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01. FELIX KUBIN & COOLHAVEN - Silbergrüne Bluse
02. FELIX KUBIN & COOLHAVEN - Ärger Dich nicht
03. FELIX KUBIN & COOLHAVEN - Auf den Stufen Deiner Schönheit
04. FELIX KUBIN & COOLHAVEN - There is a Garden
05. FELIX KUBIN & COOLHAVEN - Das Schiff der großen Illusionen
06. FELIX KUBIN & COOLHAVEN - Der bleiche Beobachter
07. FELIX KUBIN & COOLHAVEN - Kellergebet
08. FELIX KUBIN & COOLHAVEN - Weil Du mich liebtest
09. FELIX KUBIN & COOLHAVEN - Dawn of Dünkel
10. FELIX KUBIN & COOLHAVEN - Wir färben Sie (Ehrenwort)
11. FELIX KUBIN & COOLHAVEN - Smalltalk I
12. FELIX KUBIN & COOLHAVEN - Waschzwangmama
13. FELIX KUBIN & COOLHAVEN - Schaumbad im Führerbunker (Küss mich, Satan
14. FELIX KUBIN & COOLHAVEN - Angry Toys
15. FELIX KUBIN & COOLHAVEN - Suppe für die Nacht
16. FELIX KUBIN & COOLHAVEN - Notbremse
17. FELIX KUBIN & COOLHAVEN - Smalltalk II
18. FELIX KUBIN & COOLHAVEN - Frands De Waard
19. FELIX KUBIN & COOLHAVEN - Misschienapart
ARTIST
TITLE
Brombron 11: Suppe Für Die Nacht
FORMAT
CD

LABEL
CATALOG #
BROM 011CD BROM 011CD
GENRE
RELEASE DATE
8/7/2006

"Many years ago, Felix Kubin's uncle Walter Knoth was looking for a composer to musically illustrate some of his old-fashioned brilliant Schlager texts. Naturally, his first choice was his own nephew Felix -- but obviously this young guy did not have the versatile qualities to manage such a thing on his own. Walter placed some big advertisements in all the important German music mags. After a long period of auditioning Madonna-lookalikes, Wanna-be-Genesis-P-Orridges and Bearded Kraut Rock Acidheads, Dutch pop mogul Frans de Waard showed interest and decided to take the Rotterdam group Coolhaven into the boat -- an ecclectonoclast trio consisting of Dorn, Fregge and Guy Simons. This menage-á-quatre was supposed to record another top-selling album for de Waards Brombron series. Due to budget reasons the musicians were only given a period of one week to work on their songs in a dirty old studio in Rotterdam. Nevertheless, the hyperactive quartet managed to record about 18 hours of rough material which was finally melted down to 42 minutes of sheer brilliance. Under the influence of strange instruments, dusty corners and atmospheric pain, the recording resulted in a fruitful mixture of German Weirde Welle, Optagonism, conservative hiphop, Stockhausen schläger, no improv mixing and gabberpop."