|
|
|
|
|
|
|
|
|
|
|
LP
|
|
MOV 2953LP
|
"To this day, jazz pianists are influenced by Bill Evans by his use of impressionist harmony, interpretation of traditional jazz repertoire, and his trademark rhythmically independent, 'singing' melodic lines. Evans gained his first spotlight when joining Miles Davis' sextet during the time Kind of Blue was recorded. After leaving the sextet, Evans began his career as bandleader, which he finished in his last trio with Marc Johnson on bass and Joe LaBarbera on drums. This trio recorded Brilliant in 1980, just before Evans' passing. Brilliant is available as a limited edition of 1000 individually numbered copies on translucent green colored vinyl."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MOV 2953COL-LP
|
"To celebrate the 45th anniversary of iconic Dutch jazz label Timeless Records, Music On Vinyl is releasing a series that features albums that are part of the Timeless Records legacy and will be released mainly throughout 2022. To this day, jazz pianists are influenced by Bill Evans by his use of impressionist harmony, interpretation of traditional jazz repertoire, and his trademark rhythmically independent, 'singing' melodic lines. Evans gained his first spotlight when joining Miles Davis' sextet during the time Kind of Blue was recorded. After leaving the sextet, Evans began his career as bandleader. As trio with Marc Johnson on bass and Joe LaBarbera on drums, they recorded The Brilliant in 1980, just before Evans' passing. The Brilliant is pressed on colored vinyl for the first time and available as a limited edition of 750 individually numbered copies on gold colored vinyl. The package includes an insert with other titles from the Timeless Records 45th Anniversary Jazz Series."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
D 78066LP
|
Double LP version. 180 gram vinyl. World class sax player meets world class big band. Groove in a fine style. The Cologne Stadtgarten venue was crammed that mid-February eve in 2011. A very special concert was scheduled for the night -- and the audience did arrive in crowds at the Stadtgarten in Cologne to be part of this rare opportunity. The American saxophonist Bill Evans was in town to perform with the WDR Big Band. The crowd's anticipation of a sublime live concert made the air crackle with excitement. The temperature was rising quickly and the vibe was getting better and better. Evans has always loved that sort of setting. When the audience is already excited before the show even starts and the musicians are incredibly focused on what is about to unfold, he reaches his true working temperature which enables him to deliver a top performance on stage, performing on the tenor- or soprano saxophone. Especially for the WDR Big Band concert with Bill Evans two "groove-masters" were invited; the German drummer Wolfgang Haffner and the Cameroon-born and France-based Etienne Mbappé. Not only is their playing technique fully developed but both, Haffner as well as Mbappé, are gifted with the ability to roll out a densely woven groove-carpet while simultaneously electrifying the rhythmical roots of a piece of music. As a result of this, the stylistically diverse music of Evans and the WDR Big Band is well and truly animated -- and starts to sound like a living organism. Personnel: Bill Evans - saxes; Etienne Mbappé - electric bass; Wolfgang Haffner - drums; WDR Big Band.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
D 77066CD
|
World class sax player meets world class big band. Groove in a fine style. The Cologne Stadtgarten venue was crammed that mid-February eve in 2011. A very special concert was scheduled for the night -- and the audience did arrive in crowds at the Stadtgarten in Cologne to be part of this rare opportunity. The American saxophonist Bill Evans was in town to perform with the WDR Big Band. The crowd's anticipation of a sublime live concert made the air crackle with excitement. The temperature was rising quickly and the vibe was getting better and better. Evans has always loved that sort of setting. When the audience is already excited before the show even starts and the musicians are incredibly focused on what is about to unfold, he reaches his true working temperature which enables him to deliver a top performance on stage, performing on the tenor- or soprano saxophone. Especially for the WDR Big Band concert with Bill Evans two "groove-masters" were invited; the German drummer Wolfgang Haffner and the Cameroon-born and France-based Etienne Mbappé. Not only is their playing technique fully developed but both, Haffner as well as Mbappé, are gifted with the ability to roll out a densely woven groove-carpet while simultaneously electrifying the rhythmical roots of a piece of music. As a result of this, the stylistically diverse music of Evans and the WDR Big Band is well and truly animated -- and starts to sound like a living organism. Personnel: Bill Evans - saxes; Etienne Mbappé - electric bass; Wolfgang Haffner - drums; WDR Big Band. CD version comes in a digipak.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FOX 007LP
|
Alternative Fox presents a reissue of Bill Evans's Conversations With Myself, originally released in 1963. The inventive and expressive pianist Bill Evans made significant and lasting impact in the jazz realm during a career that stretched from the late 1950s to the late 1970s. Born in Plainfield, New Jersey in 1929, his father's alcoholism caused a disrupted childhood, though his musical talent was spotted early, leading to a scholarship at the Southeastern Louisiana University and the Mannes School of Music, where he majored in composition. Moving to New York in the mid-50s to work with George Russell, Evans's breakthrough came via his membership of Miles Davis's sextet, where his intense and melodic playing helped make Kind of Blue (1959) an outstanding landmark, during a time when he was also contributing to Chet Baker's self-titled LP. Evans formed a popular trio with Scott LaFaro and Paul Motian, which was cut short after LaFaro tragically died in a car crash, leading to the creation of a new trio with Chuck Israels. Then, following collaborative albums with Cannonball Adderley, Eric Dolphy, Shelly Mann, Jim Hall, and others, Evans recorded the concept album Conversations With Myself for Verve Records. Produced in a permissive atmosphere with Creed Taylor and engineer Ray Hall in February 1963 and subtitled A Searching Look into the Genius of Bill Evans, the album features a multi-tracked Evans playing only with himself on piano, with each track featuring an improvised second and third piano line, overdubbed atop what Evans laid down first. Reconstructed renditions of Thelonious Monk's "'Round About Midnight" and "Blue Monk" give way to "Theme From Spartacus" and Evans' own "NYC's No Lark"; this edition features two bonus tracks, the first a re-organized take of Monk's "Bemsha Swing", the second a rendition of the Broadway show tune, "A Sleepin' Bee".
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
TRAIT 002CD
|
The highly sophisticated music of the quintessential piano trio of Bill Evans, with Scott La Faro and Paul Motian. Amazing romantic music selected from the historic 1961 Village Vanguard Live recordings. Includes selections from Portrait In Jazz (1960), Explorations (1961), Sunday At The Village Vanguard (1961), and Waltz For Debby (1962).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
TRAIT 002LP
|
LP version. The highly sophisticated music of the quintessential piano trio of Bill Evans, with Scott La Faro and Paul Motian. Amazing romantic music selected from the historic 1961 Village Vanguard Live recordings. Includes selections from Portrait In Jazz (1960), Explorations (1961), Sunday At The Village Vanguard (1961), and Waltz For Debby (1962).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ACV 2059LP
|
One of the most powerful modern jazz sextets ever! The legendary Bill Evans leads a stellar combo; trumpeter Freddie Hubbard is at his peak of performance, while alto saxophonists Oliver Nelson and Eric Dolphy (with Nelson doubling on tenor) team to form an unlikely union that simmers to perfection. Paul Chambers (bass) and Roy Haynes (drums) can do no wrong as a rhythm section. Originally released in 1961. First edition of 500 numbered copies.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DOX 891LP
|
"Originally released in 1962 on the Riverside label, Interplay features piano giant Bill Evans at his gently swinging best. The band is beyond stellar; Percy Heath and Philly Joe Jones complete the rhythm section, while Jim Hall's guitar and Freddie Hubbard's trumpet round out the sessions. This set is a bit of a departure from his usual trio recordings of the time, but the results are no less fantastic. A classic LP from arguably the greatest jazz pianist of all time, reissued with the original liner notes on 180 gram vinyl."
|