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CD
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HPS 290CD
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Disastroid's latest outing, Garden Creatures, is a record about the darkness in the hidden corners of suburban landscapes -- sinister overgrown gardens, secret collections kept in basements, the crime just beneath the surface, the pervasive loneliness under a veneer of normalcy. Accordingly, it's a dark and atmospheric record, trading the stripped-down approach of 2020's Mortal Fools for a thicker, heavier, and more layered sound. Legendary producer Billy Anderson (Sleep, Melvins, Neurosis) builds mixes that range from dark and dreamy to a thick, sludgy crunch, slowly puling the listener through a range of sounds and textures, making sure things stay interesting. Singer/guitarist Enver Koneya's vocals are soulful and sometimes haunting, drifting above Disastroid's characteristically off-kilter, grunge-influenced riffs.
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LP
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HPS 290LP
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LP version. Disastroid's latest outing, Garden Creatures, is a record about the darkness in the hidden corners of suburban landscapes -- sinister overgrown gardens, secret collections kept in basements, the crime just beneath the surface, the pervasive loneliness under a veneer of normalcy. Accordingly, it's a dark and atmospheric record, trading the stripped-down approach of 2020's Mortal Fools for a thicker, heavier, and more layered sound. Legendary producer Billy Anderson (Sleep, Melvins, Neurosis) builds mixes that range from dark and dreamy to a thick, sludgy crunch, slowly puling the listener through a range of sounds and textures, making sure things stay interesting. Singer/guitarist Enver Koneya's vocals are soulful and sometimes haunting, drifting above Disastroid's characteristically off-kilter, grunge-influenced riffs.
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LP
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HPS 290ULTRA-LP
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LP version. Orange/black splatter vinyl. Disastroid's latest outing, Garden Creatures, is a record about the darkness in the hidden corners of suburban landscapes -- sinister overgrown gardens, secret collections kept in basements, the crime just beneath the surface, the pervasive loneliness under a veneer of normalcy. Accordingly, it's a dark and atmospheric record, trading the stripped-down approach of 2020's Mortal Fools for a thicker, heavier, and more layered sound. Legendary producer Billy Anderson (Sleep, Melvins, Neurosis) builds mixes that range from dark and dreamy to a thick, sludgy crunch, slowly puling the listener through a range of sounds and textures, making sure things stay interesting. Singer/guitarist Enver Koneya's vocals are soulful and sometimes haunting, drifting above Disastroid's characteristically off-kilter, grunge-influenced riffs.
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LP
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HPS 290LTD-LP
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LP version. Violet color vinyl. Disastroid's latest outing, Garden Creatures, is a record about the darkness in the hidden corners of suburban landscapes -- sinister overgrown gardens, secret collections kept in basements, the crime just beneath the surface, the pervasive loneliness under a veneer of normalcy. Accordingly, it's a dark and atmospheric record, trading the stripped-down approach of 2020's Mortal Fools for a thicker, heavier, and more layered sound. Legendary producer Billy Anderson (Sleep, Melvins, Neurosis) builds mixes that range from dark and dreamy to a thick, sludgy crunch, slowly puling the listener through a range of sounds and textures, making sure things stay interesting. Singer/guitarist Enver Koneya's vocals are soulful and sometimes haunting, drifting above Disastroid's characteristically off-kilter, grunge-influenced riffs.
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CD
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HPS 119CD
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Mortal Fools was born in the bleak industrial wasteland at the outskirts of San Francisco, rising out of a hazy stew of mold, crushed beer cans, and cigarette smoke. Disastroid worked hard to get a thick, sludgy sound on this album, while keeping the rough edges and noisy energy that they always strive for in their live shows. Mortal Fools is music to listen to while enjoying the slow, grinding collapse of modern society. San Francisco veterans Disastroid have been serving up sludgy, grunge-infused stoner rock for the better part of a decade now, refining a sound that weaves heavy riffs together with angular guitar lines, odd time signatures, and hazy walls of fuzz. As influenced by '90s noise rock as they are by modern psych, doom, and post-metal, Disastroid delivers thick, satisfying stoner rock stomp while also embracing layers of noise, tripped-out feedback, and some unpredictable song structures. Their original approach, captured on their 2014 record Missiles and the 2017 follow-up Screen, has made them one of the most essential bands in the Bay Area music scene. Their latest, Mortal Fools is their heaviest and most expansive-sounding album to date. Produced by Tim Green (Nation of Ulysses, The Fucking Champs), it's sonically focused on what Disastroid does best, laying singer/guitarist Enver Koneya's deep vocals and fuzzed-out riffs on top of a relentless, pummeling rhythm section. At the same time, it's loose enough that it takes some unpredictable twists and turns, conveying the band's rough edges, sense of humor, and noisy, experimental streak.
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LP
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HPS 119LP
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LP version. Mortal Fools was born in the bleak industrial wasteland at the outskirts of San Francisco, rising out of a hazy stew of mold, crushed beer cans, and cigarette smoke. Disastroid worked hard to get a thick, sludgy sound on this album, while keeping the rough edges and noisy energy that they always strive for in their live shows. Mortal Fools is music to listen to while enjoying the slow, grinding collapse of modern society. San Francisco veterans Disastroid have been serving up sludgy, grunge-infused stoner rock for the better part of a decade now, refining a sound that weaves heavy riffs together with angular guitar lines, odd time signatures, and hazy walls of fuzz. As influenced by '90s noise rock as they are by modern psych, doom, and post-metal, Disastroid delivers thick, satisfying stoner rock stomp while also embracing layers of noise, tripped-out feedback, and some unpredictable song structures. Their original approach, captured on their 2014 record Missiles and the 2017 follow-up Screen, has made them one of the most essential bands in the Bay Area music scene. Their latest, Mortal Fools is their heaviest and most expansive-sounding album to date. Produced by Tim Green (Nation of Ulysses, The Fucking Champs), it's sonically focused on what Disastroid does best, laying singer/guitarist Enver Koneya's deep vocals and fuzzed-out riffs on top of a relentless, pummeling rhythm section. At the same time, it's loose enough that it takes some unpredictable twists and turns, conveying the band's rough edges, sense of humor, and noisy, experimental streak.
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LP
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HPS 119LTD-LP
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LP version. Limited edition cherry vinyl. Mortal Fools was born in the bleak industrial wasteland at the outskirts of San Francisco, rising out of a hazy stew of mold, crushed beer cans, and cigarette smoke. Disastroid worked hard to get a thick, sludgy sound on this album, while keeping the rough edges and noisy energy that they always strive for in their live shows. Mortal Fools is music to listen to while enjoying the slow, grinding collapse of modern society. San Francisco veterans Disastroid have been serving up sludgy, grunge-infused stoner rock for the better part of a decade now, refining a sound that weaves heavy riffs together with angular guitar lines, odd time signatures, and hazy walls of fuzz. As influenced by '90s noise rock as they are by modern psych, doom, and post-metal, Disastroid delivers thick, satisfying stoner rock stomp while also embracing layers of noise, tripped-out feedback, and some unpredictable song structures. Their original approach, captured on their 2014 record Missiles and the 2017 follow-up Screen, has made them one of the most essential bands in the Bay Area music scene. Their latest, Mortal Fools is their heaviest and most expansive-sounding album to date. Produced by Tim Green (Nation of Ulysses, The Fucking Champs), it's sonically focused on what Disastroid does best, laying singer/guitarist Enver Koneya's deep vocals and fuzzed-out riffs on top of a relentless, pummeling rhythm section. At the same time, it's loose enough that it takes some unpredictable twists and turns, conveying the band's rough edges, sense of humor, and noisy, experimental streak.
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