|
|
|
|
viewing 1 To 25 of 101 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
IF 1005LPX15YO
|
$35.00
PREORDER
RELEASE DATE: 12/6/2024
15 Years Anniversary Edition of the debut full length from French producer/DJ Rone. Printed on neon pink transparent bio-vinyl. In 2009, Rone released Spanish Breakfast, an album that marked the first step of an extraordinary musical journey. Now, to celebrate its 15th anniversary, Infine is thrilled to announce a special edition reissue -- sustainably crafted on vibrant neon pink vinyl, created as a tribute to the album that started it all. This limited release isn't just a record; it's a piece of history and a celebration of where it all began. A record of simmering techno bubbles and gentle wells and releases swimming elegantly over its duration. A playful and woozy effort, Rone fills up the stereo field with widescreen synthscapes and dreamy bleeps popping from every audio crevice. In Spanish Breakfast, the young Frenchman has crafted a player that is primed for hazy Spring afternoons bathed in sunshine. Featuring Alain Damasio.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1093LP
|
LP version. Hiroshi Watanabe, a musician, photographer, and DJ from the Japanese electronic scene, based in Saitama near Tokyo, has been a prolific figure for twenty-five years. He has explored most major genres of electronic music through more than twenty albums. He proudly becomes the very first Japanese artist of InFiné. After Ryuichi Sakamoto, he is one of the very few Japanese artists who have gained the favor of Western audiences, alongside notable names such as Cornelius, Towa Tei, DJ Krush, Ken Ishii, Susumu Yokota, and more recently Hiroshi Yoshimura. In Europe, he is best known for his project Kaito, which began in 2001 under the prestigious Kompakt label. The name Kaito, in addition to being the name of his son born the same year, carries a double meaning in Japanese, signifying both "universe" and "secret." These references hint at a spirituality visible in his photographic work and contribute to the elements that make Japanese artists masters of the ambient genre. The collaboration between Kaito and the InFiné label began with his participation in the compilation Music Activists 2020 (From Home), which supported artists affected by the Covid crisis, followed by a remix for the single "Motion" by Rone and Vanessa Wagner in 2023. These initial contributions led to a new album featuring nine tracks of ambient music. Kaito's new album Collection comprises nine ambient and melodic tracks composed during the Covid-19 pandemic. These compositions present a majestic minimal and harmonious therapy in response to the world's adversities, showcasing the producer's return to the peak of his art. Collection was remastered by another genre legend, the German Rashad Becker.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IF 1093CD
|
Hiroshi Watanabe, a musician, photographer, and DJ from the Japanese electronic scene, based in Saitama near Tokyo, has been a prolific figure for twenty-five years. He has explored most major genres of electronic music through more than twenty albums. He proudly becomes the very first Japanese artist of InFiné. After Ryuichi Sakamoto, he is one of the very few Japanese artists who have gained the favor of Western audiences, alongside notable names such as Cornelius, Towa Tei, DJ Krush, Ken Ishii, Susumu Yokota, and more recently Hiroshi Yoshimura. In Europe, he is best known for his project Kaito, which began in 2001 under the prestigious Kompakt label. The name Kaito, in addition to being the name of his son born the same year, carries a double meaning in Japanese, signifying both "universe" and "secret." These references hint at a spirituality visible in his photographic work and contribute to the elements that make Japanese artists masters of the ambient genre. The collaboration between Kaito and the InFiné label began with his participation in the compilation Music Activists 2020 (From Home), which supported artists affected by the Covid crisis, followed by a remix for the single "Motion" by Rone and Vanessa Wagner in 2023. These initial contributions led to a new album featuring nine tracks of ambient music. Kaito's new album Collection comprises nine ambient and melodic tracks composed during the Covid-19 pandemic. These compositions present a majestic minimal and harmonious therapy in response to the world's adversities, showcasing the producer's return to the peak of his art. Collection was remastered by another genre legend, the German Rashad Becker.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1092LP
|
Recorded in the southwest of France, O'o's second album broadens the group's musical horizons, enriched by the contrasts and surprises of rural life. Revisiting the animal parables from their first album Touche (IF 1074CD), Victoria Suter's lyrics draw inspiration from literature where humor and eccentricity blend with the mystery and supernatural elements of rural life, making her voice resonate in all its uniqueness. Mathieu Daubigné's productions serve as an ideal expressionist backdrop, showcasing incredible musical versatility by combining his expertise in club atmospheres, dynamic synthpop melodies, and contemplative experiments. Songs of Wishes and Bones is an album of chiaroscuro tones and a new centerpiece of the French indie-dance scene.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1094LP
|
$33.00
PREORDER
RELEASE DATE: 11/15/2024
LP version. Twin Color marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective. Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album's production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements. This album reaffirms Murcof's unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IF 1094CD
|
$17.50
PREORDER
RELEASE DATE: 11/15/2024
Twin Color marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective. Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album's production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements. This album reaffirms Murcof's unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1089LP
|
43°C, the debut LP by French electronic producer Basile3, is the result of a decade of cultivating a musical identity that focuses on hybridization, sonic recycling, and playfulness. The enigmatic title 43°C signifies a haze of bliss (4+3=7, the producer's lucky number) backdropped by the ecological state of a world that's grown slightly but surely warmer. In this anticipation fiction, Basile3 offers a soundtrack that is an exploration of club music, electronica infused with R&B and ambient synths. The French producer warmly invites listeners to his state of mind, blooming with genre-bending floating soundscapes. Featuring Telma Cappelo, Daisy Ray, Loydfears, Lucy Sissi Miller, and Minor Science.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1091LP
|
LP version. UTO presents When all you want to do is be the fire part of fire. Anyone familiar with UTO's lauded 2022 debut Touch The Lock (IF 1067CD), which Pitchfork praised for its "prismatic synth pop," will be aware of the variegated nature of what they do. This album is just as colorful, with Neysa's vocal work sparking similarities to Kim Gordon's off-kilter vocals, which they both ceremoniously jet through a post-electronica blender mixing stylized indie sleaze productions with '90s breakbeats. While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day's work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that's reflected in the Dantean themes expressed in songs such as the lead single "Zombie," which arrived at the end of November as a taster for the new record; the latter's dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void. From fire, early man's discovery, to AI, humanity's next great adventure -- with all of the wonders and complexities of human relationships in between -- When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth. Featuring HSRS.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IF 1085CD
|
L(oo)ping is a story that began with great trepidation and an initial polite refusal and may have never have been told. Even for Rone, who's used to making bold moves, the orchestra had always seemed a step too far. Motion laid the groundwork for L(oo)ping, a journey in which Romain Allender (who worked The Grand Budapest Hotel by Wes Anderson and The Shape of Water by Guillermo del Toro amongst others) acted as a creative translator for Rone. Leafing through Rone's repertoire he selected the tracks that would better lend themselves for symphonic reinterpretations. The eleven pieces chosen each mark a different stage in Rone's trajectory, from one of his first-ever productions, "Bora," born in a studio flat in Paris in 2008 when he was still a student, all the way to the soundtrack composed for the 2022 short-film, Ghosts, written by Spike Jonze, directed and performed by (LA)HORDE. L(oo)ping isn't just an orchestral retelling of Rone's work, however. New life has been breathed into the music through Allender's arrangements as well as Rone's own interaction with the Orchestre National de Lyon and conductor Dirk Brossé. There's a rich dramaturgy to the music, but not once does the acoustic trample on the electronic nor vice-versa. Rather, L(oo)ping manages to achieve an elegant and playful tightrope balance between both voices that keeps listeners hooked on suspense and surprise.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IF 1091CD
|
UTO presents When all you want to do is be the fire part of fire. Anyone familiar with UTO's lauded 2022 debut Touch The Lock (IF 1067CD), which Pitchfork praised for its "prismatic synth pop," will be aware of the variegated nature of what they do. This album is just as colorful, with Neysa's vocal work sparking similarities to Kim Gordon's off-kilter vocals, which they both ceremoniously jet through a post-electronica blender mixing stylized indie sleaze productions with '90s breakbeats. While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day's work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that's reflected in the Dantean themes expressed in songs such as the lead single "Zombie," which arrived at the end of November as a taster for the new record; the latter's dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void. From fire, early man's discovery, to AI, humanity's next great adventure -- with all of the wonders and complexities of human relationships in between -- When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth. Featuring HSRS.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1085LP
|
LP version. L(oo)ping is a story that began with great trepidation and an initial polite refusal and may have never have been told. Even for Rone, who's used to making bold moves, the orchestra had always seemed a step too far. Motion laid the groundwork for L(oo)ping, a journey in which Romain Allender (who worked The Grand Budapest Hotel by Wes Anderson and The Shape of Water by Guillermo del Toro amongst others) acted as a creative translator for Rone. Leafing through Rone's repertoire he selected the tracks that would better lend themselves for symphonic reinterpretations. The eleven pieces chosen each mark a different stage in Rone's trajectory, from one of his first-ever productions, "Bora," born in a studio flat in Paris in 2008 when he was still a student, all the way to the soundtrack composed for the 2022 short-film, Ghosts, written by Spike Jonze, directed and performed by (LA)HORDE. L(oo)ping isn't just an orchestral retelling of Rone's work, however. New life has been breathed into the music through Allender's arrangements as well as Rone's own interaction with the Orchestre National de Lyon and conductor Dirk Brossé. There's a rich dramaturgy to the music, but not once does the acoustic trample on the electronic nor vice-versa. Rather, L(oo)ping manages to achieve an elegant and playful tightrope balance between both voices that keeps listeners hooked on suspense and surprise.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IF 1090CD
|
A mesmerizing journey of electronic and classical elements for this year most awaited series D'Argent & De Sang is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as Room with a View (IF 1057LP, 2020) and Tohu Bohu (IF 1020LP, 2020), who won a César for his first soundtrack for Frédéric Farrucci's film La Nuit Venue in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's Les Olympiades. Initially entitled Tikkoun, the next CANAL+ original series D'Argent & De Sang is produced by Curiosa Films and directed by multi-César winner Xavier Giannoli, with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolize the heterogeneity of the worlds that intersect in this story."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1090LP
|
LP version. A mesmerizing journey of electronic and classical elements for this year most awaited series D'Argent & De Sang is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as Room with a View (IF 1057LP, 2020) and Tohu Bohu (IF 1020LP, 2020), who won a César for his first soundtrack for Frédéric Farrucci's film La Nuit Venue in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's Les Olympiades. Initially entitled Tikkoun, the next CANAL+ original series D'Argent & De Sang is produced by Curiosa Films and directed by multi-César winner Xavier Giannoli, with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolize the heterogeneity of the worlds that intersect in this story."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IF 1088CD
|
As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio." Eno Piano, is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno's ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans Joachim Roedelius, Dieter Moebius, or Jon Hopkins. In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper (IF 1059CD/LP, 2020). Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond. In Eno Piano, the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box -- a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes. The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1088LP
|
2024 restock; LP version. As Brian Eno famously said, "The studio is a musical instrument," Bruce Brubaker now says, "A musical instrument can be a studio." Eno Piano, is a stunning reinterpretation by American pianist Bruce Brubaker of selected tracks from Brian Eno's ambient masterpieces, including iconic Music for Airports as well as three original compositions venturing into his collaborations with Harold Budd, Hans Joachim Roedelius, Dieter Moebius, or Jon Hopkins. In his explorations of minimalism, Bruce Brubaker makes connections to music old and new. In his album Codex, there was a dialogue between open-form music by Terry Riley and very early keyboard pieces written down by anonymous scribes in the 15th century, while Brubaker's performances of music by Philip Glass enabled the releases of the critically acclaim Glass Piano and his collaboration on Glassform with Max Cooper (IF 1059CD/LP, 2020). Brian Eno's music is equally a significant part of the repetition-based musical minimalism in the 20th century. Eno Piano acknowledges a deep artistic bond. In Eno Piano, the piano, one of the first "synthesizers," becomes a new kind of fantastic resonating box -- a supernatural synthesizer. The album is a compelling discovery, a rereading, reinterpretation, "re-production" of Brian Eno's music, from the hands of a visionary virtuoso. Sonically, the record is a combination of Bruce's piano playing, and piano sounds made using new electromagnetic "bows" that vibrate strings inside the piano creating drone notes. The album represents a leap, into a new genre of post-ambient, post-piano piano music. Here, sound technology heightens artistic sensitivity, and the listener's presence in the moment. An instrument is reimagined, refashioned. The usual boundaries of time and sound loosen allowing the formation of a new 21st-century beauty.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1086LP
|
Since his first album, Labelle has been dovetailing the techno that so captivated his imagination as a teenager, with traditional Maloya music -- native to the French overseas department where he grew up and still lives. His new album submerges itself in the darker recesses of the psyche. Noir Anima is a reflective portrait of a soul enshrouded by the darkness of night, inching towards a euphoric morning. Over the last decade, the Réunion Island-based composer has made a name for himself exploring syncretic religion and philosophy throughout his work and, for his fifth studio album, his search for truth has turned inwards. On Noir Anima, we are offered a glimpse into the emotional state of the artist making this extraordinary and dynamic music.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IF 1087CD
|
Cindy Pooch is a breath of fresh air on the French pop scene, placing vocals and lyrics centerstage. She initially started composing this project intimately alone, unveiling the raw emotions of the artist. The result is an album of Chanson Française tracks as pop as they are avant-garde, with meticulous, intimate and powerful productions. The twelve tracks that make up the album were written around specific moments in the Cindy's life; in Lyon, where she lives, in Cameroon where she frequently visits her family, and on the road during her many tours with the Maloya groups Ti'Kaniki. In Nomine Corpus is a debut album that showcases Cindy's maturity, sincerity, and commitment, marking the beginning of a promising solo career. Her artistic collaboration with guitar player and producer Seb Martel (Camille, Femi Kuti, -M-) finally takes shape in productions that are both powerful and light at the same time, an effervescent weightlessness. Twelve tracks, combined with lyrics of pure poetry, making up a cathartic album that is endearing and liberating.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1087LP
|
LP version. Cindy Pooch is a breath of fresh air on the French pop scene, placing vocals and lyrics centerstage. She initially started composing this project intimately alone, unveiling the raw emotions of the artist. The result is an album of Chanson Française tracks as pop as they are avant-garde, with meticulous, intimate and powerful productions. The twelve tracks that make up the album were written around specific moments in the Cindy's life; in Lyon, where she lives, in Cameroon where she frequently visits her family, and on the road during her many tours with the Maloya groups Ti'Kaniki. In Nomine Corpus is a debut album that showcases Cindy's maturity, sincerity, and commitment, marking the beginning of a promising solo career. Her artistic collaboration with guitar player and producer Seb Martel (Camille, Femi Kuti, -M-) finally takes shape in productions that are both powerful and light at the same time, an effervescent weightlessness. Twelve tracks, combined with lyrics of pure poetry, making up a cathartic album that is endearing and liberating.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1084LP
|
LP version. Building off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed's album Jbal Rrsas is the next chapter of a reimagining of what club music could be. The album spans seven tracks of bass, techno, and experimental music, with Abdelwahed consulting with masterminds like Tunisian composer and multi-instrumentalist Khalil Hentati, aka Khalil Epi, and Iraqi-British multi-instrumentalist, composer, and researcher Khyam Allami, as well as Egyptian mastering engineer Heba Kadry, to help realise her vision. Jbal Rrsas starts with the seductively apocalyptic opener, "The Key to the Exit," a deconstructed sha'bi production. With tracks like "Six as Oil" and the delightfully intense "Violence for Free," Abdelwahed leads users to a desert rave, where industrial rhythms are left unbridled. Abdelwahed's vocals on "Complain" and "Pre-Island" are powerful and exposed, confidently placed on dizzying avant-garde productions. The Wire previously said "[Khonnar is] an assured debut that sits on the edge of a whole swathe of possibilities, not only sonic but also geographical, social and political." With Jbal Rrsas finds Abdelwahed deftly navigating through those possibilities, frequently pushing against genres, labels, and social identifiers, while elevating club music to otherworldly heights.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IF 1084CD
|
Building off of the themes of identity, storytelling and experimentation on her critically acclaimed debut album, Khonnar (2018), Deena Abdelwahed's album Jbal Rrsas is the next chapter of a reimagining of what club music could be. The album spans seven tracks of bass, techno, and experimental music, with Abdelwahed consulting with masterminds like Tunisian composer and multi-instrumentalist Khalil Hentati, aka Khalil Epi, and Iraqi-British multi-instrumentalist, composer, and researcher Khyam Allami, as well as Egyptian mastering engineer Heba Kadry, to help realise her vision. Jbal Rrsas starts with the seductively apocalyptic opener, "The Key to the Exit," a deconstructed sha'bi production. With tracks like "Six as Oil" and the delightfully intense "Violence for Free," Abdelwahed leads users to a desert rave, where industrial rhythms are left unbridled. Abdelwahed's vocals on "Complain" and "Pre-Island" are powerful and exposed, confidently placed on dizzying avant-garde productions. The Wire previously said "[Khonnar is] an assured debut that sits on the edge of a whole swathe of possibilities, not only sonic but also geographical, social and political." With Jbal Rrsas finds Abdelwahed deftly navigating through those possibilities, frequently pushing against genres, labels, and social identifiers, while elevating club music to otherworldly heights.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1048LP
|
Deena Abdelwahed's first album is shifting the epicenter of contemporary electronic music south. Khonnar, pronounced "Ronnar" (an essential detail so as to avoid facile misinterpretation by French-speakers) it is a term that makes the most of Tunisia's cultural and linguistic spectrum. It evokes the dark, shameful and disturbing side of things, the one we usually seek to hide, but which Deena instead sticks our noses in with her debut. It is a testament to Deena's coming into her own as a world citizen, and as an artist. A self-construction made of frustrations and constraints, borne of retrograde mindsets, which are not the prerogative of either the East or the West, and which she tirelessly strives to expose and break. Throughout the 45 minutes of Khonnar, Deena breaks down the codes of bass, techno and experimental music, and writes the manifesto for a generation that does not seek to please or to conform, taking back control of its identity -- with all the attendant losses and chaos. A new creative world order is taking shape, a new tilting point between north and south, the response of a connected and liberated youth who takes the control of the new decolonization.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
IF 1082CD
|
African Singer-songwriter Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro. Blick Bassy's albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores "a theme shared by all" of water, the source of life. The fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. "I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance." Beyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1082LP
|
LP version. African Singer-songwriter Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro. Blick Bassy's albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores "a theme shared by all" of water, the source of life. The fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. "I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance." Beyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
IF 1009X-LP
|
Reissue. In 2010, electronic composer Arandel quietly released his first album In D on the then young InFiné label. At the time, the artist was strictly anonymous, put in the forefront its strict methodology of composition, and unleashed to the world what was destined to eventually break ground as a classic debut. The original pressing of that record sold out more than ten years ago, and at long last is finding new life on limited edition vinyl. The record covers immense ground despite the strict "sonic dogma" put in place (every song in the key of D, and no samples allowed beyond what Arandel played himself). With these limitations aside, the record traverses a wide sonic map that covers classic, pristine leftfield house, ambient experimentalism, and even mind-expanding psychedelia. As stated by The Line of Best Fit in 2010, "In D is an exciting, occasionally intoxicating and spirited album that owes as much to the spirit of its influences as it does to the desired mystery of its creator."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
IF 2082EP
|
The two pieces Gaspar Claus brought together on Scaphandre form an abstract and mysterious B-side of Tancade, released in the fall of 2021. Both composed during the long, initial period of his first album's conception, this mini album's two episodes, each tinged with minimal and noisy abstractions, unfold more than ten minutes of total immersion into the abyss of experimental music on the first, and drone for the second. In their own way, these tracks are a form of raw, unadorned escape, a film negative of the cellist's surface creations, which we know are bathed in sunshine and fresh air. "Inside" is a moment of distraction while Gaspar worked on a film soundtrack. The title took time to mature in the musician's head, abandoned then picked up again and modified until it found its signature progression of strings where time seems suspended. The reverberations dress its fourteen-minute sound canvas in a way that is reminiscent of endless, sub-marine darkness. "Beyond" was recorded in three takes during a writing session for his first album with David Chalmin in the Basque Country. The post-production phase required a long process of refinement to obtain this invasive sound material that cuts the listener off from their real environment and films them with a hypnotic feeling of depths and apnea. Taken in 1898 by Louis Boutan a few dozen kilometres from the beach of Tancade in Banyuls sur mer -- Gaspar's family village -- the photographs of Scaphandre seal the vinyl sleeve with a unique auditory experience presenting the submerged side of the cellist. Obscure, dense, haunting, excitingly weightless.
|
viewing 1 To 25 of 101 items
Next >>
|
|