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LP
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VIA 011LP
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Meet Motherfuckers JMB & Co! J is for Jim, M is for Marc, B is for Brian. The trio's first full-length is a rocket of rhythm and atmosphere that fearlessly treks into vast sonic spaces. Drumbeats spread into constellations, bass pumps air into the sky, drones flare into clouds. Thick grooves drift in and out of focus, but there's always a central force to cling to as all the vapor-trails shoot past. Decades of musical archaeology lurk behind this rainbow-hued swirl of psych, drone, improvisation, and ritual. Brian Weitz (hurdy gurdy) has spent 25 years crafting sound as Geologist in the ground-breaking quartet Animal Collective. Jim Thomson (drums) has been in scores of bands, from helping found Richmond art-metal legends GWAR, to jamming instrumentals in SST alums Alter-Natives (a fitting forebear to JMB's vocal-less jaunts), to driving the spirited dance-punk of Time Is Fire. Marc Minsker (bass, guitar, harmonium) has made music since the early '90s, initially in Third Eye Lounge (who backed legendary improviser Eugene Chadbourne), and later in myriad partnerships around the mid-Atlantic region. The trio came together via old-fashioned community, in the always-fertile ground of the DC/Maryland/Virginia experimental scene. Recordings for Music Excitement Action Beauty took place in Tonal Park studios during a single afternoon, with "lights lowered and incense and candles lit," as Thomson describes. Weitz edited the resulting material after a three-month break, trimming down improvisations and reworking cut-out sections into seamless transitions. Music Excitement Action Beauty features seven cascading tracks that blend like ice cream flavors overfilling a cone. Throughout Music Excitement Action Beauty, there's a communal vibe -- not just from the friends-through-friends connections of JMB, but also the larger environments they've moved in for years. There's a "Co." at the end of their name for a reason, as if Music Excitement Action Beauty was made by three on behalf of many more. "Every group I've played with was usually organically formed and informed by the community and friendships in some ways," says Thomson. "I was very attracted to playing with Marc and Brian because of the promise of repetition, drone, and psychedelia, and it delivered in spades."
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