being the deepest and most floor-ready the whole record gets. "France" is a warped dub-come-hip hop beat that manages to conjure both Lil Jon and Yusef Lateef. Liverpool's finest, ASOK (Lobster Theremin, M>O>S Delsin), comes on for remix duties, closing out the record with a twisted bang. He turned in a propelling weapon that brings a whole new texture to the track listing. It's very '90s, very rave-y, and very raw, in a true IDM style.