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2LP
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MALKA 008LP
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Die Orangen is back on the adventurous Malka Tuti with their sophomore album, Zwei Orangen. It's been two years since their debut album Zest animated the underground scene, merging obscure samples, field recordings, krautrock motifs, and a spattering of humor and self-perception into their newly forged genre: krautback. The Australian duo -- Kris Baha and Dreems -- return with two more years of wisdom tucked under their hats to deliver a matured, developed sound. The industrial sonics and propensity for a dusty bush-beaten tone remain, however the samples and ambience take a backseat, handing the map over to the guitar riffs, vocals, and song writing to navigate the albums vast terrain. Collaborators Jono Ma (of Jagwar Ma), Alex Akers (of Forces), and Hayley Morgan expand the album into a diverse journey across zones and styles, offering their own observation of the spacious musical world of Die Orangen. These 11 tracks will make you contemplate, they'll will make you reminisce, they'll give you friendly advice, they'll ask you to dance, and they'll question the direction of your compass... Fear not, however, this is music for everybody. As the Oranges say "Saft für alle".
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12"
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MALKA 022EP
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Die Orangen (aka Dreems and Kris Baha) are back on Malka Tuti with the second installment of their Saft series. Saft 2 presents two tracks. On the A-side you can find an epic Goa-leaning version of the now-classic "Yaranabe" track off their debut LP Zest (2017), by non-other than Full Circle, aka Joakim and Alexis Le Tan. On the B-side is a new Die Orangen track. A 15-minute journey through sonic spaces, ancient futures, and alternative dimensions. Although sonically the track screams Industrial, with a closer listen, Die Orangen managed to use a vast pallet of sounds, ideas, and magic.
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12"
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MALKA 018EP
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Following their debut album Zest (2017), Die Orangen (aka Dreems and Kris Baha) are back with a new EP on Israel's Malka Tuti. The first part consists of a new version of "Yaranabe", recorded in session as part of their live act, while the second is Tapan's remix of "Metal Man". Tapan's first track to be made after finishing their debut, it's an interesting evolution of their sound, slow, dark, and punchy, yet also a track for the later hours. On the B side lies Gordon Pohl's re-imagination of "Mersey River" (aka "the Platypus track").
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