|
|
|
|
|
|
|
|
|
|
|
12"
|
|
KYN 013EP
|
Michal Wolski joins Kynant with a diverse, four-track EP of hyper-detailed techno. "Back Entry" and "Inferior Representation" are peak time cuts with hypnotizing touches. On "Bathyscaphe" and "Wanderer", Wolski explores more a melodic, atmospheric direction.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
RECOG 003CD
|
Michał Wolski is a Polish musician, music journalist, radio DJ and tireless promoter of dub techno aesthetics. Eight extended compositions on his new record La Mer (Sea) recall those special moments when sound becomes a movement of a kinetic sculpture, an abstract painting, or a cinematic report from the Arctic solitude. Personal and introverted, yet simultaneously carrying certain universal message (cosmic loneliness? molecular life?), sound space created by Wolski manages to seduce the listener and inhale her/him for the whole 75 minutes. Associations with sculptural work with matter are not purely arbitrary. On his fourth full-length, Wolski consciously shapes complex and saturated forms, further developing - on evidence on his earlier releases - penchant for exploring darker alleys of synthesis and sound design. In his varied and consistent narration, one can find a whole range of references to noblest protoplasts such as Pan Sonic, Rhythm & Sound, or even Vatican Shadow's desert manipulation. However, the key to the albums consistency does not rely on the power of quote, it rather manifests itself in sheer scale and depth of imagined atmospheres and non-existent geographies. But Wolski's constructs are much more than a set of sea sound fantasies. La Mer is a highly individualist vision of new worlds of listening and hearing, truly deep acoustic ecology in time of overall hiss.
|