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12"
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HOO 011-6EP
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Prayer returns to Hooversound once again creating a melting pot of his influences. From classical, to jungle and breaks to ambient, Prayer has doubled down on his refusal to be pigeonholed into a stereotype. Prayer has always been one to push hard on the emotional front, and definitely brings this energy to this release. Having recorded original piano music from the age of 16, he's been able to create a distinctive sound that still yet blows expectations out of the park, with previous releases on Grade 10 and Black Acre as well as debuting on Hooversound in 2021.
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12"
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ACRE 076EP
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2018 release. Prayer's outsider sound is as easily recognizable as it is hard to pinpoint; it lives at a cross section of influences from classical to jungle and breaks to ambient. After his Seeing EP (ACRE 069EP, 2017) and I / II cassette release in 2017, Prayer returns to affiliate label Black Acre with VITAL EP, a heavy four tracker. Again, PRAYER blurs the lines between sorrowful sounds and high-voltage club energy in Vital EP; a piece of art that refuses to be boxed off by genre or stereotype. Opener "Fear" explores the producers love of film music; a dark sci-fi landscape punctuated with drums and melodic synths, a Bladerunner-esque track. Moving on, "I'm Still Here" is an anthem, a nostalgic mix of hardcore, jungle and classical influences with a DIY, rough and ready feel. On the other side, Prayer shows his talent for the piano with "Kind", finessing the skills that reflect his first adventures in sound. It's an emotive, stripped back number. The final track is "Vital", another drum-heavy, weighty track that sounds only like Prayer -- as ideal for the club as it is for headphones.
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12"
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ACRE 069EP
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An artist dedicated to pushing the boundaries between the classical and electronic worlds, Prayer is a producer and composer who has impressed both ends of the spectrum. After dropping Lost (2017), aimed at giving classical music a more accessible angle, Prayer's Seeing is a darker, club-orientated four-tracker. In his words: "Seeing again explores relationships between two different areas of music; pushing for the diversification of classical music. Although more aggressive and instant than my previous work, it still fully compositional in its nature. The aim was to contrast harmony with brash rhythm, balancing perceived elegance and the abrasive."
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