|
|
|
|
|
|
|
|
|
LP
|
|
TRDWD 024LP
|
"Caethua is the project of Maine resident Clare Hubbard. With a handful of releases under her belt on a variety of labels, The Summer Is Over is one of Hubbard's most realized works. Eight sonically perfect songs filled with heart-melting vocal melodies, and dream provoking lyrics. Tastefully accompanied by her piano, guitar, saxophone and well-placed soundscapes. She is joined on this record by the multi-instrumentalism of Andy Neubauer (Impractical Cockpit, Flowbee Au Naturale) who compliments this masterpiece with bass clarinet and cello. Recorded at The Pool Recording Studio by Alex Yusimov and artfully mastered by Tim Stollenwerk. This is a split release between everyone's favorite outsider label, Turned Word and the debut release on the new Mississippi Records imprint, Water Wing Records." Includes full-color insert.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
PRE 025CD
|
The Preservation label presents The Long Afternoon of Earth, from Caethua. Caethua is the recording project for singer-songwriter and multi-instrumentalist Clare Adrienne Cameron Hubbard. Hubbard has been prolific over several years with a wide range of releases spanning folk, experimental, ambient and hip hop. The Long Afternoon of Earth is made up of two separate EP-length sets of songs, both different in style but connected by themes -- family, place, escape and remembrance. The first set, "No Man's Land," (approximately 27 minutes long) is acoustic-based, with songs haunting in their hypnotic way, finding common ground between the rustic and spectral in the spell they cast. Hubbard's surroundings play deeply within the realm of her thoughts, with lyrics both unvarnished and emotionally shading in the way they portray experience both real and imagined. The second set, "Into The Dog-Dayed Night," (approximately 28 minutes long) is also stark, but yet another spin on Hubbard's otherworldly songs. Piano, guitar, raw beats and almost industrial-type textures alchemically fuse for an altogether different mood -- more theatrical, lamenting and spooked. Both sets come together here in the kind of purity and fortitude that underline Caethua's true artistry. The Long Afternoon of Earth is as enigmatic and heartfelt a statement you're likely to hear.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
INRI 083CD
|
"Born and raised in upstate New York, Clare Hubbard has been striving to recreate the stark and ghostly sounds of her birthplace through lo-fi multi-instrument experimentation and by creating a variety of 'identities' within her music. Her project Caethua serves as her primary musical identity, focusing on the darkness of nature and her melancholy recollections of the past. Composed, recorded and produced independently, her music is clearly influenced by early psych-folk composers, combining stark imagery with slow drones, haunting melodies, and scratchy field recordings. In her own words, her work sounds like '...cold marriages of growing up in the snow-covered cornfields of upstate New York, moldy nylon string guitars, a hissing blend of flea market half-working electronics, rusted pots and pans, field recordings of a doomed boat trip down the St. Lawrence River, birds in the ice-covered trees, the groan of an overheating diesel engine, shortwave radio in the middle of nowhere, busted cars sliding in the sleet of Indiana, the soft hum of an old living room, hissing from Florida swamps and a sorrowful voice leading us into the frozen ground.'"
|