Last Updated 11/14/2024 07:23 PM EST
LOG IN
CART
Cart Items :
Sub Total :
artist
label
title
catalog #
any field
advanced
New Releases
Artists
Labels
Forthcoming
Best Sellers
Reviews
Jobs
soundclips
[All Countries]
Argentina
Australia
Austria
Belgium
Brazil
Canada
Chile
China
Colombia
Croatia
Czech Republic
Denmark
Egypt
Europe
Finland
France
Germany
Greece
Hong Kong
Hungary
Iceland
Ireland
Israel
Italy
Jamaica
Japan
Korea
Liechtenstein
Lithuania
Luxembourg
Netherlands
New Zealand
Nigeria
Norway
Peru
Philippines
Poland
Portugal
Puerto Rico
Romania
Russian Federation
Scotland
Senegal
Slovenia
Spain
Sweden
Switzerland
Taiwan
Thailand
Turkey
UK
Ukraine
United States
Uruguay
World's Leading Terrorist State
World's Misleading Terrorist State
[All Formats]
Book
Cassette
CD
Clothing
Digital
DVD
MISC
VHS
Vinyl
[All Genres]
CLASSICAL
COMEDY
ELECTRONIC
EXPERIMENTAL
HIPHOP
JAZZ
Misc
ROCK
WORLD
artist
catalog #
label
title
any field
Tweet
Send Email
PRICE:
$25.00
$25.00
IN STOCK
01. ERIC FEREMANS - Theme the Antwerp Killer
Your browser does not support the audio element.
02. ERIC FEREMANS - Beat
Your browser does not support the audio element.
03. ERIC FEREMANS - Hippy Song
Your browser does not support the audio element.
04. ERIC FEREMANS - Theme 2
Your browser does not support the audio element.
05. ERIC FEREMANS - Harbour Fight
Your browser does not support the audio element.
06. ERIC FEREMANS - Persection
Your browser does not support the audio element.
07. ERIC FEREMANS - Cathedral Bloody Lady
Your browser does not support the audio element.
08. ERIC FEREMANS - Theme 3
Your browser does not support the audio element.
ARTIST
FEREMANS, ERIC
TITLE
The Antwerp Killer
FORMAT
LP
LABEL
FINDERS KEEPERS
CATALOG #
FKR 087LP
FKR 087LP
GENRE
SOUNDTRACK
RELEASE DATE
12/18/2015
One of the rarest vinyl horror soundtracks of all time, 1983's
The Antwerp Killer
consists of remarkable homemade electronic experiments created by a wunderkind synth designer for a smart-talking teenage movie maverick. Combining self-propelled punk attitude and uninhibited confidence, the hyper-proactive work of these DIY prodigies pinpoints an important era when youthful ambition and creative technology met. By the age of 16
Eric Feremans
had started building modulators and eventually his first proto synthesizer; he later played a concert with Belgian electronica pioneer
Karel Goeyvaerts
. Feremans founded a school for building and playing synthesizers, the EEF, where volunteers ended up producing about 20 or 30 build-your-own packages. After appearing as a guest on a national television show, the demand for his courses exploded, and Feremans began lecturing internationally, even attracting the king of the Amsterdam mafia, who was driven down from Amsterdam with two body guards in his Rolls-Royce every week. One day Feremans got a visit from a
Luc Veldeman
, a 16-year-old with a manner of speech way beyond his age and larger-than-life projects. Veldeman was making Antwerp's first crime movie,
The Antwerp Killer
. He had seen Feremans play live and he wanted some of his music to be used as the score, and to press as an album to promote the film. Feremans gave him one of the rare recordings he had made with the synthesizer, a session he had just recorded upon installing his new studio; a session, according to Feremans, that was the result of the pure joy he experienced at having such a wonderful machine in his studio and the bottle of vodka he downed during the session. Veldeman cut up that session and it turned it into the soundtrack of
The Antwerp Killer
. The press and the audience shared a general reaction to the film: bad acting, bad editing, bad script -- cool soundtrack, though. Veldeman, who had rented the film equipment under a false identity and dumped it in a canal after shooting, was nowhere to be found, and his investors lost their money. A magnum opus by a true criminal and the synthesizer teacher of the Amsterdam mafia king,
The Antwerp Killer
remains a prime document of the broody Belgian '80s and a heck of a soundtrack. This first-ever reissue was beautifully remastered with the full cooperation of Eric Feremans himself. Includes liner notes by Belgian archivist
Gerd de Wilde
.
Other releases on FINDERS KEEPERS