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IN STOCK
01. CONRAD SCHNITZLER - Kohlen
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02. CONRAD SCHNITZLER - Nächte in Kreuzberg
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03. CONRAD SCHNITZLER - Hongkong
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04. CONRAD SCHNITZLER - Komm mit nach Berlin
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05. CONRAD SCHNITZLER - Wer sind wir denn
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06. CONRAD SCHNITZLER - Coca
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07. CONRAD SCHNITZLER - Seemannslied
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08. CONRAD SCHNITZLER - Das Tier
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09. CONRAD SCHNITZLER - Tanze im Regen
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10. CONRAD SCHNITZLER - Con 3.1
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11. CONRAD SCHNITZLER - Con 3.2
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12. CONRAD SCHNITZLER - Con 3.3
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13. CONRAD SCHNITZLER - Con 3.4
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14. CONRAD SCHNITZLER - Seemannslied (Alt. Mix) *(not on vinyl)
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15. CONRAD SCHNITZLER - Wer sind wir denn (Alt. Mix) *(not on Vinyl)
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ARTIST
SCHNITZLER, CONRAD
TITLE
Con 3
FORMAT
CD
LABEL
BUREAU B
CATALOG #
BB 122CD
BB 122CD
GENRE
ELECTRONIC
RELEASE DATE
11/6/2012
"This album saw
Conrad Schnitzler
head further in the direction of pop music. Like
Consequenz
,
Con 3
(1981) is a collaborative effort with
Wolfgang Seidel
, alias
Sequenza
.
Con 3
is a really odd mixture of numerous ingredients which Schnitzler was capable of combining with dexterity and taste. His musical handwriting is immediately apparent in the foreground. Effervescent electronic sequences can be heard on all nine pieces, coming from somewhere and appearing to go wherever -- this is Schnitzler alright, this is his musical utopia. Then Wolfgang Seidel, formerly drummer with
Ton Steine Scherben
: an ideal partner for Schnitzler when it came to programming rhythm machines and sequencers for a minimalistic mesh. Another ingredient in
Con 3
is undoubtedly German new wave (Neue Deutsche Welle, NDW). How could it not have touched Schnitzler? He lived and worked in Berlin! Above all, his succinct, absurd-surrealist lyrics would have suited many a protagonist of NDW. In this respect, Schnitzler revealed two hitherto hidden talents: his delivery of lyrics written by himself was both precise and incredibly assured. The fourth component of
Con 3
is without question the character in the background,
Peter Baumann
. As producer and sound engineer, he was to Schnitzler what
Conny Plank
had been for
Cluster
and
Harmonia
and many others. His gentle, discreet impulses, his immense know-how with regard to modern studio technology and his perennial enthusiasm could be detected in all of the productions he created in his Paragon Studio. Years of working with
Tangerine Dream
honed his studio experience and his intuitive flair for electronic experiments. Those like Schnitzler who were able to work in the Paragon Studio were in exceptionally good hands. There could hardly be a more fertile alliance.
Con 3
might have sounded rather disconcerting to Schnitzler listeners at the time. He had long since nailed his colors to the mast of the art scene (Fluxus,
Beuys
, performance art etc.) and now dared to attempt a balancing act between the high artistic aspirations of the avant-garde and the more entertainment-driven nature of pop music. Not for the first time, perhaps, but particularly emphatically on this album. Many had tried their luck at this tour de force and failed, not least because they lacked the necessary credibility. Not Schnitzler. He remained true to himself, and hence retained his credibility, integrating his new experiences and information resources wisely and creatively into his idiosyncratic and unmistakable music." --
Asmus Tietchens
Other releases on BUREAU B
Other releases by SCHNITZLER, CONRAD