|
|
|
|
|
|
|
|
|
|
|
|
|
2CD
|
|
DOCTOR 027CD
|
"Both of these hugely important collections feature on this essential 2CD set, the contents of which is further bolstered by the remainder of Brown's work with Niney from the Seventies and DJ cuts of some of his biggest hits performed by a number of Jamaica's most influential toasters, notably Big Youth, Dillinger and I Roy."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
CTCD 7801CD
|
A collection of tracks from Jamaica's favorite singer Dennis Brown, also dubbed the "Crown Prince of Reggae". Dennis spent his career working with Jamaica's best, perfecting his sound with producers like Lloyd Daley, Joe Gibbs, Aquarius, and most notably Winston "Niney" Holness. This collection is mostly taken from his '70s output, but it features tracks from throughout his career. Topic matter includes: dancing, time, love, and team exercise.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
AALP 1600LP
|
"While many of Dennis Brown's later recordings won't be remembered as well as those of his early days, the man that Bob Marley called his favorite reggae singer never really released a disc that wasn't worth hearing. Even during his most turbulent times, Brown brought a caring, spiritual vibe to his music that few others could. I Don't Know is a mid- '90s Clive Jarret/Peter Chemist production that has a more electronic feel to it than Brown's earlier material. Songs such as 'Trod On' and the bubbling 'Give Me the Vibe' serve as good examples of how consistent Brown's music was, regardless of what else what going on his life. Vocalist Onite Boone joins Brown on two tracks ('Should I' and 'Treat Me Bad'). Both work quite well, giving us just a glimpse of what Boone and Brown could do together. Other notable tracks include 'Piece of My Heart,' 'True True,' and 'Fly Away Home.'" --AllMusic
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LPCT 3193LP
|
"The partnership of Dennis Brown and Errol 'Flabba' Holt continues to pay rich dividends, for of all the producers the singer worked with across the '90s, arguably Holt was the most sympathetic. Blood Brothers, where Brown joined forces with Gregory Isaacs, was very good indeed, but Holt still had to cater to the latter man's style as well; here he can lavish his attention on Brown alone. The results are awe-inspiring. Backed by Holt's Roots Radics, and with a guest appearance by bassist Leroy Sibbles and drummer Sly Dunbar, the album is driven by modern digitized beats, but boasts the Radics at their richest. The group plunder the Jamaican songbook for old rhythms, reaching back into the past to root out old roots numbers, disinter the beautiful melodies of the rocksteady era, and even cross the Caribbean to plunder the American pop chart." --AllMusic
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
BSR 960CD
|
"1979 album by Dennis Brown, released on CD for the first time with 2 bonus tracks. All tracks produced by Winston 'Niney' Holness and engineered by Errol Thompson at Randy's and Joe Gibbs Recording Studios Jamaica. Except 'Let Love In' & 'Black Magic Woman' produced by Phil Pratt."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
LLLP 021LP
|
2012 reissue of this Dennis Brown album, originally released in 1986. Features the track "I've Got Your Number" with guest Al Campbell. Recorded and mixed at Music Mountain Studio, Kingston, Jamaica W.I. "Dennis Brown, 'The Crown Prince Of Reggae,' was one of reggae's biggest hit-makers from his recording debut at age 12 in 1969 to his tragic death at the still relatively young age of 42."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JRCD 060CD
|
Dennis Brown has always been cited as Jamaica's favorite singer. While Bob Marley set out to conquer the world, Brown's popularity on the island grew with every year. His most prolific period is said to be with producer Niney the Observer, who led the singer down a more roots-oriented avenue and put Brown on some of his heaviest rhythms, which were then mixed by the Dub Master himself, King Tubby. Dubbing at King Tubby's collects tracks from this period, when the Crown Prince of Reggae met Niney the Observer at King Tubby's. CD includes four bonus tracks.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JRLP 060LP
|
LP version. Dennis Brown has always been cited as Jamaica's favorite singer. While Bob Marley set out to conquer the world, Brown's popularity on the island grew with every year. His most prolific period is said to be with producer Niney the Observer, who led the singer down a more roots-oriented avenue and put Brown on some of his heaviest rhythms, which were then mixed by the Dub Master himself, King Tubby. Dubbing at King Tubby's collects tracks from this period, when the Crown Prince of Reggae met Niney the Observer at King Tubby's.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
KSLP 025LP
|
2011 release. Dennis Brown has always been cited as Jamaica's favorite singer. While Bob Marley set out to conquer the world, Dennis' popularity on the island grew with each passing year. Overseas success also came Brown's way, with crossover hits like the massive "Money in My Pocket." He will always be fondly remembered on the sound systems across the Caribbean as the Crown Prince of Reggae. Dennis Brown (b. Dennis Emanuel Brown, 1957, Kingston, Jamaica) began his illustrious career at the grand age of 11, like many of the other child singers in Coxsonne Dodd's Studio One stable. His first hit in 1969, a cover of Van Dyke's "No Man Is an Island," still stands the test of time, in addition to its follow-up cut "If I Follow My Heart," as reggae classics. The 1970s saw Dennis build on his reputation by working with all the top Jamaican producers and studios perfecting his sound. Lloyd Daley, Impact, Joe Gibbs, Aquarius and Derrick Harriott, to name but a few. But it was his work with producer Winston "Niney" Holness that he enjoyed the most success and many say is where he recorded his best work. Where many of the other producers stayed with the tried-and-tested Lovers Rock formula that did prove so popular with Dennis' voice, producer Niney The Observer as he is fondly called, pushed him into a more roots-led direction, over stark rhythms created by Niney's studio band Soul Syndicate. Two outstanding albums were put together -- Just Dennis (1975) built on a collection of singles they had recorded together, "Cassandra," "Westbound Train," "No More Will I Roam" and "Conqueror." The second 1977 set Wolf and Leopards, made up again of singles, featured the cut "Here I Come" (a live favorite that Dennis always liked to start his set with) and "Children of Israel," which made these both strong roots-era albums. Kingston Sounds have stayed with this period for this Dennis Brown album. Some of the above-mentioned cuts are present alongside the timeless crossover hit "Money in My Pocket" (1979), produced by Niney, but often credited as a Joe Gibbs production, as it was released (and sweetened by adding orchestration for the foreign market place) on his label. This is the original Jamaican version (unsweetened) that you will find on this album -- perhaps, a more truthful version, in the label's opinion. His voice reigns supreme across these Niney-produced cuts "Smile Like an Angel," "Silver Words," "Play Girl," and the fantastic "Poor Side of Town," (helped along by the great harmonies of the Heptones group), "Tribulation" and "We Will Be Free." Dennis Brown's prolific catalog of tunes, which also found an outlet on his own DEB imprint, stands to show what a great artist he was and what a fine team he and Niney made when in the studio creating these magical moments. So sit back and enjoy a killer set of tunes compiled by Niney himself.
|
|
|
|