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CD/BOOK
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ROTOR 077CD
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$35.50
PREORDER
RELEASE DATE: 2/11/2022
Deluxe art book CD of 24-pages, sewn; all artworks by Babs Santini. "This 1983 period in which Gyllensköld was recorded was a fantastic time for the evolution of Steven Stapleton's audio art. His collaborations with Diana Rogerson, Robert Haigh (Sema), David Tibet, and Thirlwell around this time elicited some of the most exciting work Nurse With Wound had yet recorded. Listen to this material and compare it to Chance Meeting and it becomes clear that in just a few years, Stapleton's art had grown by leaps and bounds. The production quality on these tracks is remarkable, and the widening out of the NWW soundworld opened up a whole new audio toybox that Stapleton has continued to experiment with up to today. This new sound encompasses vocal experiments, vintage LPs of easy listening music, demented nursery rhymes, lateral references to disposable pop music, avant-garde jazz and minimalistic piano composition, all glued together with evocative atmospheres redolent of things unholy, troubling and perverse, but always oddly indefinable and puzzlingly misshapen. In retrospect, Gyllensköld can be seen as the beginning of the 'mature;' period of NWW, and thus it is an indispensable release for fans of the project. Perhaps influenced by the obsessions of his friend and collaborator Tibet, Stapleton also began weaving religious and occult references into his usual name-dropping of avant-garde artists and movements . . . NWW's Gyllensköld comes across at times as the soundtrack to a schizoid episode: disembodied voices intoning nonsense, floating subliminally across the stereo channels, or cackling in evil delight. The sounds are denser here than on earlier works such as Homotopy To Marie. Areas of silence are mostly gone, replaced by layers of drone, cartoonish noises and mutated voices. 'Several Odd Moments Prior to Lunch' opens the brief album, setting the stage with its lysergically altered vocals and a frightening, yawning chasm of haunted, spectral sound. Stapleton, Thirlwell, and company learned how to wield the studio like an instrument on these and other recordings of the period. Effects such as reverb, delay, ring modulation and backwards tracking are utilized to create evolving textures and darkly psychedelic dreamspaces. 'Phenomenon of Aquarium and Bearded Lady' utilizes a number of instruments, including horns and piano, to create a bizarre dislocated funeral dirge in which the sounds of a slowly cycling jack-in-the-box are not out of place. For fans of musicians like Jacques Berrocal, who prefer their free jazz with a heavy dose of whacked-out eccentricity, this is about as good as it gets. 'Dirty Fingernails' is something else entirely, a longform exploration of outré textures, combining mysterious trebly noises with percussive bleeps of mysterious origin." --Brainwashed
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2CD
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DPROM 072LTD-CD
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Long out-of-print and much in-demand, this classic Nurse With Wound CD is now back as a double-CD. This double-CD set includes a CD of a completely unreleased alternate mix. Packaged in a stunning matte digipak, with all the information in a clear gloss spot varnish. This is only visible from certain angles! Nurse With Wound playing The Surveillance Lounge were and are Steven Stapleton, Andrew Liles, David Tibet, Nadja Belabidi, Lynn Jackson, Ollie Mathura O'Keeffe, Freek Kinkelaar, Miranda Kinkelaar, Melon Liles, and Maude Swift.
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2LP
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ROTOR 077LP
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"This 1983 period in which Gyllensköld was recorded was a fantastic time for the evolution of Steven Stapleton's audio art. His collaborations with Diana Rogerson, Robert Haigh (Sema), David Tibet, and Thirlwell around this time elicited some of the most exciting work Nurse With Wound had yet recorded. Listen to this material and compare it to Chance Meeting and it becomes clear that in just a few years, Stapleton's art had grown by leaps and bounds. The production quality on these tracks is remarkable, and the widening out of the NWW soundworld opened up a whole new audio toybox that Stapleton has continued to experiment with up to today. This new sound encompasses vocal experiments, vintage LPs of easy listening music, demented nursery rhymes, lateral references to disposable pop music, avant-garde jazz and minimalistic piano composition, all glued together with evocative atmospheres redolent of things unholy, troubling and perverse, but always oddly indefinable and puzzlingly misshapen. In retrospect, Gyllensköld can be seen as the beginning of the 'mature;' period of NWW, and thus it is an indispensable release for fans of the project. Perhaps influenced by the obsessions of his friend and collaborator Tibet, Stapleton also began weaving religious and occult references into his usual name-dropping of avant-garde artists and movements . . . NWW's Gyllensköld comes across at times as the soundtrack to a schizoid episode: disembodied voices intoning nonsense, floating subliminally across the stereo channels, or cackling in evil delight. The sounds are denser here than on earlier works such as Homotopy To Marie. Areas of silence are mostly gone, replaced by layers of drone, cartoonish noises and mutated voices. 'Several Odd Moments Prior to Lunch' opens the brief album, setting the stage with its lysergically altered vocals and a frightening, yawning chasm of haunted, spectral sound. Stapleton, Thirlwell, and company learned how to wield the studio like an instrument on these and other recordings of the period. Effects such as reverb, delay, ring modulation and backwards tracking are utilized to create evolving textures and darkly psychedelic dreamspaces. 'Phenomenon of Aquarium and Bearded Lady' utilizes a number of instruments, including horns and piano, to create a bizarre dislocated funeral dirge in which the sounds of a slowly cycling jack-in-the-box are not out of place. For fans of musicians like Jacques Berrocal, who prefer their free jazz with a heavy dose of whacked-out eccentricity, this is about as good as it gets. 'Dirty Fingernails' is something else entirely, a longform exploration of outré textures, combining mysterious trebly noises with percussive bleeps of mysterious origin." --Brainwashed
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2LP
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ROTOR 077SIL-LP
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Double LP version. Silver vinyl. "This 1983 period in which Gyllensköld was recorded was a fantastic time for the evolution of Steven Stapleton's audio art. His collaborations with Diana Rogerson, Robert Haigh (Sema), David Tibet, and Thirlwell around this time elicited some of the most exciting work Nurse With Wound had yet recorded. Listen to this material and compare it to Chance Meeting and it becomes clear that in just a few years, Stapleton's art had grown by leaps and bounds. The production quality on these tracks is remarkable, and the widening out of the NWW soundworld opened up a whole new audio toybox that Stapleton has continued to experiment with up to today. This new sound encompasses vocal experiments, vintage LPs of easy listening music, demented nursery rhymes, lateral references to disposable pop music, avant-garde jazz and minimalistic piano composition, all glued together with evocative atmospheres redolent of things unholy, troubling and perverse, but always oddly indefinable and puzzlingly misshapen. In retrospect, Gyllensköld can be seen as the beginning of the 'mature;' period of NWW, and thus it is an indispensable release for fans of the project. Perhaps influenced by the obsessions of his friend and collaborator Tibet, Stapleton also began weaving religious and occult references into his usual name-dropping of avant-garde artists and movements . . . NWW's Gyllensköld comes across at times as the soundtrack to a schizoid episode: disembodied voices intoning nonsense, floating subliminally across the stereo channels, or cackling in evil delight. The sounds are denser here than on earlier works such as Homotopy To Marie. Areas of silence are mostly gone, replaced by layers of drone, cartoonish noises and mutated voices. 'Several Odd Moments Prior to Lunch' opens the brief album, setting the stage with its lysergically altered vocals and a frightening, yawning chasm of haunted, spectral sound. Stapleton, Thirlwell, and company learned how to wield the studio like an instrument on these and other recordings of the period. Effects such as reverb, delay, ring modulation and backwards tracking are utilized to create evolving textures and darkly psychedelic dreamspaces. 'Phenomenon of Aquarium and Bearded Lady' utilizes a number of instruments, including horns and piano, to create a bizarre dislocated funeral dirge in which the sounds of a slowly cycling jack-in-the-box are not out of place. For fans of musicians like Jacques Berrocal, who prefer their free jazz with a heavy dose of whacked-out eccentricity, this is about as good as it gets. 'Dirty Fingernails' is something else entirely, a longform exploration of outré textures, combining mysterious trebly noises with percussive bleeps of mysterious origin." --Brainwashed
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PIC. DISC
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DPROM 113LP
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Sylvie & Babs as a picture disc LP, with new Babs Santini artwork. Originally released in 1985. Was it always supposed to be this way? Who knows? But it won't be around for long. One pressing and that's it, buy or die -- you know the drill. "Sylvie & Babs is one of the most memorable, playful, and fascinating albums in the NWW oeuvre (though a decidedly unrepresentative one) ... few (if any) other artists could've woven capricious contrarianism, low humor, bad puns, endless non-sequiturs, and chaos into such a satisfying whole" --Anthony D'Amico.
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CD
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UD 004CD
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Originally released on LP by United Dairies in 1980. Originally recorded June 1980. Long awaited CD reissue of Nurse With Wound's classic third album, remastered, in a six-panel digipak, with new original Santini artworks and secret, previously unheard audio.
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CD
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UD 003CD
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Remastered reissue of the 1980 LP from the original analog tapes. Released in six-panel digipak, with new, original artwork by Babs Santini and additional secret, unpublished audio. Originally recorded June 1980.
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2CD
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UD 111CD
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This music is to be played in whichever order the listener wants to. The CD version of Trippin' Musik is a double-CD set. It features 35 minutes of extra material not available on the vinyl release.
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Cassette
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MVD 4628CS
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"Special limited edition to 200 copies on tape of this brilliant album."
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2LP
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ABST 011LP
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Repress forthcoming, expected Nov/2020. Abstrakce Recods present a reissue of Nurse With Wound's Rock 'n Roll Station, originally released in 1994. First time on vinyl since 2006 and first time with its original track listing. Limited one-off pressing with letter press cover and bonus track. Rock 'n Roll Station began life with Steven Stapleton asking engineer Colin Potter to remix some of the more rhythmic elements of "Colder Still" from 1992's Thunder Perfect Mind (SPHERES 020LP). As Potter gradually warped these sections into weirder and weirder pieces, a new album began to emerge. Potter himself explained it to David Keenan in England's Hidden Reverse (2003): "What I sometimes did in the studio was to 'over-use' effects and processors to totally mutate a piece into something completely different" while Stapleton observed how it was almost as though telepathic messages were sent over to Colin. [We'd] started an album [together at IC Studio] that was never finished. He [then] sent me some vague mixes, which were just what I had in mind. So, from that basis, I started putting the album together." Potter would quickly become a key player in Nurse With Wound's productions, a position he continues to fulfil to this day. He was first credited as a member on 1992's Thunder Perfect Mind, a tour-de-force of cold, at times hostile, machined atmospheres, but considers Rock 'n Roll Station from the following year to still be his favorite. Building on percussion and drone elements, Stapleton and Potter throw in a huge range of bizarre and atmospheric elements: didgeridoos, chanting voices, and their usual selection of unidentifiable sounds. Its strong focus on rhythm was erroneously surmised by some as an attempt to join the then rising electronic dance music scene. The album's title alluded to two specifically rock-related stations of influence: the song of the same name by Jac Berrocal, of which a surprisingly straight cover opens the album in homage; and the tragic life of the '60s British R&B organist Graham Bond who influenced bands such as Deep Purple and Cream. Beset by mental health problems (at one point believing he was the son of Aleister Crowley), Bond died under a train at a Tube station in 1989 and it is this tragic scene that Rock 'n Roll Station's closing track, "Finsbury Park, May 8th, 1:35 PM (I'll See You In Another World)", sets in sound.
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2LP
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MVD 4195LP
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"Double album, gatefold cover, poster, limited and numbered to 300 copies."
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2LP
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MVD 4194LP
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"Double picture disc LP of this monumental album by Nurse With Wound, strictly limited and numbered to 300 copies. This special edition of 'Lumb's Sister' contains a front-retro poster (cm 60x60) and the standard gatefold cover!"
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LP
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DPROM 153LP
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2021 repress. Clear vinyl, exclusive color pressing for USA, 300 only. Long awaited vinyl reissue of Nurse With Wound's classic third album, Merzbild Schwet, originally released in 1980. Packaged in an outer sleeve that replicates the original United Dairies issue and has a brand-new Steven Stapleton designed full color insert.
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LP
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DPROM 152LP
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2021 repress. Purple vinyl, exclusive color pressing for USA, 300 only. Long awaited vinyl reissue of Nurse With Wound's classic second album, To The Quiet Men From A Tiny Girl, originally released in 1980. Packaged in an outer sleeve that replicates the original United Dairies issue and also has a replica of the Steven Stapleton designed insert.
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3LP BOX
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DPROMBX 148LP
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2021 repress. Triple-LP box set, now on black vinyl LPs; includes a fold-out insert. There is no track listing -- no Side A, B, etc. This music is to be played in whichever order the listener wants to. The box and insert all have new artwork by Babs Santini. Features all new material.
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3CD
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DPROMBX 666CD
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Originally recorded and released in 1988, Nurse With Wound's ambient opus was years ahead of its time, a ground-breaking set of atmospheric sound patterns designed for ritual ceremonies. Hailed as a masterpiece on release, it soon became a firm favorite of NWW fans and topped the world ambient chart for over three months. Originally a limited-edition, three-album set housed in a handsome 12-inch gold and black foil embossed box, this new edition, a CD facsimile of the original vinyl set, contains the entire album, plus 40 minutes of superb quality, previously unreleased music from the original sessions that did not appear on the vinyl. A green foil blocked cover and new parchment insert makes this one of Dirter Promotion's most elegant and desirable releases to date.
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2CD/BOOK
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ROTOR 070BK
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Double-CD version includes 30-page metallic hardcover book (15 x 20 x 2cm) containing color and black-and-white art by Babs Santini (Steven Stapleton). Rotorelief present a reissue of Homotopy To Marie. the fifth album by Nurse With Wound, originally released in 1982. Music and sleeve created by Steven Stapleton. The album is "a step on from the Dadaist rock of Merzbild Schwet, with much use of tape manipulation and classical avant-garde techniques". The album, which combines tape edits with resonating gong tones and disembodied children's voices to create a sonic collage, is far removed from the harsh improvisations of the group's early albums. The title of the brief closing track derives from a passage from "Les Chants de Maldoror" (1869), a surreal poetic novel written by Le Comte de Lautréamont. This appropriation of a phrase from Maldoror is shared in common with the title of Nurse With Wound's debut album, Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella (1979); both phrases appear in Lautréamont's work. The album was first issued on Stapleton's own United Dairies label on vinyl, cassette, and later in remastered compact disc including an extra track "Astral Dustbin Dirge". This masterpiece reissue is the official full, double album from the original recording sessions. The four tracks from the original LP are accompanied by additional recordings from the same period.
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CD
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DPROM 138CD
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In 1982 The New Blockaders self-released their debut LP Changez Les Blockeurs, an edition of only 100. Steven Stapleton (Nurse With Wound) was the very first person to purchase/hear the album and subsequently distributed copies via United Dairies. The LP has since attained a somewhat mythical/legendary status and 2017 was the 35th anniversary of its original release. In celebration of this, The New Blockaders invited Stapleton to rework the original, which is now available in all its glory as NWW Play 'Changez Les Blockeurs'. Includes a bonus track not on the LP and new artwork by Babs Santini.
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2LP
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ROTOR 070LP
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Rotorelief present a reissue of Homotopy To Marie. the fifth album by Nurse With Wound, originally released in 1982. Music and sleeve created by Steven Stapleton. The album is "a step on from the Dadaist rock of Merzbild Schwet, with much use of tape manipulation and classical avant-garde techniques". The album, which combines tape edits with resonating gong tones and disembodied children's voices to create a sonic collage, is far removed from the harsh improvisations of the group's early albums. The title of the brief closing track derives from a passage from "Les Chants de Maldoror" (1869), a surreal poetic novel written by Le Comte de Lautréamont. This appropriation of a phrase from Maldoror is shared in common with the title of Nurse With Wound's debut album, Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella (1979); both phrases appear in Lautréamont's work. The album was first issued on Stapleton's own United Dairies label on vinyl, cassette, and later in remastered compact disc including an extra track "Astral Dustbin Dirge". This masterpiece reissue is the official full, double album from the original recording sessions. The four tracks from the original LP are accompanied by additional recordings from the same period. This second, double album masterpiece in the "silver collection" of Nurse With Wound albums, is a technically better, crystal clear performance, in comparison to the original 1982 cut. Comes one black vinyl (ROTOR 070LP) and silver-and-black vinyl (ROTOR 070SIL-LP).
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2LP
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ROTOR 070SIL-LP
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Silver and black vinyl version. Metalic gatefold sleeve. Rotorelief present a reissue of Homotopy To Marie. the fifth album by Nurse With Wound, originally released in 1982. Music and sleeve created by Steven Stapleton. The album is "a step on from the Dadaist rock of Merzbild Schwet, with much use of tape manipulation and classical avant-garde techniques". The album, which combines tape edits with resonating gong tones and disembodied children's voices to create a sonic collage, is far removed from the harsh improvisations of the group's early albums. The title of the brief closing track derives from a passage from "Les Chants de Maldoror" (1869), a surreal poetic novel written by Le Comte de Lautréamont. This appropriation of a phrase from Maldoror is shared in common with the title of Nurse With Wound's debut album, Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella (1979); both phrases appear in Lautréamont's work. The album was first issued on Stapleton's own United Dairies label on vinyl, cassette, and later in remastered compact disc including an extra track "Astral Dustbin Dirge". This masterpiece reissue is the official full, double album from the original recording sessions. The four tracks from the original LP are accompanied by additional recordings from the same period. This second, double album masterpiece in the "silver collection" of Nurse With Wound albums, is a technically better, crystal clear performance, in comparison to the original 1982 cut.
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2CD
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DPROM 140CD
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Sinister Whimsy For The Wretched contains the long out-of-print albums, Sugar Fish Drink (1992) and Large Ladies With Cake In The Oven (1993). Both discs are remastered by Andrew Liles. You will never hear these better. Sugar Fish Drink, "Cod Surrealism", is a distinctly wet aberration on paranoid aesthetics occasionally coordinated by John Balance and Steven Stapleton. For Large Ladies With Cake In The Oven, all tracks were previously released in some form or another. Songs titles have been altered from their original forms on their original releases. "Head Cold" is very close to being the exact song as the Miss Ticker remix of "Cold" from the Thunder Perfect Mind CD reissue and "Steel Dream March Of The Metal Man".
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2CD
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DPROM 136CD
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Out of print for 17 years, Nurse With Wound's The Swinging Reflective was originally released in 1999. Features collaborations with Coil, Diana Rogerson, Jim O'Rourke, William Bennett, Legendary Pink Dots, Foetus, Current 93, David Tibet, Tony Wakeford, Inflatable Sideshow, Aranos, Chris Wallis/Peat Bog, and Tiny Tim. All tracks are remastered and it is the perfect partner for Swinging Reflective II (DPROM 134CD). Also features Steven Stapleton and Stereolab. This set is packaged with all new artwork; Comes in a heavy board, gloss laminated six-panel digipak.
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2CD
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DPROM 134CD
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Follow up to 1999's The Swinging Reflective album. It features an array of Steven Stapleton's favorite releases that are either his own remixes of other artists, collaborations, or have been co-written with individuals who have worked extensively with Nurse With Wound. All tracks are remastered and some have been slightly or comprehensively remixed. Features: Colin Potter, Faust, Freida Abtan, Graham Bowers, David Kenny, Band Of Pain, Andrew Liles, Christoph Heemann, Aranos, Sunn O))), Lynn Jackson, Sand, Larson/Fritz Müller, and Blind Cave Salamander. Packaged in a heavy board, gloss laminated six-panel digipak.
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2CD/BOOK
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ROTOR 050BK
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Rotorelief inaugurates its Silver Collection with this deluxe expanded reissue of Nurse With Wound's 1986 masterpiece Spiral Insana. Two-CD version includes 30-page metallic hardcover book (15 x 20 x 2 cm) containing color and black-and-white art by Babs Santini (Steven Stapleton). One of Nurse With Wound's most deep and mysterious recordings, Spiral Insana is more ambient and user-friendly than many other NWW outings, without losing any of its surreal edge. Stapleton and guests Robert Haigh and David Jackman mix prepared piano, percussion, loops, and various bric-à-brac into an hour-long collage of mashed-up sound, jarring juxtapositions, buzz-saw distortion, and even a pipe organ. If that sounds disorienting, that's because it is. This edition marks the definitive release of the complete Spiral Insana sessions, with the contents of the original 1986 LP augmented by three recordings from the same period: "Mourning Smile" (originally released on the 1987 LP Drunk With The Old Man Of The Mountains and later included on the 1997 United Dairies CD reissue of Spiral Insana), "Nihil" (first released on the 1997 Spiral Insana CD reissue), and "A Missing Sense," a 25-minute tribute to Robert Ashley's Automatic Writing originally released as the NWW half of a 1986 LP split with Organum. Steven Stapleton: drums, cello, radio, guitar, bowed piano, percussion, loops, voice, tuba, organ, electronics; Robert Haigh: guitar; David Jackman: banjo, splutter, voice; Chris Wallis: acoustic guitar; David Tibet: trumpet; Diana Rogerson: voice; Andrew McKenzie: voice. Mastered by Denis Blackham. Cover art and pictures by Babs Santini. "Still stands as one of the clear highlights of Stephen Stapleton's singularly daunting and mountainous discography. . . . Many of the varied interludes are noisy, fragmented, and somewhat abrasive, but there is always a playful sense of mischief lurking in the shadows, ready to blunder into the steadily darkening fever dream at any second. . . . a brilliantly skewed and excellent album that has not faded with age one bit." --Anthony D'Amico, Brainwashed
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2LP
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ROTOR 050LP
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Restocked; Double-LP version. 180-gram vinyl. Deluxe metallic silver gatefold sleeve. Limited numbered edition of 1000. Rotorelief inaugurates its Silver Collection with this deluxe expanded reissue of Nurse With Wound's 1986 masterpiece Spiral Insana. One of Nurse With Wound's most deep and mysterious recordings, Spiral Insana is more ambient and user-friendly than many other NWW outings, without losing any of its surreal edge. Stapleton and guests Robert Haigh and David Jackman mix prepared piano, percussion, loops, and various bric-à-brac into an hour-long collage of mashed-up sound, jarring juxtapositions, buzz-saw distortion, and even a pipe organ. If that sounds disorienting, that's because it is. This edition marks the definitive release of the complete Spiral Insana sessions, with the contents of the original 1986 LP augmented by three recordings from the same period: "Mourning Smile" (originally released on the 1987 LP Drunk With The Old Man Of The Mountains and later included on the 1997 United Dairies CD reissue of Spiral Insana), "Nihil" (first released on the 1997 Spiral Insana CD reissue), and "A Missing Sense," a 25-minute tribute to Robert Ashley's Automatic Writing originally released as the NWW half of a 1986 LP split with Organum. Steven Stapleton: drums, cello, radio, guitar, bowed piano, percussion, loops, voice, tuba, organ, electronics; Robert Haigh: guitar; David Jackman: banjo, splutter, voice; Chris Wallis: acoustic guitar; David Tibet: trumpet; Diana Rogerson: voice; Andrew McKenzie: voice. Mastered by Denis Blackham. Cover art and pictures by Babs Santini. "Still stands as one of the clear highlights of Stephen Stapleton's singularly daunting and mountainous discography. . . . Many of the varied interludes are noisy, fragmented, and somewhat abrasive, but there is always a playful sense of mischief lurking in the shadows, ready to blunder into the steadily darkening fever dream at any second. . . . a brilliantly skewed and excellent album that has not faded with age one bit." --Anthony D'Amico, Brainwashed
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