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viewing 1 To 25 of 44 items
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LP
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BT 5063OR-LP
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$29.00
PREORDER
RELEASE DATE: 11/7/2025
"A psych-pop cult classic. The Orange Bicycle blends Beatles/Beach Boys‑inspired psychedelic-pop style and sun-drenched melodies. The Orange Bicycle captures the kaleidoscopic charm of late-'60s British psychedelia. Featuring lush arrangements, sitar-laced textures, and soaring vocal harmonies, this LP is a must for fans of The Beatles, The Beach Boys, The Zombies, Tomorrow, or early Pink Floyd."
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CD
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MBT 060CD
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$16.00
PREORDER
RELEASE DATE: 11/7/2025
"Until The End (The Lost Album) features recordings made by Wil Malone throughout 1970, possibly intended as a follow-up to Wil Malone -- Wil Malone, which was recorded in mid-1969 and mastered for release on Fontana Records on July 5, 1969. Recently unearthed from the Morgan Blue Town tape vaults, these tracks offer a compelling mix of '60s pop and bubblegum, diverging from the original album's string-heavy, progressive-psych sound. All the material comprises either demos or finished masters, recorded over several months. With the exception of the brass parts -- performed by session musicians -- all instruments were played by Wil Malone himself. It's a shame the debut didn't achieve greater commercial success, as it might have brought these follow-up recordings to light much earlier, back in the 1970s."
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BT 5060LP
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$29.00
PREORDER
RELEASE DATE: 11/7/2025
"Until The End (The Lost Album) features recordings made by Wil Malone throughout 1970, possibly intended as a follow-up to Wil Malone -- Wil Malone, which was recorded in mid-1969 and mastered for release on Fontana Records on July 5, 1969. Recently unearthed from the Morgan Blue Town tape vaults, these tracks offer a compelling mix of '60s pop and bubblegum, diverging from the original album's string-heavy, progressive-psych sound. All the material comprises either demos or finished masters, recorded over several months. With the exception of the brass parts -- performed by session musicians -- all instruments were played by Wil Malone himself. It's a shame the debut didn't achieve greater commercial success, as it might have brought these follow-up recordings to light much earlier, back in the 1970s."
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BT 5011R-LP
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"The Beatles, Pink Floyd, David Bowie -- cousins Francesca Garnett and Lisa Bankoff rubbed shoulders with them all in the late 1960s, and perhaps it should come as no surprise that a little stardust rubbed off on the two girls. Musically ambitious, they came close to being signed to the Beatles' Apple label (although John, Paul, and Ringo were in favor, George passed, thus vetoing the deal) before being taken under the wing of Pink Floyd drummer Nick Mason and signing to Monty Babson's fledgling Morgan Bluetown label. Morgan Bluetown was a side project to the Morgan Music studio, which in the late 1960s was one of the UK's top studios. Wil Malone, who has gone on to be one of the world's most highly regarded arrangers, having worked on the Verve's Bitter Sweet Symphony and Adele's 19 album amongst many others, and Mal Luker, who went on to engineer for the likes of the Kinks, Amon Duul, and Placido Domingo. Chimera was in the wonderful position of being able to draw on the studio's home-grown talent and to augment this with established stars such as their manager Nick Mason, who not only produced many of their recordings, but played drums on 'The Grail' and brought along his Pink Floyd colleague, Rick Wright, to play harpsichord on 'Lady With Bullets In Her Hair.' Future Fleetwood Mac guitarist Bob Weston also played on a number of tracks. Due to a variety of mishaps, the album wasn't released at the time, although apparently Hipgnosis, designers of Pink Floyd (and many other) album sleeves, had prepared a front cover for it, and the musical underground was rife with rumors of this legendary lost masterpiece of acid folk/baroque psychedelia. But now, at last, the album is out on its originally intended label."
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BT 5012SP-LP
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"Sam Gopal took up the tabla in Malaysia at the age of 7, before coming to study music in Britain in 1962. Sam Gopal put together his first group, Sam Gopal's Dream in 1966. They quickly became a feature of the psychedelic scene, playing at the 14 Hour Technicolour Dream at Alexandra Palace in 1967 and sharing stages with such giants as Pink Floyd, the Move and Jimi Hendrix. Indeed, Jimi jammed with them during a gig at the Speakeasy in January 1968. However, whilst successful live, the band went unrecorded, and disbanded shortly after, only to be reconstituted under the 'Sam Gopal' moniker, Sam being joined by Roger D'Elia on guitar, Phil Duke on bass and most famously, ex Jimi Hendrix roadie Ian 'Lemmy' Willis on vocals and guitar. Signed to the short-lived Stable label, songs for an album were quickly written, most of them by Lemmy, and the album was released in March 1969, beautifully packaged in a gatefold sleeve. Something of a classic of psychedelic acid rock, complete with fuzzed guitars, but rooted by its Eastern percussion, the album included one cover, a rocked up version of Donovan's 'Season Of The Witch,' whilst a projected single release included a version of Willie Dixon's 'Back Door Man,' which managed to be even heavier than the interpretation by the Doors on their first album, released two years earlier. 'You're Alone Now,' one of the Lemmy-written songs on the album, became quietly influential, acting not only as a forerunner of Hawkwind's seminal 'The Watcher', but having an intro that brings to mind Black Sabbath's 1970 smash 'Paranoid.' The album ends with undoubtedly the gentlest song of Lemmy's career, the rather lovely 'Yesterlove,' which has Lemmy's vocal floating gently over a backing of tabla and acoustic guitar. Sadly, despite apparently having all the ingredients in place for success, this incarnation of 'Sam Gopal' proved to be no longer-lived than 'Sam Gopal's Dream', and broke up not long after the release of this album."
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BT 5005Y-LP
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"Originally released In July 1970 Wil Malone, a typically idiosyncratic supper-club/chamber pop take on the singer/songwriter genre that was so in vogue at the time. Featuring such earnest/facetious nuggets as 'I Could Write A Book' and 'At The Silver Slipper', the album has many admirers these days. The original release is considered a rare collector's item, with some original copies fetching high prices. This reissue on Morgan Blue Town is available as a limited edition 180-gram yellow color vinyl pressing."
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BT 5009PT-LP
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"Morgan Studios sound engineers Mike Bobak and Andy Johns teamed up with psychedelic musician Will Malone to record one of UK's rarest prog/psych albums. Originally released in 1969, the music reflects the Brit psych sounds of the time with swirling organ, fuzzed guitar and blissed out vocals. Vinyl edition on purple vinyl."
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BT 5056LP
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"Formed in Germany in the 1960s The Blackbirds gained recognition as part of the burgeoning beat and psychedelic rock scene in Germany. The band was active in the late 1960s and early 1970s, and their sound was influenced by the British Invasion and American rock and roll, blending elements of psychedelia, beat music, and early progressive rock. Their albums, such as No Destination recorded in 1968, received some attention in the underground music scene, characterized by experimental soundscapes, melodic harmonies, and a distinctive 1960s rock influence. Though The Blackbirds didn't achieve widespread international fame, they remain a notable part of Germany's rock history, especially within the context of the Krautrock and psychedelic rock movements."
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CD
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MBT 059CD
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"The Excursion released Night Train in 1968. The jazz group was led by organist Jerry Allen. The album blends elements of jazz, mod, and beat music. Includes a version of 'Green Onions.' The album has become a rare collector's item, with original vinyl pressings being highly sought after."
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BT 5059LP
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"The Excursion released Night Train in 1968. The jazz group was led by organist Jerry Allen. The album blends elements of jazz, mod, and beat music. Includes a version of 'Green Onions.' The album has become a rare collector's item, with original vinyl pressings being highly sought after."
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3CD
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MBTBX 040CD
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"Boasting four writers, singers and multi-instrumentalists who, between them, also handled production, engineering and arrangement duties, Fickle Pickle had the wit, cynicism, hooks, harmonies and technical dexterity to bridge the barren years between the demise of The Beatles and the eventual arrival in late 1972 of their kindred spirits 10cc. Fickle Pickle consisted of former members of the bands The Smoke (Cliff Wade, Geoff Gill), Orange Bicycle (Wil Malone) and Red Dirt (Steve Howden), who also worked as sound engineers and producers at North London's Morgan Studios. Danny Beckerman (Pussy/Fortes Mentum) helped out as a musician and songwriter in the band's early days. In August 1970, Fickle Pickle published a cover version of Paul McCartney's song 'Maybe I'm Amazed' as a single in the UK, the USA and the Netherlands, where it climbed to No. 36 in the Top 40 in the spring of 1971. In the autumn of 1971, 'California Calling,' written by Gill and Beckerman reached number 26. Due to this success in the Netherlands in 1972 released an album, Sinful Skinful. That album, plus singles, B-sides, previously unreleased tracks, outtakes, alternate versions and live material has been lovingly compiled into a 3CD set."
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2CD
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MBT 053CD
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"Barbara Moore was a British singer, composer, and arranger, best known for her work in the 1960s and 1970s, especially in jazz, pop, and easy-listening music. She gained recognition as a session vocalist and arranger, working with artists and bands such as Jimi Hendrix and Dudley Moore. Barbara was a prominent figure in the UK's music industry during the height of the 'library music' era, where composers created music for television, film, and radio. One of her most notable works was her arrangement and vocal work for the Vocal Shades and Tones album, which became iconic in the world of library music. Her compositions, like 'Hot Heels' and 'Steam Heat,' are renowned for their catchy, funky, and soulful elements, often featuring groovy bass lines, smooth vocals, and jazzy arrangements. Barbara Moore's work continues to be appreciated by fans of vintage and retro music, and her compositions have appeared in various films, television shows, and commercials, adding to her legacy as a significant contributor to the UK's music scene. Morgan Blue Town present these four original albums on a 2CD set. Includes comprehensive sleeve notes."
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CD
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MBT 058CD
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CD version. "The Family Affair released the self-titled album, Family Affair, in 1968, which showcased their blend of soulful melodies and tight-knit harmonies. The band featured Johnny Cream on vocals and guitar, alongside Linda Cream on vocals, Sharon Gable on guitar, Herbert Fernando on organ, and Herman Fernando on drums. While The Family Affair may not have achieved widespread fame, their work remains a testament to the rich tapestry of 1960s soul music, reflecting the era's collaborative spirit and familial musical ventures. Features Johnny Cream & Linda Cream. Re-Issue of the 1968 classic album!"
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BT 5058LP
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"The Family Affair released the self-titled album, Family Affair, in 1968, which showcased their blend of soulful melodies and tight-knit harmonies. The band featured Johnny Cream on vocals and guitar, alongside Linda Cream on vocals, Sharon Gable on guitar, Herbert Fernando on organ, and Herman Fernando on drums. While The Family Affair may not have achieved widespread fame, their work remains a testament to the rich tapestry of 1960s soul music, reflecting the era's collaborative spirit and familial musical ventures. Features Johnny Cream & Linda Cream. Re-Issue of the 1968 classic album!"
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BT 5057LP
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"The Deviants were an influential underground rock band from the UK, active primarily in the late 1960s. Known for their raw, anarchic style, they combined garage rock, proto-punk, and psychedelic influences. Originally formed as The Social Deviants in 1967, the band was fronted by the poet, writer, and provocateur Mick Farren. The Deviants' sound was characterized by its experimental approach, blending bluesy riffs, rebellious lyrics, and chaotic energy. They were a significant precursor to punk and were part of the UK countercultural movement. Disposable was originally released in 1968. A mix of satire, politics, and raw rock music. Although The Deviants didn't achieve mainstream success, they became a cult band with a lasting influence on punk and alternative rock. Mick Farren went on to have a solo music career and became a respected writer and journalist. The Deviants were known as much for their countercultural ethos as their music, making them a key part of the late '60s underground scene."
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CD
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MBT 056CD
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"Formed in Germany in the 1960s The Blackbirds gained recognition as part of the burgeoning beat and psychedelic rock scene in Germany. The band was active in the late 1960s and early 1970s, and their sound was influenced by the British Invasion and American rock and roll, blending elements of psychedelia, beat music, and early progressive rock. Their albums, such as No Destination recorded in 1968, received some attention in the underground music scene, characterized by experimental soundscapes, melodic harmonies, and a distinctive 1960s rock influence. Though The Blackbirds didn't achieve widespread international fame, they remain a notable part of Germany's rock history, especially within the context of the Krautrock and psychedelic rock movements."
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MBT 052CD
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"Kevin Parrot, Brian McGladdery, Roger Tweedale, Gary McDougall, and Tony Bamforth formed Samsun at the beginning of 1969. After several tours abroad they came to the attention of Geoff Gill (ex-The Smoke), Wil Malone (ex-Orange Bicycle) and Cliff Wade (ex-Fickle Pickle). They spent a week at Morgan Studios recording an entire album but only three songs were released for the Dutch and UK markets. A few years later the band rebranded as Oscar. Buried until now in the vaults, Samsun's album finally emerges blinking into the daylight a mere 52 years after it was recorded to provide yet another missing piece of the seemingly forever incomplete Morgan jigsaw. Taken from the original master-tapes, it provides yet more evidence that, during a five-year period in the late sixties/early seventies, the in-house Morgan team was as productive as any similar-sized British pop collective."
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BT 5052LP
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"Kevin Parrot, Brian McGladdery, Roger Tweedale, Gary McDougall, and Tony Bamforth formed Samsun at the beginning of 1969. After several tours abroad they came to the attention of Geoff Gill (ex-The Smoke), Wil Malone (ex-Orange Bicycle) and Cliff Wade (ex-Fickle Pickle). They spent a week at Morgan Studios recording an entire album but only three songs were released for the Dutch and UK markets. A few years later the band rebranded as Oscar. Buried until now in the vaults, Samsun's album finally emerges blinking into the daylight a mere 52 years after it was recorded to provide yet another missing piece of the seemingly forever incomplete Morgan jigsaw. Taken from the original master-tapes, it provides yet more evidence that, during a five-year period in the late sixties/early seventies, the in-house Morgan team was as productive as any similar-sized British pop collective."
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3CD
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MBTBX 032CD
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"Pop polymath Wilson Malone -- multi-instrumentalist, songwriter, vocalist, producer, arranger -- has achieved cult acclaim for his early work in the soft white underbelly of the British pop industry, being responsible for a number of highly collectable singles and albums during the psychedelic and progressive rock eras before recording the soundtrack to the 1972 British horror film Death Line (retitled Raw Meat for the American market) and working with such storied names as Cliff Richard and Roger Daltrey. However, genuine heavyweight success didn't arrive until some thirty years into Wil's career, when he provided the striking string arrangements that underscored major '90s hits by The Verve ('Bittersweet Symphony') and Massive Attack ('Unfinished Sympathy'). His work has been featured in movies, TV shows, and commercials. His contributions to the soundtracks of various media have helped create mood and atmosphere in visual storytelling. This three-disc CD boxset titled Old Feet, New Socks: The Many Faces Of Wil Malone 1965-72 captures those early years of Wil Malone's work from Robb Storme, The Orange Bicycle, Barnaby Rudge, The Wilson Malone Voiceband, and Fickle Pickle."
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3CD BOX
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MBTBX 051CD
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"The Morgan Blue Town Story is a mixture of psych, pop, and rock tunes presented in a 3CD boxset, including a 24-page booklet with rare photos and sleeve notes. This 74-track showcases the very best artists from the Morgan Blue Town label, with many of the tracks previously unissued. A must CD boxset to have for anyone who appreciated Swinging London in the mid-Sixties, and its boom-time in Britpopland. Includes tracks from Pussy, The Smoke, Fickle Pickle, and more."
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BT 5050LP
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"Morgan Blue Town are present this reissue of Good Morning Mr. Blues from the Dave Peace Quartet. Originally released in 1969 and long out of print. A blend of up-tempo and slow blues with quite a lot of flowing organ, some good guitars, and hard-working drums. Nothing here for the faint-hearted who crave smooth and well-produced Blues. Featuring Dave Pegg (Jethro Tull & Fairport Convention)."
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BT 5030LP
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"The original Pussy Plays album was released in 1969. That album had a psychedelic and freaky, fuzz n' wah-wah guitar with swirling keyboards and a classic '60s production loaded with all the studio effects of the era. Pussy Plays is undoubtedly also one of the most obscure and beautiful psychedelic albums of the 1960s. So here at last the follow-up album to that first hugely iconic British psych album, Pussy Plays. The original Pussy drummer Steve Townsend and ex-Iron Maiden guitarist Bob Sawyer, along with friends Paul Jackson and Rick Cullen, came together for the follow up album Pussy Plays Again. The recording techniques were basic, the sound is lo-fi, and where this is less than puurrrfect, the quality of the music itself and the imagination and creativity shine through."
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2CD
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MBT 034CD
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"The much sought after 1970 Red Dirt album. A psych blues classic, plus bonus tracks. Red Dirt were a blues band formed in East Yorkshire around 1968 comprised of Dave Richardson (vocals), Steve Howden (guitar), Kenny Giles (bass), and Steve Jackson (drums) who built up an impressive live reputation in clubs and venues in the North of England. When released in 1970, on the Fontana label, their self-titled debut album sunk without trace and legend -- or rumor -- having only sold around 100 copies."
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2LP
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BT 5034R-LP
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180-gram red vinyl version. "The much sought after 1970 Red Dirt album. A psych blues classic, plus bonus tracks. Red Dirt were a blues band formed in East Yorkshire around 1968 comprised of Dave Richardson (vocals), Steve Howden (guitar), Kenny Giles (bass), and Steve Jackson (drums) who built up an impressive live reputation in clubs and venues in the North of England. When released in 1970, on the Fontana label, their self-titled debut album sunk without trace and legend -- or rumor -- having only sold around 100 copies."
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LP
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BT 5033S-LP
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"Now released on straw colored vinyl. The late 1960's truly saw the flowering of the concept album. Following the 1967 triumph of the Beatles meisterwork Sergeant Pepper's Lonely Hearts Club Band, 1968 followed with the Small Faces' Ogdens' Nut Gone Flake, which followed the adventures of Happiness Stan in his quest to find the missing half of the Moon, whilst S.F. Sorrow by the Pretty Things portrayed the life of Sebastian F. Sorrow, from birth through love, madness, disappointment and ultimately to a lonely death. Less heralded at the time, but now much sought after, was the album recorded by the Five Day Week Straw People, which relates the imagined 'typical weekend of the average nine-to-five worker' as they recounted in an interview at the time. The songs had been written by David Montague and Guy Mascolo, who had first met when they were hairdressers in Clapham in 1963. Guy had just co-founded a salon with his brother Toni, which since then has mushroomed into the hairdressing juggernaut that is 'Toni and Guy'. However, in 1967, Guy and David were songwriting in their spare time and, having completed demos for a number of songs, happened to bump into an engineer from the small independent Saga Records. They were quickly signed to the label and put into the recording studio, with backing from Mike Hawksworth on bass guitar, John DuCann on guitar and vocals and Jack McCulloch on drums. Perhaps inspired by the extraneous noises used on Sergeant Pepper, David and Guy recorded sound effects for use on their own album, which they employed to better evoke the feeling of the weekend. Thus, car engines revving, children playing, a woman in high heels descending a staircase and a rainstorm complete with thunder all find their place. Mix in some spoken word vocals and a judicious sprinkling of special effects, and the result is a quirky and entirely charming album that will transport the listener to those heady days when just about anything seemed possible. Listed as one of Record Collector's 100 Greatest Psychedelic Records (nestling immediately below the Moody Blues In Search Of A Lost Chord!), this is an album that deserves a place in any discerning record collection."
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