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CD
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TR 386CD
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Tapete present Tony, Caro, and John's All On The First Day, originally released in 1972. Although they've achieved much of it in recent years, it was never for appreciation that Tony, Caro, and John came to record All On The First Day. The group instead formed serendipitously in the early 1970s through musical appreciation, DIY sensibilities, and an "all goes" mentality. It was here within the walls of the band that they were able to provide homecoming for a group of likeminded friends and cohorts during a rapidly changing cultural climate in London. The first pressing of All On The First Day was a small run of 100 spray-painted copies that one could only find in the small theaters and London flats in which the band performed. The album was self-produced, with group member John behind the board as the technical director to their eclectic and experimental songwriting approach. Tony & Caro's voices are the leading hand through the group's nomadic and shifting song-scape; singing tales of love, youth, and political confusion at a time when the very concept of personal identity was expanding beyond anything it had ever been in prior. While contemporaries such as The Incredible String Band, The Pentangle, and Pearls Before Swine were garnering international recognition and categorization at that time; Tony, Caro, and John evaded being confined to any particular set of expectations or aesthetics. Their songs move fluidly between ballads, protest songs, experimental story-tellings, and free-flowing group jams. Once approached by a label to release their music on a larger scale, they refused due to the labels suggestions for them to move in a specific direction with their music. The ethics and approach of the group pre-dates the DIY and punk ethos of the late '70s, '80s, and '90s, yet hits a similar nerve. It's not surprising that many years after All On The First Day made its journey into the underground a group such as Beach House, which was also formed within a DIY community ethos, covered "Snowdon Song", renaming it "Lovelier Girl" and placing it as a centerpiece on their self-titled album (2006). All On The First Day is a cult-classic; a flagship for any group who want to come together to create a sonic habitat. CD version comes in an edition of 500.
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LP+CD
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TR 386LP
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LP version. 180 gram vinyl. Includes CD. Tapete present Tony, Caro, and John's All On The First Day, originally released in 1972. Although they've achieved much of it in recent years, it was never for appreciation that Tony, Caro, and John came to record All On The First Day. The group instead formed serendipitously in the early 1970s through musical appreciation, DIY sensibilities, and an "all goes" mentality. It was here within the walls of the band that they were able to provide homecoming for a group of likeminded friends and cohorts during a rapidly changing cultural climate in London. The first pressing of All On The First Day was a small run of 100 spray-painted copies that one could only find in the small theaters and London flats in which the band performed. The album was self-produced, with group member John behind the board as the technical director to their eclectic and experimental songwriting approach. Tony & Caro's voices are the leading hand through the group's nomadic and shifting song-scape; singing tales of love, youth, and political confusion at a time when the very concept of personal identity was expanding beyond anything it had ever been in prior. While contemporaries such as The Incredible String Band, The Pentangle, and Pearls Before Swine were garnering international recognition and categorization at that time; Tony, Caro, and John evaded being confined to any particular set of expectations or aesthetics. Their songs move fluidly between ballads, protest songs, experimental story-tellings, and free-flowing group jams. Once approached by a label to release their music on a larger scale, they refused due to the labels suggestions for them to move in a specific direction with their music. The ethics and approach of the group pre-dates the DIY and punk ethos of the late '70s, '80s, and '90s, yet hits a similar nerve. It's not surprising that many years after All On The First Day made its journey into the underground a group such as Beach House, which was also formed within a DIY community ethos, covered "Snowdon Song", renaming it "Lovelier Girl" and placing it as a centerpiece on their self-titled album (2006). All On The First Day is a cult-classic; a flagship for any group who want to come together to create a sonic habitat.
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LP
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DC 527LP
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"Fans of the classic 1972 acid folk LP All On The First Day by Tony Caro & John rejoice! Yes, if you have one of the hundred or so copies of the original UK private press (with the hand-spray-painted cover, then you are probably a millionaire), or you purchased the ultra-limited Shadoks label reissue with EP in 2001, or the Gaarden records reissue of said reissue (if not, pressing two is still available, folks), there is still more! Drag City Records, Gaarden Records, and Galactic Zoo Disk have united forces to bring you Blue Clouds, a collection of the band's outtakes, rarities and live recordings spanning 1972 --1977. There are full band head-rockers here as well as quiet, stripped down home recordings-- plus a little drum machine sprinkled among the folky whimsy. Even casual fans of 60s psychedelic folkiness will enjoy this odds and sods compilation, as it stands up as a 'great lost album' (do we even need mention that the trendy popsters Beach House ripped off a tune from TCJ's Tony Dore? ah, probably not) and certainly serious fans of English pastoral folk like Incredible String Band, Bert Jansch, Left-Handed Marriage, The Holyground collective, Dr. Strangely Strange, Forest, etc. will need to grip this fast."
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