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CD
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GG 298CD
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"Massimo Toniutti is an Italian sound designer and experimental musician. He is the brother of Giancarlo Toniutti who is best known for his dark ambient masterpiece La Mutazione which was originally released on the Broken Flag label in the UK and later reissued by Klanggalerie. Massimo started working with sound when he was a teenager, collecting and playing recordings of all kinds. In th 1980s he released four cassettes on his own label, all heavily influenced by the experimental musis scene of that time. He soon developped a strong relation to electroacoustic structures, space/environment and silence. In the 1990s, he began investigating radio, creating his own sound archive and producing unusual broadcasts. He released an album entitled Il Museum Selvatico, which was reissued in Australia in 2018 on Oren Ambarchi's label Black Truffle. A documentation of his radio work can be heard on the CD Le Gabbiette Di Faraday, collecting radio pieces from 1996 to 1998. After a twenty year break, the cassette Antidocument/Groundwork was released in 2016 in a tiny edition of only 100 copies. Klanggalerie asked Massimo Toniutti to reissue this composition on CD to which he agreed. When work was started, Massimo decided to extend it to a much longer piece which became Variation Séculaire Géomagnétique. if you are into Musique Concrete, Dark Ambient or simply beautifully crafted atmospheric music, then this release is for you."
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2LP
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BT 040LP
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Black Truffle present the first reissue of a true underground masterpiece, Massimo Toniutti's Il Museo Selvatico ("The Wild Museum"), originally self-released on LP in 1991. Like his better-known brother Giancarlo -- whose classic 1985 Broken Flag LP La Mutazione was reissued by Black Truffle in 2015 (BT 014LP) -- Massimo Toniutti was active in the vibrant underground industrial/noise scene of the 1980s, contributing to releases on legendary labels such as Broken Flag and RRR and self-releasing a series of cassettes between 1984 and 1988. Existing in a private world apart from the noise and dark industrial tropes of many of his contemporaries, Toniutti's Il Museo Selvatico is an entirely singular work of domestic electro-acoustic exploration. Made up primarily of what Toniutti calls "small and rare noises" or sonic "knick-knacks" recorded between 1987 and 1990, the five pieces that make up the original LP usher us into a crepuscular space populated by mysterious traces of everyday life. Toniutti weaves a loose net of distant clanks, dull thuds, metallic resonance, and skittering percussive sounds, allowing the sounds to breathe against a backdrop of near-silent atmosphere. Although the haunted ambience recalls the work of contemporaries like Organum, Toniutti generally steers clear of long tones and drones, preferring to arrange brief, sometimes staccato sonic objects into patters of repeating figures and isolated events whose overall compositional shape remains somehow ungraspable. Although glimpses of recognizable location recordings and instrumental sounds can occasionally be made out, for most of the record the sources of the sounds you hear remain teasingly mysterious, an abstracted memory of everyday actions and atmospheres. I Museo Selvatico is accompanied here by an additional LP of material recorded at the same time, composed especially for this reissue into two side-long suites that inhabit the same haunted space as the original LP while occasionally making use of more maximal compositional strategies. Essential listening for fans of Organum, Nurse With Wound, Christoph Heemann, and the tradition of outsider musique concrete. Comes as a double-LP in a lavish gatefold with printed inner sleeves featuring archival images and notes. Remastered and cut at Dubplates & Mastering, Berlin.
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