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12"
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DKMNTL 062EP
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The Dutch retrogressive, analog synth machine obsessives and tape fanatics Betonkust & Palmbomen II have teamed up together once more for a new EP. An immediate follow up to their debut LP Center Parcs (DKMNTL 058LP, 2018), the new EP pays fictional homage to a now deceased famous TV star, who instead on working on the screen, took up a new direction in making music. Once more replete with esoteric experimentalism, analog jams, drums machines, synths, and a healthy dose of acid basslines, the production duo advance upon their aesthetic with a new extended EP of nostalgic, melancholic electro.
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2LP
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DKMNTL 058LP
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Recorded in an aging holiday park during off-season, Center Parcs is the debut LP by Dutch artists Betonkust and Palmbomen II; a conceptual, musical-tristesse full of lo-fi harmony, and fanciful, psychedelic-colored modulations, with an undercurrent of saturated, outsider-house beats, all recorded to tape. With a shared passion for experimental music, and gnarled Dutch electro, the duo has crafted an LP of esoteric-electronic-pop, reflective of the time the two spent holed-up in isolation in Center Parcs. Palmbomen II, aka Kai Hugo, is the electronic-focused, alter-ego of Palmbomen. Existing in his secondary iteration, Palmbomen II gained notoriety for his alternative, warped style, having released two LPs, both receiving critical acclaim. Originally from the Netherlands and now living in Los Angeles, his musical relationship with Betonkust stretches back several years, leading to a unique live, and studio-working symbiosis. Meanwhile Betonkust -- hailing from the westerly Dutch shores -- has been notching up kudos points with his Detroit-like analog sound. Having found their studio-synchronicity, the duo has already notched up a couple of select EP releases, plus a featured track on Dekmantel's ten-year anniversary series. "It's a weird environment, but we like it," Palmbomen II says about Center Parcs, where the album was recorded. Originally built in the '70s, Center Parcs De Eemhof in Zeewolde provides a pseudo-tropical environment for vacationing families, with an aging, ersatz jungle; its faux decor gradually fading to grey. Recorded during the winter, the two Dutch men took-up home in one the park's chalets with select hardware -- predominately synths and drum machines -- and recorded all of their progress to tape. Being the only occupants in the melancholic, somber settings, the duo made an LP that was reflective of the unpretentious surroundings. Everything on Center Parcs was recorded on hardware, in the moment; "real jams" as the guys describe them. No computers. It was through this in-the-present-process that led to the recondite, lo-fi shoegaze record, reflective of their shared influences -- from the likes of I-F. through to Cocteau Twins. Opener "24x33", has a reverberated VHS aesthetic; "De Rust Die Je Zocht' ("The Peace You Were Looking For") sounds like an angelic score to a forgotten family game show; "Nintendo Pantera" a solemn, upbeat Detroit-retro-fitted-vapor ware melody. The album is a follow up to the Center Parcs EP -- the producer's debut cassette release on Canadian label 1080p in 2016.
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