PRICE:
$20.00
IN STOCK
ARTIST
U
TITLE
Great Dose of Monotonous Techno
FORMAT
LP

LABEL
CATALOG #
DIGI 055LP DIGI 055LP
GENRE
RELEASE DATE
8/6/2013

Calling someone "ahead of his/her time" is straight out of Music Marketing 101 and is a claim that rarely holds much merit. On occasion, though, it's a phrase that is entirely appropriate and accurate. Joel Brindefalk was as integral a part of Sweden's premiere off-kilter dance label, Börft, as anyone outside its founders, Jan Svensson (FRAK, etc), Birre Isgren (FRAK, etc), and, eventually, Joachim Nordwall (Skull Defekts, etc). While Brindefalk's work under monikers such as Contemporary Punk Unit (CPU), Egglady, and others showcased his skill and range as a producer, it was always Ü that impressed most. In 1992, still just a teenager, he was, in fact, very much ahead of his time. Great Dose of Monotonous Techno was released on cassette to little fanfare and festered in obscurity for years. As Börft and Digitalis formed a collaborative partnership in 2010, reissuing this album became a top priority. Recently, as the worlds of noise and techno have again begun to merge, Brindefalk's early experiments sound almost prophetic with their relentless repetition, formless shape, acid tingers, and simple, pounding rhythms. Great Dose of Monotonous Techno is the perfect title for this record. It contains music whose impact is felt through its crushing loops and gloomy melodies. Ü might make people dance, but does so begrudgingly. There is an undercurrent of angst flowing throughout Great Dose, adding another edge to an album already cut with razors. Sadly, Brindefalk passed away in February of 2013 as this reissue was finally coming to fruition. He leaves a serious void in Swedish underground electronic music, but his legacy will only continue to grow. Remastered from the original tapes by Brindefalk friend and pupil Andreas Tilliander at Repeatle. Cut to vinyl by Helmut Erler at Dubplates & Mastering, Berlin. Original artwork and layout by Christian Carlsson modified for vinyl by Brad Rose.