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01. THOMAS BRINKMANN - PSA
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02. THOMAS BRINKMANN - SYD
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03. THOMAS BRINKMANN - VIE
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04. THOMAS BRINKMANN - JFK
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05. THOMAS BRINKMANN - KGD
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06. THOMAS BRINKMANN - TLV
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07. THOMAS BRINKMANN - TBS
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08. THOMAS BRINKMANN - SFO
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09. THOMAS BRINKMANN - MEX
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10. THOMAS BRINKMANN - HEL
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11. THOMAS BRINKMANN - CGN
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12. THOMAS BRINKMANN - LAS
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13. THOMAS BRINKMANN - LED
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14. THOMAS BRINKMANN - NRT
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15. THOMAS BRINKMANN - KIX
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ARTIST
BRINKMANN, THOMAS
TITLE
A 1000 Keys
FORMAT
2LP
LABEL
EDITIONS MEGO
CATALOG #
EMEGO 224LP
EMEGO 224LP
GENRE
ELECTRONIC
RELEASE DATE
9/16/2016
Double LP version. Gatefold sleeve. "
How many can get a personal sound out of a fucking piano?!
" -
Lee Konitz
.
Thomas Brinkmann
takes his seductive reductionism to the next level with
A 1000 Keys
, a harsh meditation on the expressive qualities of digital sound production. In translating the timbre of a grand piano into binary codes, thus rebuilding its corpus with "0 and 1s", Brinkmann subverts the sensual qualities of this proto-romantic instrument in a sardonic way. Replacing the musician with a mathematically precise series of frenetic repetition and intriguingly dissonant difference, the result sounds at times like a violent ride through the brains of
Schönberg
or
Webern
, drained in amphetamines, at others like
Feldman
's ephemeral sketches or
Russolo
's futurist outburst. Brinkmann's conceptual framework is resonating in the track titles. Using shortcuts of international airports, he refers to non-places that establish their own space-and-time continuum, while lacking individual identity and history. These functional scenarios are sterile passages for anonymous, objectified masses, at the same time there's hardly a better place to grasp the very subjective character of time.
A 1000 Keys
is a fatal homage to minimalism and a consequent denial of virtuosity and the idea of creative genius. Paraphrasing the romantic idea of human perfection, Brinkmann found a way to create sonic algorithms of tenderness and brutality, establishing dramatic expressiveness in his constructivist analytics. The result is of radical beauty. Dedicated to
Conlon Nancarrow
.
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