|
|
|
|
|
|
|
|
|
|
|
LP
|
|
ELK 187LP
|
The cover, created by Manolo Gil and based on the band's own idea, bears an undeniable resemblance to that of The Rolling Stones' Beggars Banquet (Decca, 1968). Sometime later, the band said they were not aware of the resemblance when the final design of the album was decided. The recording and mixing were once again in the hands of Jean Phocas. The double-sheet inside, which contains only the lyrics in three languages (Spanish, Basque and English), is particularly noteworthy. On this occasion, the album's production seems to have a guitar sound that is perhaps more powerful than on other occasions. At times it even sounds like the arrangements of a heavy rock or metal band. Green color vinyl.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ELK 241LP
|
Jean Phocas appears as the person in charge of the recording, once again carried out at the Elkar studios. Manolo Gil, who already worked with the band from Salvatierra in the same role on Ellos Dicen Mierda, Nosotros Amén, assisted by Jokin Larrea, is in charge of the cover design. Apart from the atypical Los Jubilados, this is the album in which the changes in the band's sound are most noticeable. From the start, the heavy, cutting guitars are striking, more in keeping with a metal rock band. The production is very technical. Despite this, "Radio Crime" is one of the best on the album. Purple color vinyl.
|