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LP
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TO 113LP
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Has there ever been a better time to fuck off to the stars? Is a prison breakout "escapism"? Crisis carve some wound-space to let the dreams back in. In nights we turn to fire, in flight you burst into stone, where are the exits in this theater of the damned? Strict luggage allocations -- guitar (D. Knight), saxophone (S. Thrower) -- and all the electronics your thoughts can carry. Headspin echoes, round and around, tilt wind-sails at a dark horizon, cut a stutter through the distance barrier. In to be out through the structure of the eye, encrusted with rotor-slime, pushing on through border erosions as everything melts into smoke, burning objects may be closer than they appear. Nebulae dazzle the shadows, tunnel through memories and the pulp-mass of neurons, forwards heading backwards, end of tether snapped, slide into the earth like ancient worms and breathe. UnicaZürn's core instrumentation blends analog synthesizer, mellotron, and electric piano with electric guitar and saxophone. Knight is renowned for his pioneering multi-textured fretwork with Danielle Dax and Shock-Headed Peters, and his ambient guitar settings for Lydia Lunch, while Thrower's reed playing provided rage and melancholy in Coil and turns to electro-acoustic texture in Cyclobe.
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LP
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TONE 057LP
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UnicaZürn, David Knight and Stephen Thrower, build their long, ceaselessly evolving musical compositions through a process of improvisation, followed by careful editing and processing. Their music, drawn from subconscious associations while recording, is frequently aquatic or oceanic in overall mood and texture. Knight has spent most of his life living on the banks of the Thames while Thrower resides on the East Sussex coast, and their musical flights of imagination tend toward rolling river dynamics and open seas of synthesized sound. For UnicaZürn, tidal imagery, oceanic forms and the slow rhythms of coastal water are a recurring structural presence, with strong associations of rootlessness, of being far away from home. The inability of human lungs to breathe water endows rivers and seas with a special poetics: a boundary between two different but inter-related states. On the one hand, solidity, clarity, definition; On the other, fluidity, uncertainty, dissolution. The sense of a threshold between opposites gives rise to an elusive otherness, suggesting a portal through which the everyday world can be escaped. Death under the water, the survivors of a lost kingdom clinging to the rocks of an unfamiliar island, a coastal boat ride into deepest abstraction, a deserted beach expressing a world outside reality. A sexual frisson too: a hovering at the brink, poised at the turbulent edge of pleasure, swept away into oblivion. There's a darkness in the sea, even if illuminated by the most dazzling sunshine. Open horizons shows the clutter of human life to be transient, and as the sea offers a dizzying sense of the eternal. Aquatic sensibility, oceanic timescales: the action of the salt sea beating on the shore. Beaches are cosmic, elemental. UnicaZürn's core instrumentation blends analog synthesiser, mellotron and electric piano with electric guitar and clarinet. Both Thrower and Knight draw upon their love and wide experience of electronic music, from the outer shores of Stockhausen to the outer space-ways of Tangerine Dream. In addition, Knight is renowned for his pioneering multi-textured fretwork with Danielle Dax and his ambient guitar settings for Lydia Lunch, while Thrower's reed playing provided a distinctive melancholy in Coil and emerged as electro-acoustic texture in Cyclobe. The title "Pale Salt Seam" is drawn from the poem "Night-Song of the Andalusian Sailors" by Federico García Lorca. Parts of "Pale Salt Seam" were recorded live at the Ironmongers Row Baths on March 2nd, 2013. Additional production assistance by Ivan Pavlov.
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Cassette
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TTW 084CS
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UnicaZürn is Stephen Thrower and David Knight. Ωmegapavilion consists of three improvisations played, recorded, and edited by UnicaZürn specifically for this release across one weekend in March 2015 in Battersea, London. Instrumentation included ARP Solina String Ensemble, EMS Synthi AKS, electric guitar, and two iPads. Here's Joe Banks, writing about the group for The Quietus: "UnicaZürn is an ongoing collaboration between David Knight and Stephen Thrower, two musicians with some serious avant rock credentials -- Knight was a key member of Shock Headed Peters and songwriting partner to the divine Danielle Dax, while Thrower was with Coil for eight years and is also one half of Cyclobe. The music they make together using a variety of vintage keys and reed instruments is a viscerally organic strain of proto-ambient, strongly influenced by the pre-sequencer Tangerine Dream of Zeit and Atem. We're firmly in drone territory here, but a long way away from throwing a few synth loops into GarageBand and hoping for the best."
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