|
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
BEWITH 059LP
|
Be With Records have raided the KPM archives to reissue another favorites from the KPM 1000 series, John Cameron's Jazzrock, originally released in 1972. A dramatic suite of themes, montage, sequences, and generics -- an enormously influential and heavy KPM set of timeless, killer funk breaks from 1972 by the mighty John Cameron. Jazzrock is an aggressive, percussion-heavy album with an energy that leaves jaws on the floor. Breaks and beats for days with electric piano, bass loops, and pounding percussion. Funky jazz with a deep, tough, soundtrack feel. As with all of Be With Records' KPM reissues, the audio for Jazzrock comes from the original analog tapes and has been remastered for vinyl by Be With regular Simon Francis. Be With have taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity. And don't worry: those KPM stickers aren't stuck directly on the sleeves! 180 gram vinyl.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JBH 077LP
|
Out of print since 2001, a classic Trunk release gets a rare repress, the original soundtrack of Kes. This is pastoral British jazz film music at its very best. Includes sleeve notes by Jarvis Cocker. Kes by Ken Loach is one of the greatest British films of all time. It also has one of the finest soundtracks of the period. Put together by the incredibly talented John Cameron (the arranger for Donovan and great film score composer in his own right) this score sums up beautifully the freedom, innocence, and tragedy put across in the film. With a crack British jazz line-up, including flute legend Harold McNair, Ronnie Ross (bass clarinet), Tony Carr (drums), Danny Moss (clarinet), and David Snell (harp), this score not only appeals to the soundtrack collectors but also followers of the classic British jazz sound. Source material was the original John Cameron master, which had been slightly damaged at the front end, so there is a slight change in volume at the beginning of the LP. Nobody moaned back in 2001. Things might be different now. The score is only 19 minutes long and therefore fits perfectly onto a one-sided LP. Full color sleeve; Produced by Jonny Trunk.
"The sound of long-lost childhood... The smell of a damp school cloakroom, from an age when comics were still printed on newsprint... But this is more than just a product of the nostalgia industry -- put on this album and immediately you'll be soaring through the air, free of your earth shackles; for this is the sound of a human soul in flight. A beautiful daydream antidote to an all too real South Yorkshire nightmare. This is the real thing. This is beauty so fragile it hurts." --Jarvis Cocker
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JBH 002LP
|
2017 repress. A timely repress of John Cameron's 1973 score to the British cult biker classic Psychomania, aka The Death Wheelers. Originally first issued in 2003 by Trunk, this jazz-rock soundtrack masterpiece has become a valuable LP, people paying up to $100 on the second-hand market. Here it rides again, with music direct from John Cameron's master tapes, with new reversed black, red, and white artwork to differentiate it from the first press in 2003. Psychomania is a true cult classic with zombie bikers, George Sanders (his last film before he killed himself out of boredom), Beryl Reid, Joe Columbo furniture, a frog, brutalist architecture, stone circles, Triumph motorbikes, Nicky Henson, teen gangs, The Living Dead, The M3 motorway, all with music by a British jazz outfit headed up by one of the great progressive jazz/library composers of them all, John Cameron.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
KES 001CD
|
2011 repress, originally released in 2002. A sublime pastoral jazz soundtrack by one of the finest British jazz line-ups of the 1960s, back on CD for the first time in 10 years and with brand-new artwork based on the 1969 original Polish poster. Kes by Ken Loach is one of the greatest British films of all time. It also has one of the finest soundtracks of the period. Put together by the incredibly talented John Cameron (he arranged for Donovan, etc.) this score sums up beautifully the freedom, innocence and tragedy put across in the film. With a crack British jazz line-up including flute legend Harold McNair, Ronnie Ross (bass clarinet), Tony Carr (drums), Danny Moss (clarinet) and David Snell (harp), this score not only appeals to soundtrack collectors, but also followers of the classic British jazz sound. Originally issued by Trunk in 2001, this soundtrack quickly disappeared from view. It has now been repressed with new artwork based on the 1969 Polish movie poster from the film. Includes a 4-page booklet with sleevenotes by Jarvis Cocker. "The sound of long-lost childhood -- the smell of a damp school cloakroom, from an age when comics were still printed on newsprint ... But this is more than just a product of the nostalgia industry -- put on this album and immediately you'll be soaring through the air, free of your earth shackles; for this is the sound of a human soul in flight. A beautiful daydream antidote to an all too real South Yorkshire nightmare. This is the real thing. This is beauty so fragile it hurts." --Jarvis Cocker
|
|
|
|