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ATPR 038CD
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"Fursaxa is Tara Burke. Formerly a member of the Siltbreeze band UN, Tara started her Fursaxa project in 1999 after UN disbanded. Since then Fursaxa has released six full length albums on the Acid Mothers Temple label, Ecstatic Peace, Time Lag, Eclipse, Last Visible Dog, and ATP. In addition there have been 3 self released CD-Rs and a CD on her own Sylph recordings. In the summer of 2008 Fursaxa started recording her seventh full length record Mycorrhizae Realm at Hexham Head studio in Philadelphia. This studio recording is a first, as all of the previous releases have been recorded at home on a four track. In addition to recording, Fursaxa has played live music at venues in the US, UK, and Europe, touring with Bardo Pond, Black Forest/Black Sea, Christina Carter, Jack Rose, Spires That in The Sunset Rise, and Brightblack Morning Light to name a few. Over the last couple of years Fursaxa has been collaborating more and more with other musicians as well. Espers member Helena Espvall and Tara have a duo called Anahita, and Sharron Kraus and Tara have the duo Tau Emerald. And in September of 2006 Fursaxa became part of The Valerie Project, which was a live soundtrack for the 1970 Czech film Valerie And Her Week Of Wonders. Tara really enjoyed playing with these musicians and decided to engage Greg Weeks, Mary Lattimore, and Helena Espvall, all fellow Valerians, for her next album. Greg recorded the album at his studio, Mary played harp on 4 songs and also co-wrote 2 of the songs, and Helena played cello on 3 songs. It is an exercise in symbiosis."
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ATPR 013CD
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This is the fourth full-length release from West Philly-based solo artist Tara Burke aka Fursaxa. Boasting a fan base with the likes of Bardo Pond, Acid Mothers Temple and Thurston Moore who released a record by her on his Ecstatic Peace! imprint two years ago, Fursaxa is a new signing to ATP Recordings. A previous member of the band UN, Burke is now one of the epicentres and key collaborators of the North American free-folk movement, along with such luminaries as Jack Rose, Charalambides, Ben Chasny and the Jewelled Antler Collective. With her hypnotic, echo-y churchbell chanting, Burke possesses a power-filled vocal sound that harkens back not only to those other polar queens of disaffected freakout psychedelia Nico and Barbara Manning, but she is also akin to and inspired by Hildegard von Bingen, the 12th-century Benedictine mystical abbess. With the low drone of chord organ and Farfisa, detuned ringing guitar, and endlessly looped, multiply-tracked vocals applied with heaps of delay, Fursaxa sounds like a tripped-out medievalist perched upon a poppy petal. Burke has an alchemical knack for turning folk into lo-fi, and then into sheer psych and back again, but more importantly, her music is pure humming narcosis.
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