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LP
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LANR 024LP
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Reissue, originally released in 1981. Reissued on vinyl for the very first time, the third Paragons album, released on the UK reggae label, Starlight. All songs are backed by the Aggrovators, the Bunny Lee's house band, that includes Sly & Robbie, the Barrett Brothers -- both also with Bob Marley & the Wailers -- Jackie Mittoo, Earl "Chinna" Smith, Winston Wright, and many others. Produced by Bunny Lee and mixed by Prince Jammy. Now marked the Paragons return to the scene, in a big way. Great vibrations, dreamy melodies, a roots reggae masterpiece, not to be missed! Fully remastered and licensed. Edition of 500.
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7"
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HSRSS 020EP
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"The Paragons were originally called The Binders, a band that comprised Keith Anderson (better known as Bob Andy), Garth Evans (aka Tyrone Evans), Junior Menz, and Leroy Stamp. In 1964 John Holt and Howard Barrett replaced Menz, and Stamp and the name was changed to The Paragons. Anderson left in 1965, and The Paragons continued as a trio. After John Holt left to pursue a solo career, Vic Taylor took Holt's place. The trio initially recorded two outstanding albums, including the legendary On The Beach. In 1980 Blondie covered their song 'The Tide Is High' with great international success. Today, On The Beach is considered to be the definitive rocksteady LP. Presented here, two selections from the On The Beach full-length, the gorgeous and haunting 'When The Lights Are Low' on the A-side. A Rocksteady masterpiece that totally deserves being released as a single at last. On the B-side, a cover of a lesser known but fine Beatles song 'I'll Be Back' featured on the Beatles '65 album. Though this gem sounds 100% like a Paragons song through and through, with gorgeous harmonies being served on an upbeat Rocksteady rhythm, complete with thumping bass and powerful horns. Brilliant."
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CD
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RR 316CD
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Radiation Roots present a reissue of The Paragons' Return, originally released in 1977. One of the most important harmony groups in the entirety of Jamaican music, the Paragons have a long and complicated history. First formed in the ska years by Bob Andy and Tyrone Evans as the duo of Andy And Ronnie, the group soon expanded to a quartet through the addition of Howard Barrett and John Holt, the latter naturally assuming lead duties; following the subsequent departure of Andy, Holt, Evans, and Barrett made the Paragons the quintessential rock steady trio. They had an incredible run of hits for Duke Reid and Coxsone during the mid-to-late '60s, and also issued some self-produced work, before Holt's solo career skyrocketed, leaving the group on the back-burner. Then, in the mid-1970s, the Paragons reformed, cutting material for New York-based labels such as Clocktower and Clintones, which led to this intriguing album, which saw material recorded in Jamaica at Harry J for Bunny Lee mixed with work cut at Bullwackie's studio in the Bronx; along with re-workings of classics such as "Left With A Broken Heart" and "Memories By The Score" is a whole range of new material, dealing with contemporary themes.
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LP
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RR 316LP
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LP version. Radiation Roots present a reissue of The Paragons' Return, originally released in 1977. One of the most important harmony groups in the entirety of Jamaican music, the Paragons have a long and complicated history. First formed in the ska years by Bob Andy and Tyrone Evans as the duo of Andy And Ronnie, the group soon expanded to a quartet through the addition of Howard Barrett and John Holt, the latter naturally assuming lead duties; following the subsequent departure of Andy, Holt, Evans, and Barrett made the Paragons the quintessential rock steady trio. They had an incredible run of hits for Duke Reid and Coxsone during the mid-to-late '60s, and also issued some self-produced work, before Holt's solo career skyrocketed, leaving the group on the back-burner. Then, in the mid-1970s, the Paragons reformed, cutting material for New York-based labels such as Clocktower and Clintones, which led to this intriguing album, which saw material recorded in Jamaica at Harry J for Bunny Lee mixed with work cut at Bullwackie's studio in the Bronx; along with re-workings of classics such as "Left With A Broken Heart" and "Memories By The Score" is a whole range of new material, dealing with contemporary themes.
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