Last Updated 12/05/2024 07:23 PM EST
LOG IN
CART
Cart Items :
Sub Total :
artist
label
title
catalog #
any field
advanced
New Releases
Artists
Labels
Forthcoming
Best Sellers
Reviews
Jobs
soundclips
[All Countries]
Argentina
Australia
Austria
Belgium
Brazil
Canada
Chile
China
Colombia
Croatia
Czech Republic
Denmark
Egypt
Europe
Finland
France
Germany
Greece
Hong Kong
Hungary
Iceland
Ireland
Israel
Italy
Jamaica
Japan
Korea
Liechtenstein
Lithuania
Luxembourg
Netherlands
New Zealand
Nigeria
Norway
Peru
Philippines
Poland
Portugal
Puerto Rico
Romania
Russian Federation
Scotland
Senegal
Slovenia
Spain
Sweden
Switzerland
Taiwan
Thailand
Turkey
UK
Ukraine
United States
Uruguay
World's Leading Terrorist State
World's Misleading Terrorist State
[All Formats]
Book
Cassette
CD
Clothing
Digital
DVD
MISC
VHS
Vinyl
[All Genres]
CLASSICAL
COMEDY
ELECTRONIC
EXPERIMENTAL
HIPHOP
JAZZ
Misc
ROCK
WORLD
artist
catalog #
label
title
any field
Tweet
Send Email
PRICE:
$15.50
$15.50
IN STOCK
01. John Cage - Duo (1958)
Your browser does not support the audio element.
02. Walter Marchetti - Gamapirt (1959)
Your browser does not support the audio element.
03. Morton Feldman - Piano piece I (1954)
Your browser does not support the audio element.
04. Juan Hidalgo - CIU Music Quartet (1959)
Your browser does not support the audio element.
05. Leopoldo La Rosa - Musica per Pianoforte e 3 Timpani (1959)
Your browser does not support the audio element.
06. John Cage - Music for Piano (1956)
Your browser does not support the audio element.
07. Juan Hidalgo - Offenes Trio (1959)
Your browser does not support the audio element.
08. Morton Feldman - Piano Piece II (1954)
Your browser does not support the audio element.
09. Walter Marchetti - Doppio (1959)
Your browser does not support the audio element.
10. Leopoldo La Rosa - Rimak (1959)
Your browser does not support the audio element.
ARTIST
VA
TITLE
Rumori Alla Rotonda
FORMAT
CD
LABEL
ALGA MARGHEN
CATALOG #
NMN 031CD
NMN 031CD
GENRE
CLASSICAL
RELEASE DATE
3/18/2014
2000 release. Live recording at the Rotonda del Pellegrini, Milan, January 21st, 1959 featuring
John Cage
,
Morton Feldman
,
Juan Hidalgo
,
Leopoldo La Rosa
, and
Walter Marchetti
. Among all the events involving John Cage during the long stay in Europe that followed his controversial appearance at Darmstadt Ferienkurse in September 1958, the concert he held in Milan on January 21st perhaps represents a less well known episode. Featuring Cage's intervention both as composer and performer of one's own work as well as of two piano pieces by Morton Feldman, the concert at Pellegrini's Rotonda may be considered the first event of experimental music in Europe in which the presentation of American and European composers consciously acted on an equal aesthetic horizon. Both the set of pieces in the program and the peculiar environmental frame of the concert emphasized the radical aesthetic conceptions of the compositions performed. Cage's choice was highly representative and relapsed into those works of his recent catalog that represented conscious neutralization of compositive intention. "Duo" opens the concert, consisting of parts for flute and viola excerpted from his celebrated "Concert for Piano and Orchestra." Cage then completed his participation in the concert, besides performing some unspecified numbers from "Music for Piano," also performing two of the three "Piano Pieces" with which Morton Feldman, in 1954, was converted to adopt the aleatory graphic notations. Juan Hidalgo, Walter Marchetti, and Leopoldo La Rosa premiered six compositions purposefully written for this occasion, employing aleatory procedures for the first time in their works. Both Hidalgo and Marchetti wrote a trio and a quartet firstly following a common notational stylization, which provides the spatial distribution of a prearranged, but reversible sequence of intervals within a flexible temporal grid, structured on a time limit. Exploiting the circular architectonic structure of the concert hall, all the performers were spread abroad among the audience, with the piano exactly in the center. The concert at Pellegrini's Rotonda was characterized by the performance of works that accepted the indeterminacy as their own operative premise, but also for having been a collective event in which the individual contribution of each composer mutually acted as autonomous elements. The edition includes a 36-page essay with photos and full documentation of the event.
Other releases on ALGA MARGHEN
Other releases by VA