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LP
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EOM 116LP
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Archaic, infernal, radical, consistent, courageous. Following the release of his LP The Lovers And Destroyers with Caspar Brötzmann Bass Totem in autumn, 2024, renowned guitarist Caspar Brötzmann and his band Caspar Brötzmann Massaker present a collaborative release between Corbett vs. Dempsey and Exile On Mainstream (Berlin). The record features two different live versions of "All This Violence," recorded in Vienna and Dresden, with Saskia von Klitzing (drums) and Eduardo Delgado Lopez (bass). Founded in 1986, Caspar Brötzmann Massaker became a significant force in the 1990s alternative rock scene. The band's albums The Tribe (1987), Black Axis (1989), Der Abend Der Schwarzen Folklore (1991), Koksofen (1993), Home (1995) and Mute Massaker (1999) are heralded underground classics, having a profound influence on bands and artists like Sonic Youth, SUNN O))), Faith No More, Neurosis, Sumac, and Helmet, to name a few. The band's music is textural, visceral, arresting, and urgent, marked by repetitive, hypnotic intensity, and Brötzmann's signature guitar sound. The legacy lies in his fearless experimentation, dissolving boundaries between classical music structures and amplified instrumentation in rock music. Since the mid-1980s, Caspar Brötzmann has been shaping an unmistakable sound -- infernal, radical, uncompromising. He unwaveringly pursues his own path, beyond clear genre boundaries. As the son of a famous saxophonist, he found his artistic identity early on and developed a unique sound language that discharges in brute catharsis. His music is not an adaptation to trends, but a sensitive, passionate, almost obsessive approach to despair and anger -- and yet full of hope. With his virtuoso independence on the instrument, he is an exceptional phenomenon. An atonal Hendrix, made in Germany.
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CD
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THI 57007
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The fifth Massaker album, it's actually a recent studio recording of 5 songs from the band's first 2 albums (The Tribe & Black Axis); live, no overdubs, and of course, very heavy.
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