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CD
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RCD 2172CD
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Phaedra's 2011 debut album, The Sea (RCD 2107CD/RLP 3107LP), received fantastic international reviews in magazines as diverse as The Wire, Uncut, Shindig, and Prog, which drew lines to Vashti Bunyan, Elizabeth Fraser, and Nico. The Chicago Reader said, "this is one of the loveliest, most striking albums, unlike anything I've heard in years." Blackwinged Night is the follow-up, and the second album in a trilogy, a lyrical and musical cycle with its own mythological structure. From the ethereal folk universe of the debut, Blackwinged Night dives into a darker dream-pop underworld, where acoustic elements of woodwinds, strings, and marimba are mixed with layers of analog synths, bigger drums, and darker basslines. Vocals are as crystal-clear and haunting as ever, with lyrics circling around themes like creation and collapse, time and falling stars. Phaedra is Ingvild Langgård, singer, composer, and artist. Educated at The Academy of Fine Art in Oslo, Norway, she composes music for the stage and screen in addition to her art projects with sound, video, and installations. In cooperation with choreographer Ingri Fiksdal and scenographer Signe Becker she created the acclaimed dance performances "Orchard Ballads" and "Night Tripper." "Night Tripper" won the Oslo Award in 2012, has since toured extensively in Europe, and had its US premiere in April 2014; The Guardian called it "an extraordinary piece, simple yet powerfully affecting." Blackwinged Night is produced by Langgård herself, with contributions from Christian Engfelt, who also mixed the album. There are contributions from Ensemble neoN members Kristine Tjøgersen, on clarinet, and Yumi Murakami, on flute. Last heard on Motorpsycho's En Konsert For Folk Flest (RLP 2170LP, 2015), Kari Rønnekleiv plays violin and Ole-Henrik Moe is on viola. Last but not least, there's Langgård's regular band; Gunhild Mathea Olaussen on violin, Jørn Tore Egseth on bass and keyboards, and Ane Marthe Sørlien Holen on drums, percussion, marimba, and vibraphone. Mastered by the legendary Greg Calbi at Sterling Sound.
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LP+CD
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RLP 3172LP
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LP version. Includes CD. Phaedra's 2011 debut album, The Sea (RCD 2107CD/RLP 3107LP), received fantastic international reviews in magazines as diverse as The Wire, Uncut, Shindig, and Prog, which drew lines to Vashti Bunyan, Elizabeth Fraser, and Nico. The Chicago Reader said, "this is one of the loveliest, most striking albums, unlike anything I've heard in years." Blackwinged Night is the follow-up, and the second album in a trilogy, a lyrical and musical cycle with its own mythological structure. From the ethereal folk universe of the debut, Blackwinged Night dives into a darker dream-pop underworld, where acoustic elements of woodwinds, strings, and marimba are mixed with layers of analog synths, bigger drums, and darker basslines. Vocals are as crystal-clear and haunting as ever, with lyrics circling around themes like creation and collapse, time and falling stars. Phaedra is Ingvild Langgård, singer, composer, and artist. Educated at The Academy of Fine Art in Oslo, Norway, she composes music for the stage and screen in addition to her art projects with sound, video, and installations. In cooperation with choreographer Ingri Fiksdal and scenographer Signe Becker she created the acclaimed dance performances "Orchard Ballads" and "Night Tripper." "Night Tripper" won the Oslo Award in 2012, has since toured extensively in Europe, and had its US premiere in April 2014; The Guardian called it "an extraordinary piece, simple yet powerfully affecting." Blackwinged Night is produced by Langgård herself, with contributions from Christian Engfelt, who also mixed the album. There are contributions from Ensemble neoN members Kristine Tjøgersen, on clarinet, and Yumi Murakami, on flute. Last heard on Motorpsycho's En Konsert For Folk Flest (RLP 2170LP, 2015), Kari Rønnekleiv plays violin and Ole-Henrik Moe is on viola. Last but not least, there's Langgård's regular band; Gunhild Mathea Olaussen on violin, Jørn Tore Egseth on bass and keyboards, and Ane Marthe Sørlien Holen on drums, percussion, marimba, and vibraphone. Mastered by the legendary Greg Calbi at Sterling Sound.
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CD
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RCD 2107CD
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This is the truly excellent debut album from Phaedra, a new voice on the Norwegian music scene. Rune Grammofon has not been so taken by a debutante since the appearance of Susanna And Her Magical Orchestra back in 2004. Phaedra is Ingvild Langgård, singer, songwriter and painter. Educated at Oslo National Academy Of The Arts in 2006, she has also worked with film, photography, field recordings, installations and vocal-based performance, and her works have been shown in several Norwegian cities as well as in New York (Norwegian Art Now). Co-produced by Madrugada's Frode Jacobsen, The Sea is the kind of classic, timeless music that doesn't come often these days, a mix of folk and psychedelia with a dash of blues and soul; sacred death hymns and shimmering atmospheres hand-in-hand with enchanting melodies and crystalline vocals all shrouded in a dark veil of mystery. Maybe the sort of record Joe Boyd would have produced some forty years ago. The Sea is the first album in a trilogy that constitutes a lyrical and musical cycle, fragments of homegrown mythology, physical and spiritual metamorphosis, death, the other side and losing your soul.
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LP
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RLP 3107LP
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LP version. Pressed on white vinyl with free mp3 download. Also includes an inner sleeve with lyrics. This is the truly excellent debut album from Phaedra, a new voice on the Norwegian music scene. Rune Grammofon has not been so taken by a debutante since the appearance of Susanna And Her Magical Orchestra back in 2004. Phaedra is Ingvild Langgård, singer, songwriter and painter. Educated at Oslo National Academy Of The Arts in 2006, she has also worked with film, photography, field recordings, installations and vocal-based performance, and her works have been shown in several Norwegian cities as well as in New York (Norwegian Art Now). Co-produced by Madrugada's Frode Jacobsen, The Sea is the kind of classic, timeless music that doesn't come often these days, a mix of folk and psychedelia with a dash of blues and soul; sacred death hymns and shimmering atmospheres hand-in-hand with enchanting melodies and crystalline vocals all shrouded in a dark veil of mystery. Maybe the sort of record Joe Boyd would have produced some forty years ago. The Sea is the first album in a trilogy that constitutes a lyrical and musical cycle, fragments of homegrown mythology, physical and spiritual metamorphosis, death, the other side and losing your soul.
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