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CD
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EPR 081CD
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Stripping away excess layers, Dispossessed lives up to its title. The band went into Causa Sui's Jonas Munk's studio on the last day of February 2025. In an a priori session, the first note played together since 2023's Dens (EPR 075CD) -- the conclusion of a trilogy and a live album all in less than a year. Has something shifted during the silence? Added aggression? Faster tempo? Darker ambiance? The feeling of losing time? Or is it simply the listener whose world has tilted? In a fast-paced world, Edena Gardens shows listeners how to resist and tune to their own inner chord. Edena Gardens deals in subtle shifts that can only be summoned from something played for the first time. From the sludgy blasts of opener "Hiraeth" to the droning ambience of 10-minute ender "Aftenstjerne." As always, the band travels far yet stays in the same internal realm. The band's own Jakob Skøtt has made minor edits to cut a record from hours of free improvisation, and every dubbed ambience has been culled directly from the material recorded that day, bringing into play the band's gestalt in a way that shows their both outer and inner workings: Dispossessed. Edena Gardens is: Jakob Skøtt: drums (Causa Sui); Nicklas Sørensen: guitar (Papir); Martin Rude: baritone guitar and bass (London Odense Ensemble).
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LP
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EPR 081LP
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LP version. Stripping away excess layers, Dispossessed lives up to its title. The band went into Causa Sui's Jonas Munk's studio on the last day of February 2025. In an a priori session, the first note played together since 2023's Dens (EPR 075CD) -- the conclusion of a trilogy and a live album all in less than a year. Has something shifted during the silence? Added aggression? Faster tempo? Darker ambiance? The feeling of losing time? Or is it simply the listener whose world has tilted? In a fast-paced world, Edena Gardens shows listeners how to resist and tune to their own inner chord. Edena Gardens deals in subtle shifts that can only be summoned from something played for the first time. From the sludgy blasts of opener "Hiraeth" to the droning ambience of 10-minute ender "Aftenstjerne." As always, the band travels far yet stays in the same internal realm. The band's own Jakob Skøtt has made minor edits to cut a record from hours of free improvisation, and every dubbed ambience has been culled directly from the material recorded that day, bringing into play the band's gestalt in a way that shows their both outer and inner workings: Dispossessed. Edena Gardens is: Jakob Skøtt: drums (Causa Sui); Nicklas Sørensen: guitar (Papir); Martin Rude: baritone guitar and bass (London Odense Ensemble).
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CD
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EPR 075CD
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Dens concludes a trilogy of albums, aptly spelling out the last third of the group's name. And true to form, the band turns inwards rather than outwards, drawing on deep shades of ambient, slowcore, and the ghost of Mark Hollis. While maintaining their psychedelic edge, the trio weaves the lines between genres in a way that's becoming a signature of its own. Never in a hurry, but always moving somewhere. Causa Sui drummer Jakob Skøtt and Martin Rude's bass and baritone guitar lay out a robust yet fleeting foundation. Papir's Nicklas Sørensen's glistening guitar lines never felt more-free and explorative. While The Durutti Column tribute "Vini's Lament" is drenched in nostalgia, a cut like "Morgensol" (Morning Sun in Danish) explodes in Popol Vuh-esque gloomy euphoria. Engineered by Jonas Munk and produced by Jakob Skøtt, the album culls hours of free improvisation into a coherent size. Seamless edits and studio wizardry enhance the feeling of an almost narrative nature as the album progresses. Invoking anything from a crackling campfire, rattling bones, and the singing of sand dunes. The culmination lies in the 14-minute track "Sienita." A fully formed blistering improvisation, abandoning any studio trickery, besides a singly dubbed organ, rising and falling like the tide.
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LP
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EPR 075LP
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LP version. Dens concludes a trilogy of albums, aptly spelling out the last third of the group's name. And true to form, the band turns inwards rather than outwards, drawing on deep shades of ambient, slowcore, and the ghost of Mark Hollis. While maintaining their psychedelic edge, the trio weaves the lines between genres in a way that's becoming a signature of its own. Never in a hurry, but always moving somewhere. Causa Sui drummer Jakob Skøtt and Martin Rude's bass and baritone guitar lay out a robust yet fleeting foundation. Papir's Nicklas Sørensen's glistening guitar lines never felt more-free and explorative. While The Durutti Column tribute "Vini's Lament" is drenched in nostalgia, a cut like "Morgensol" (Morning Sun in Danish) explodes in Popol Vuh-esque gloomy euphoria. Engineered by Jonas Munk and produced by Jakob Skøtt, the album culls hours of free improvisation into a coherent size. Seamless edits and studio wizardry enhance the feeling of an almost narrative nature as the album progresses. Invoking anything from a crackling campfire, rattling bones, and the singing of sand dunes. The culmination lies in the 14-minute track "Sienita." A fully formed blistering improvisation, abandoning any studio trickery, besides a singly dubbed organ, rising and falling like the tide.
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CD
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EPR 070CD
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On their second album, Edena Gardens manifests itself as a permanent fixture in the El Paraiso catalog. Edena Gardens could have flickered and disappeared in true El Paraiso fashion with a single session album, but the trio emerges with both a new studio album as well as a live album (Live Momentum, EPR 071LP). It's part of the band's DNA: it contains multitudes. There's always a variation or open path, shifting with ease from heady cosmic stoner folk-vibes, to the scorched earth of 12-minute centerpiece, "Veil". "Halcyon Days" opens up a panoramic interlude of beautiful analog warmth, while closer "Crescent Helix" opens in full free-jazz mode, only to travel into an endless crescendo of alt rock proportions rarely found on this side of the '90s. Somehow, Edena Gardens combines the sum of its multifaceted parts in a unified way, perhaps due to Causa Sui drummer Jakob Skøtt's transparent edits and layered treatments. Or perhaps the trio's level of experience and joy of playing simply connects whatever direction they pursue -- Nicklas Sørensen of Papir's glistering guitar lines, backed up by Martin Rude's rumbling baritone guitar strums or solid basslines. It's an album that showcases not only the spontaneous paths taken, but also the vast well of ideas or sounds only implied or briefly touched upon, creating an aggregation of sounds just out of reach. Welcome back to Edena Gardens.
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LP
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EPR 070LP
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LP version. On their second album, Edena Gardens manifests itself as a permanent fixture in the El Paraiso catalog. Edena Gardens could have flickered and disappeared in true El Paraiso fashion with a single session album, but the trio emerges with both a new studio album as well as a live album (Live Momentum, EPR 071LP). It's part of the band's DNA: it contains multitudes. There's always a variation or open path, shifting with ease from heady cosmic stoner folk-vibes, to the scorched earth of 12-minute centerpiece, "Veil". "Halcyon Days" opens up a panoramic interlude of beautiful analog warmth, while closer "Crescent Helix" opens in full free-jazz mode, only to travel into an endless crescendo of alt rock proportions rarely found on this side of the '90s. Somehow, Edena Gardens combines the sum of its multifaceted parts in a unified way, perhaps due to Causa Sui drummer Jakob Skøtt's transparent edits and layered treatments. Or perhaps the trio's level of experience and joy of playing simply connects whatever direction they pursue -- Nicklas Sørensen of Papir's glistering guitar lines, backed up by Martin Rude's rumbling baritone guitar strums or solid basslines. It's an album that showcases not only the spontaneous paths taken, but also the vast well of ideas or sounds only implied or briefly touched upon, creating an aggregation of sounds just out of reach. Welcome back to Edena Gardens.
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CD
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EPR 068CD
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Members of Papir and Causa Sui travel through new musical realms. Three musicians with their own compass: Martin Rude and Jakob Skøtt have shared a wide range of musical quests: from Causa Sui's "Bitches Brew of stoner rock" crossing the folk meditations of Sun River and arriving most recently as members of the pre-fusion electric dealings of the London Odense Ensemble. Papir guitarist Nicklas Sørensen is not merely adding a new layer to an established duo, but his presence to the party have brought it into more meditative dwellings. These pieces move slowly, evolving like the slow growth underneath the ground. Whereas Causa Sui and Papir have always excelled at blistering panoramic and often sundrenched sounds, Edena Gardens takes a dive inwards and downwards rather than outwards. But there's also an electrically charged ecstatic rawness to the dealings. Like "Æther", the ten-minute opener's two guitars-and-a-drum kit improv, finding its way from tumbling drones into monolithic slow riffage. Elsewhere, we find trails of electronic vapors, misfiring bursts of noise and slow drones stretched out. Edena Gardens is a thing to be experienced first-hand -- it's not for everyone, but those who decide to stay are greatly rewarded. It's a debut unlike any other record on El Paraiso, perhaps unlike any you've ever heard. Welcome to Edena Gardens.
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Artist |
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Format |
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LP
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EPR 068LP
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LP version. Members of Papir and Causa Sui travel through new musical realms. Three musicians with their own compass: Martin Rude and Jakob Skøtt have shared a wide range of musical quests: from Causa Sui's "Bitches Brew of stoner rock" crossing the folk meditations of Sun River and arriving most recently as members of the pre-fusion electric dealings of the London Odense Ensemble. Papir guitarist Nicklas Sørensen is not merely adding a new layer to an established duo, but his presence to the party have brought it into more meditative dwellings. These pieces move slowly, evolving like the slow growth underneath the ground. Whereas Causa Sui and Papir have always excelled at blistering panoramic and often sundrenched sounds, Edena Gardens takes a dive inwards and downwards rather than outwards. But there's also an electrically charged ecstatic rawness to the dealings. Like "Æther", the ten-minute opener's two guitars-and-a-drum kit improv, finding its way from tumbling drones into monolithic slow riffage. Elsewhere, we find trails of electronic vapors, misfiring bursts of noise and slow drones stretched out. Edena Gardens is a thing to be experienced first-hand -- it's not for everyone, but those who decide to stay are greatly rewarded. It's a debut unlike any other record on El Paraiso, perhaps unlike any you've ever heard. Welcome to Edena Gardens.
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