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viewing 1 To 25 of 25 items
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2LP
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NSD 237LP
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"Known for classic collaborative albums with artists like J Dilla, MF DOOM, and Freddie Gibbs, widely celebrated producer Madlib is a sampling savant who has crafted beats for the likes of Erykah Badu, Anderson Paak, Tyler The Creator, Logic, De La Soul, and many more. The California artist's latest project is Liberation 2, his second collaboration with hip-hop icon Talib Kweli. A global call for unity through space and time, the acclaimed album features appearances by Q-Tip, Westside Gunn, Roc Marciano, Roy Ayers, Goapele, Wildchild, Pink Siifu, and more. Now, the remarkable jazz-inflected Madlib instrumentals from Liberation 2 are receiving a proper vinyl release. Following in the footsteps of past Madlib instrumental classics, this limited-edition collection features 14 compelling tracks from one of the most gifted musical minds in hip-hop history."
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LP
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BYH 015LP
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"Otis Jackson Jr. aka Madlib is one of hip hops most inspirational producer. With self-produced classic releases such as Quasimoto, Madvillain (with MF Doom), Piñata (with Freddie Gibbs), Jaylib (co-produced with the great J Dilla), and Bad Neighbor (with Blu and MED), he proves he is in his own lane and the best at loop digging. Madlib doesn't disappoint and delivers heavy bangers on his new release Flying High Instrumentals. LMD (LMNO, MED, DECLAIME) provided a solid performance on the vocal version of 'Flying High' with stellar bars throughout the album, so it's only right BYH provides the beats to vibe to from the sensei himself, Madlib the Bad Kid."
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2LP
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MMS 007LP
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"In 2010, Madlib launched an ambitious series of releases known as the Madlib Medicine Show, which allowed the prolific producer to release new material on a monthly basis. The series touched on all the genres Madlib digs, and that's just about any genre you can consider -- from jazz to rock, soul to disco, myriad African musics, Brazilian and reggae. The seventh entry in the series, High Jazz being an all-new Madlib jazz production. High Jazz, the name itself a tribute to the landmark jazz-fusion album released by Stanton Davis's Ghetto Mysticism in 1976, shows a marked development in Madlib's craft. Among the tracks on High Jazz you'll find collaborations with the extraordinary jazz/hip-hop drummer/ producer Karriem Riggins - together with Madlib as Jahari Masamba Unit; the debut of groups Generation Match, The Big Black Foot Band, and RMC, a Madlib, Riggins & James Poyser collab; and a fifteen-minute live piece by Yesterdays New Quintet (recorded at a secret show in 2000)."
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2LP
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MMS 009LP
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"Channel 85 Presents Nittyville is perhaps the most traditional release from Madlib's ambitious Medicine Show series, and we make no bones about it: one MC, one producer, and a rap record all about stunts, blunts and hip-hop. Frank is Detroit's Frank Nitt, protegee of the late J Dilla, formerly of Frank-n-Dank. Madlib is the Beat Konducta, Quasimoto, half-Madvillain and Jaylib, one of hip-hop's most acclaimed producer's favorite producers. As for Channel 85, it's clearly off most dials. This album's concept TV station runs one show only, the comic-drama, reality-musical called Nittyville, featuring Frank, MED, Oh No, Madlib, and a supporting cast of extras."
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2LP
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MMS 011LP
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"In 2010, Madlib launched an ambitious series of releases known as the Madlib Medicine Show, which allowed the prolific producer to release new material on a monthly basis. The series touched on all the genres Madlib digs, and that's just about any genre you can consider -- from jazz to rock, soul to disco, myriad African musics, Brazilian and reggae. On the 11th installment in series Madlib returned to his hip hop roots with Low Budget High-Fi Music. Featuring a run-down of regular Madlib collaborators who provide the Beat Konducta's foil, it also included a hint of what was meant to come on the never-realized second Jaylib album, with a previously unreleased J Dilla collaboration."
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Cassette
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MMS 044CS
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Cassette version. "Music by Madlib arranged by Kieren Hebden. Gil Evans to Miles Davis... Holger Czukay to the ensemble known as Can... Jean Claude Vannier to Serge Gainsbourg on Histoire de Melody Nelson. That's the only way to explain the specificity of Four Tet and Madlib's collaboration, in this special album that showcases a two-decade long friendship that has resulted in an album that follows Madlib's classics like Quasimoto's The Unseen, Madvillainy and his Pinata and Bandana albums with Freddie Gibbs. 'A few months ago I completed work on an album with my friend Madlib that we'd been making for the last few years. He is always making loads of music in all sorts of styles and I was listening to some of his new beats and studio sessions when I had the idea that it would be great to hear some of these ideas made into a Madlib solo album. Not made into beats for vocalists to use but instead arranged into tracks that could all flow together in an album designed to be listened to start to finish. I put this concept to him when we were hanging out eating some nice food one day and we decided to work on this together with him sending me tracks, loops, ideas and experiments that I would arrange, edit, manipulate and combine. I was sent hundreds of pieces of music over a couple of years stretch and during that time I put together this album with all the parts that fitted with my vision.' --Kieren Hebden AKA Four Tet"
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CD
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MMS 044CD
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"Music by Madlib arranged by Kieren Hebden. Gil Evans to Miles Davis... Holger Czukay to the ensemble known as Can... Jean Claude Vannier to Serge Gainsbourg on Histoire de Melody Nelson. That's the only way to explain the specificity of Four Tet and Madlib's collaboration, in this special album that showcases a two-decade long friendship that has resulted in an album that follows Madlib's classics like Quasimoto's The Unseen, Madvillainy and his Pinata and Bandana albums with Freddie Gibbs. 'A few months ago I completed work on an album with my friend Madlib that we'd been making for the last few years. He is always making loads of music in all sorts of styles and I was listening to some of his new beats and studio sessions when I had the idea that it would be great to hear some of these ideas made into a Madlib solo album. Not made into beats for vocalists to use but instead arranged into tracks that could all flow together in an album designed to be listened to start to finish. I put this concept to him when we were hanging out eating some nice food one day and we decided to work on this together with him sending me tracks, loops, ideas and experiments that I would arrange, edit, manipulate and combine. I was sent hundreds of pieces of music over a couple of years stretch and during that time I put together this album with all the parts that fitted with my vision.' --Kieren Hebden AKA Four Tet"
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LP
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MMS 044LP
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Repressed; LP version. "Music by Madlib arranged by Kieren Hebden. Gil Evans to Miles Davis... Holger Czukay to the ensemble known as Can... Jean Claude Vannier to Serge Gainsbourg on Histoire de Melody Nelson. That's the only way to explain the specificity of Four Tet and Madlib's collaboration, in this special album that showcases a two-decade long friendship that has resulted in an album that follows Madlib's classics like Quasimoto's The Unseen, Madvillainy and his Pinata and Bandana albums with Freddie Gibbs. 'A few months ago I completed work on an album with my friend Madlib that we'd been making for the last few years. He is always making loads of music in all sorts of styles and I was listening to some of his new beats and studio sessions when I had the idea that it would be great to hear some of these ideas made into a Madlib solo album. Not made into beats for vocalists to use but instead arranged into tracks that could all flow together in an album designed to be listened to start to finish. I put this concept to him when we were hanging out eating some nice food one day and we decided to work on this together with him sending me tracks, loops, ideas and experiments that I would arrange, edit, manipulate and combine. I was sent hundreds of pieces of music over a couple of years stretch and during that time I put together this album with all the parts that fitted with my vision.' --Kieren Hebden AKA Four Tet"
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13CD Box
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MMS 028CD
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"Madlib Medicine Show is a music series the producer began in late 2009 as the official launch of his label Madlib Invazion. The original idea was simple: 12 releases, one per month, alternating between original works and mixtapes spanning different genres. It took a little longer than planned to hit number 12 -- so a bonus, No. 13 was added to the mix. Now that the individual CD offerings are increasingly hard to locate, the Madlib Invazion crew has decide to collect the entire series into a single release. We call this collection Medicine Show: The Brick. With The Brick, you get it all: Medicine Show No. 1: Before The Verdict - hip hop vocal album feat. Guilty Simpson; Medicine Show No. 2: Flight To Brazil - 80 minutes of Brazilian psych, folk and jazz; Medicine Show No. 3: Beat Konducta In Africa - hip hop beats inspired by and based on obscure & independent African vinyl gems; Medicine Show No. 4: 420 Chalice All-Stars - all Jamaican sounds, 80 minutes, complete with Los Angeles medicinal marijuana guide; Medicine Show No. 5: History Of The Loop Digga - Madlib's early years, 1990-2000, from beat cassettes produced for local rap crew Crate Digga's Palace; Medicine Show No. 6: The Brain Wreck Show - psych-prog-avante- freak-out-funk rock; Medicine Show No. 7: High Jazz - all new Madlib productions from his collective of jazz groups and musicians known as Yesterdays Universe; Medicine Show No. 8: Advanced Jazz - a jazz music course with no grades, lecturer or tests - just a room of dusty jazz vinyl and Madlib at the turntable; Medicine Show No. 9: Channel 85 Presents Nittyville - hip-hop album feat. Frank Nitt; Medicine Show No. 10: Black Soul - the Disco era, 80 mins, mixed by Madlib; Medicine Show No. 11: Low Budget High Fi - hip hop of dirty demos produced by Madlib, with Oh No, Karriem Riggins, MED, Strong Arm Steady, AG, Guilty Simpson, J. Rocc and Jaylib; Medicine Show No. 12: Raw Medicine (Madlib Remixes) - part mixtape, part beat tape, featuring a host of un-suspecting collaborators that run the gamut from thugs, street poets, star emcees and underdogs - 60 minute with 30+ tracks; and of course Medicine Show No. 13: Black Tape - the bonus Medicine Show and sequel to #12. All Medicine Show releases revolve around the Beat Konducta's 4-ton stack of vinyl. Get a glimpse of that motherlode with Medicine Show: The Brick."
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2CD
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MMS 025CD
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"The complete Rock Konducta experience, presented here as a double-cd issue, featuring 48 untitled tracks across 2 CDs. Rock Konducta is the fifth installment in Madlib's Beat Konducta series. Rock Konducta grabs its source material from various worldwide rock scenes from the 60s through the 80s, from American psychedelia to Germany's Krautrock to acid-soaked Spanish prog to synthy, early-80s oddities. Tied together by Madlib's unique sensibility, these scenes coalesce into a new whole. Who knew that rock music sounded like this? Well, there's one obvious answer to that question."
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2LP
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MMS 024LP
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2022 repress. Double LP version. "There are few musicians - let alone beat-makers - in the world whose output in its raw form provides his listener with a full on musical experience before anything is added. Madlib is such a talent. Hip hop is his canvas, but he creates the most wondrous things with it. Before a microphone is switched on, before a rhyme is even uttered, a Madlib beat stands alone as a complete thing. Since the issue of the collaborative album with rapper Freddie Gibbs - Piñata, already being hailed as contender for rap album of the year - we've been asked countless times to issue the beats Madlib created for the project as instrumentals. And we've conceded. Piñata put Gibbs in the spotlight, one that a growing audience is finally acknowledging that he deserves. On Piñata Beats, though, it's Madlib, quietly spinning on the center stage. Through seventeen cuts of arcane film snippets, dusted funk and soul, psych and prog rock musical diversions, Madlib proves to live up to what Gibbs once said of him: 'Madlib quite simply, is music.'"
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CD
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MMS 024CD
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"There are few musicians - let alone beat-makers - in the world whose output in its raw form provides his listener with a full on musical experience before anything is added. Madlib is such a talent. Hip hop is his canvas, but he creates the most wondrous things with it. Before a microphone is switched on, before a rhyme is even uttered, a Madlib beat stands alone as a complete thing. Since the issue of the collaborative album with rapper Freddie Gibbs - Piñata, already being hailed as contender for rap album of the year - we've been asked countless times to issue the beats Madlib created for the project as instrumentals. And we've conceded. Piñata put Gibbs in the spotlight, one that a growing audience is finally acknowledging that he deserves. On Piñata Beats, though, it's Madlib, quietly spinning on the center stage. Through seventeen cuts of arcane film snippets, dusted funk and soul, psych and prog rock musical diversions, Madlib proves to live up to what Gibbs once said of him: 'Madlib quite simply, is music.'"
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CD
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MMS 013CD
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"When Madlib launched his Madlib Medicine Show, the original idea was simple: twelve releases, one per month, alternating between original works and mixtapes spanning different genres. It took a little longer than planned to get to No. 12 (MMS 012CD), which put the idea in his head to give us all a bonus Medicine Show No. 13. Here is, the long rumored, highly anticipated, final installment of the Medicine Show: Madlib Medicine Show No. 13 - Black Tape. Black Tape (which is of course actually a CD) is a 60 minute hip-hop mix of some of rap's best, half-best, brilliant and borderline-retarded MCs, all colliding head-on with a collection of Madlib beats."
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CD
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MMS 012CD
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"Raw Medicine is the latest collection of Madlib remixes, featuring a host of unsuspecting collaborators that run the gamut from thugs, street poets, star emcees and underdogs. We ain't naming names. The show runs sixty minutes plus with features thirty plus tracks. The Madlib Medicine Show Series is a combination of Madlib's new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton stack of vinyl."
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CD
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MMS 009CD
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"Madlib follows his detour into jazz with a punch-you-in-the-face return to hip-hop form -- a collaborative album with Detroit rapper Frank Nitti. Madlib and Detroit-based rapper Frank Nitti first collaborated on Jaylib's 'McNasty Filth,' from the seminal Champion Sound album. Back then, Frank was one half of the rap-duo Frank n' Dank and he and his partner were the late J.Dilla's go-to MCs. Madlib liked what he heard; he promised Frank that one day, he would work with the budding rapper on an album. Seven years, hundreds of beats, a bunch of blunt smoke and far too many cross-country trips later, and this is the result: a hazy, funk-filled rap album, done as only the Beat Konducta can do."
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CD
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MMS 011CD
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"Madlib got a bit lost in his detour into jazz -- Madlib Medicine Show's 7 (High Jazz) and 8 (Advanced Jazz). He was supposed to circle back with a punch-you-in-the-face return to hip-hop form -- a collaborative album with Detroit rapper Frank Nitti -- but instead he found himself lost in the Lost Gates... a place where Black Soul (Madlib Medicine Show 10) really means Disco Funk. Sorry about that. The good news is: he's back. And that hip-hop album, for which the Medicine Show faithfully have been holding their tickets, is finally here. It's called Lowbudget High-Fi Music and it's an interesting look back at the Madlib Medicine Show and a prelude of what is to come in the 12th, 13th and -- maybe -- 9th releases in the series. All of the regular Madlib collaborators -- MED, Guilty Simpson, Strong Arm Steady -- are represented here with exclusive tracks. Karriem Riggins pops in for a Supreme Team interlude, as does A.G. Madlib digs out a Jaylib-era track that was earmarked for the never-realized second album and, of course, interludes, outerludes and -- probably -- queludes abound."
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CD
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MMS 010CD
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"Madlib digs deep to give you a mix of 60s and 70s soul and funk unlike you've ever heard. Madlib has taken us across so many different terrains with his Medicine Show Series. His most recent work? The sweetest installation yet - Madlib Medicine Show No. 10: Black Soul. Through Madlib's extensive output you've seen - or heard rather, Madlib's unique power to renew value to obscure sounds, and with this particular project nothing has changed. Madlib Medicine Show No. 10 reminds us of the mastery Madlib has performed throughout his heralded body of work, sourcing inspiration by the likes of Don Blackman, ZZ Hill or the Sylvers and blowing you away with the original work that stems from it. With Black Soul, he's digging deep to give you a mix of 60s and 70s soul and funk unlike you've ever heard."
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CD
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MMS 008CD
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"Madlib follows High Jazz with the eighth installment in his Madlib Medicine Show, a mix of the multiple facets of jazz music: Advanced Jazz. Madlib's been busy this year. And while his recorded output always spans the gamut, he often returns to recurrent themes, spread across the genres that serve as home base -- or bases, as it were. Jazz is one such base. High Jazz, the previously released Madlib Medicine Show album, showed a marked development in Madlib's craft: every element of jazz was encapsulated in that eighty-minute opus. What better way to follow such an album than with a companion-piece culled from the thousands of jazz albums that inspired Madlib's first forays into the genre? The resulting mix, Advanced Jazz, is, as the title hints, a step (or three!) deeper than the Steve Kuhn and Weldon Irvine albums that he first enjoyed as he was first delving into his Yesterdays New Quintet project Angles Without Edges in 2001. Some of this music -- to the untrained ear -- might not seem to be 'jazz' at all. But rest assured -- this is a jazz mix through and through, as exhilarating a ride as Madlib's Brain Wreck Show and Flight To Brazil. It's a celebration of this great American music and while it focuses on the past forty years, it clearly heralds every innovation -- both domestic and international -- of this century-old musical form."
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CD
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MMS 007CD
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"Madlib follows Brain Wreck Show with the seventh installment in his Madlib Medicine Show, a jazz album with his Yesterday's New Quintet called High Jazz. Madlib's been busy this year. And while his recorded output always spans the gamut, he often returns to recurrent themes, spread across the genres that serve as home base -- or bases, as it were. Jazz is one such base. This year, he's already released two albums from 'spin-off bands' that he introduced on the 2007 Yesterday's New Quintet Yesterday's Universe album. And, with High Jazz, Madlib begins anew, offering familiar jazz sounds from a series of 'new' groups from his ever-augmenting cosmos. Call it 'Yesterday's Galaxy.' High Jazz, the name itself a tribute to the landmark jazz-fusion album released by Stanton Davis's Ghetto Mysticism in 1976, shows a marked development in Madlib's craft. Every element of jazz is there. Is that tune modal-funk? Was that song psych-fusion? Was that a bossa-tinged run or another kind of Latin-affair? Where did that sitar come from? Madlib's Yesterday's excursions are never easy to categorize and that's the point -- while experiencing chops like these, the desire to rigidly define takes a backseat to aural pleasure. The Madlib Medicine Show series is a combination of Madlib's new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton stack of vinyl."
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CD
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MMS 006CD
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"Madlib follows History of the Loop Digga: 1990-2000 with the sixth installment in his Madlib Medicine Show, his psych-prog-avant-freak-out-funk rock mix Brain Wreck Show. Madlib's been pegged as a 'jazz guy' as far back as 2000, when he -- as his alter ego Quasimoto -- released the song 'Jazz Cats.' His releases with the fictional 'jazz group' Yesterdays New Quintet didn't help matters. But, no matter how many jazz records are thrust at him by money-hungry record dealers, he most often -- at least lately -- gravitates to the rock side of the spectrum. That's late 60s to late 70s psych-prog-avante-freak-out-funk rock mind you; from the Tropicalia of Brasil to the Krautrock of Germany to the fuzzy sounds of mid '70s Nigeria, the Beat Konducta's rock tastes know no cultural bounds. Actually, we're not sure if they know any bounds. This -- an introductory mix entitled the Brain Wreck Show (admission, he wrote on the CD master, 'One Brainticket' -- an homage to one of his favorite Krautrock bands) -- should serve to give its listeners a delightfully freaky funked up experience into the rock side of Madlib's collecting conscious. We're glad you're along for the ride. The Madlib Medicine Show series is a combination of Madlib's new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton stack of vinyl."
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MMS 005CD
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"Madlib follows 420 Chalice All-Stars: All Jamaican Sounds with the fifth installment in his Madlib Medicine Show, History of the Loop Digga: 1990-2000. Back in the 90s, 'beat tapes,' as a hip-hop producer's demo-reel is now quaintly referred to, were literally that: cassette tapes of beats that a producer made either for himself, his friends, or for potential collaborators. As you can imagine, Madlib made a bunch of 'em in the days between his early productions for the Alkaholiks (circa '92) and the release of his Quasimoto album (2000) -- after which he took a couple of years off of the beats to focus on making jazz music with his fictional five piece, Yesterdays New Quintet. This collection of beats showcases the way that Madlib's early hip-hop demos were filtered out to his friends and associates and provides an opportunity for a unique view into Madlib's working process: these beats, often freestyled on whatever machine he had at the ready, were picked up by rappers over a period of many years. Trainspotters will find it interesting that beats later destined for the likes of Wildchild and Percee P were made some years before those albums saw release. This album is punctuated with a series of early solo-raps by Madlib and his Quasimoto alter ego and features the cadre known collectively as CDP -- those rappers who worked side by side with Madlib during the days of his Oxnard-based 'Crate Diggas Palace' studios."
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MMS 004CD
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"Madlib follows Beat Konducta In Africa, with the fourth installment of the Medicine Show series, 420 Chalice All Stars. Anyone familiar with Madlib knows of his deep appreciation of the variety of musical styles to originate from the Caribbean island nation of Jamaica. His run through of the Trojan Records catalog, 2004's Blunted In The Bombshelter, served as an interesting amuse-bouche. Now, the entrée -- or at least the first course: 420 Chalice All Stars. Madlib doesn't limit himself to one style in this overflowing platter: all Jamaican flavors are evident, from the speedy ska of the mid '60s to the dark dub of the early '70s to the rollicking funk from some of Jamaica's best known ensembles. The Madlib Medicine Show series is a combination of Madlib's new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton stack of vinyl."
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MMS 003CD
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"Madlib follows Flight To Brazil, with the third installment of the Medicine Show series and the fourth installment in his Beat Konducta series: Beat Konducta In Africa. Beat Konducta In Africa contains over forty instrumental hip hop tracks produced and mixed by Madlib. This epic 'beat tape' springs from obscure vinyl gems culled from the Afro-beat, funk, psych, garage-rock, prog-rock and soul movements of countries as diverse as Zambia, Nigeria, Ethiopia, Ghana, Botswana and the Ivory Coast. The Madlib Medicine Show series is a combination of Madlib's new hip hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton stack of vinyl."
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MMS 002CD
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"Madlib follows his Guilty Simpson collaboration Before The Verdict (MMS 001) with Flight To Brazil, a ticket out of whichever hell-hole you find yourself and into an 80-minute guided tour through five decades of Brazilian funk, bossa-nova, jazz, psychedelic and progressive rock. The Madlib Medicine Show will be a combination of Madlib's new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych, jazz and other undefined forms of music from the Beat Konducta's 4-ton stack of vinyl. Next up: Beat Konducta In Africa And India, a continuation of Madlib's country-specific excavations."
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CD
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MMS 001CD
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"Madlib launches the Madlib Medicine Show, a once-a-month, twelve-CD, six-LP series with Before The Verdict. The Madlib Medicine Show will be a combination of Madlib's new hip hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, Brazilian, psych and other undefined forms of music from the Beat Konducta's 4-ton stack of vinyl. Madlib Medicine Show No. 1 is Before The Verdict, featuring Guilty Simpson, a seventeen track reimagination of rapper Guilty Simpson's Ode To The Ghetto (augmented, of course, with unreleased songs, other remixes and tons o' beats). You can think of this as somewhat of a prelude to Madlib & Guilty Simpson's OJ Simpson album. Volume 1 is a limited pressing of CDs."
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