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CD
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NS 053CD
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Marc Marzenit is one of the most important figures in the Spanish electronic scene, with an impressive career as a DJ and producer, having performed all over the world at festivals such as Sónar, Ultra Miami, Creamfields Spain, Creamfields Buenos Aires, and Global Gathering, among many others. Marc also stands out for his work on prestigious labels such as Cocoon, Bedrock and Tronic, creating his own sound, elegant and emotional, yet strong and able to rock any dancefloor. But instead of exploiting this formula, simply compiling all his singles and shaping them into an album, Marc has created what could be called a conceptual techno album based on personal experiences, which is full of feelings and honesty, something really rare these days. Drawing from his classical musical background and influences beyond dance music, Marc came up with an album that injects freshness and purity into the music, reinventing himself yet staying true to his own sound, renewing it and getting the listener excited. The album combines hypnotic, expressive techno with tracks like "Death Espiral," which has already been played in the sets of techno and deep house ambassadors, as well as with highly sensitive electronic tracks. To Love Until We Say Goodbye is a musical journey through nostalgic beauty, two years in the making, which speaks from personal experience about a break-up, about a cycle that terminates, and about how we can face the end, which is inevitable. And in that exact moment of rupture, there's Marc as an artist, a turning point where he decides to break the limits of club music and show us that he is able to create a techno album that can make us dance with tears in our eyes.
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12"
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PARAD 018EP
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"ITS Caracas (Paradigma 014) returns to Paradigma Musik in the form of three remixes, molding a delightful 12-incher for Paradigma's 18th release. Paul Ritch covers the A-side with a faster paced house version encompassed in a rich background of high intensity and psychedelic notions. His admirable use of loops and tools transforms the track into an attractive DJ-compatible dance floor hit. Ritch, whose musical success took an upward hike in the last two years, released on the likes of Get Physical Music (Fortuna, June), Fumakilla (Back to the Time), Paradigma Musik (Higher) and MiniSketch (Nordbahnhof). In 2007, his tracks were also included in nine internationally prominent mix albums such as John Digweed's Transitions, Vol. 3, Gui Boratto's Addicted, Vol. 2, Global Underground: Rio from Layo & Bushwacka! and M.A.N.D.Y.'s Ibiza '07. His attention to detail is carefully characterized in his producing and remix work. The two part, B-sider is shared by Madrid based producers Prompt and Henry Saiz."
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12"
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PARAD 014EP
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"'ITS Caracas,' a track so powerful, it could glide out of an album sleeve by itself, yet is better accompanied with its remix counterpart. Paradigma founder, Marc Marzenit and London-Berlin techno wünderkind, Gavin Herlihy, collaborate in the ying and yang of EP releases. Side A is a raw introduction to propeller engines weaving in and out of wild jungle beats, simultaneously taking you on a journey through trippy sounds and psychedelic notions. Marc lays it out masculine, hot and aggressively, creating a peek-like riding experience until the explosive end. On the flip side, 'ITS Caracas (Gavin Herlihy Remix)' is contrasted by softer minimal beats as a subtle tranquility pulls the propeller sounds and psychedelic layers towards the back of the track filling the atmosphere with airy grooves and alleviation. As a producer and a live artist, Marc Marzenit draws his inspiration from a wide array of musical influences ranging anywhere from Bach and Beethoven to Fatboy Slim and Massive Attack. His greatest musical achievements are marked by his impregnation of sense and sensibility to 'muscular' techno as well as being precocious in his electronic work -- a personal and unique style, positively setting him on the outside quarters of other talented 'techs.'"
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