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viewing 1 To 9 of 9 items
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CD
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DDJ 048CD
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$23.50
PREORDER
RELEASE DATE: 12/6/2019
Tutti Possono Arricchire Tranne I Poveri is a 1976 film directed by Mauro Severino, starring Enrico Montesano, Barbara Bouchet, and Anna Mazzamauro. It tells the story of a couple who comes into sudden wealth thanks to a football lottery and of their vicissitudes in blowing the newfound fortune. The music for this funny and oblique comedy was composed by a trio of musicians very much industrious throughout the 1970s: Franco Bixio, Fabio Frizzi, and Vince Tempera. These three musicians had developed a defined triangular identity, composing wonderful scores such as 7 note in nero, Sella D'Argento, Godzilla il re dei Mostri, Il secondo tragico Fantozzi, Febbre da Cavallo, Roma l'altra faccia della violenza, I quattro dell'Apocalisse, and many more. It was an incredible and prolific collaboration that gifted Italian cinema with iconic scores, celebrated here once again with this unreleased score that doesn't delude expectations, released as part of the DDJ series and presented in a transparent jewel case. Includes 12-page booklet designed by Daniele De Gemini with liner notes by Marco Ferretti. Mastering by Claudio Fuiano.
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CD
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DDJ 050CD
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$23.50
PREORDER
RELEASE DATE: 12/6/2019
Quando La Coppia Scoppia is a 1981 film directed by Steno and starring Enrico Montesano, Claude Brasseur, and Dalila Di Lazzaro in a comedy in which the protagonist Enrico Granata (Montesano) is facing a matrimonial crisis as a third party (Brasseur) tries to steal his wife (Di Lazzaro). A movie gifted with a score by Piero Umiliani, until now completely unreleased, one of the last composed by him and which denotes, once again, the maestro's proficiency in jazz orchestrations and provides rhythms for every situation, coloring the sparkling atmosphere of the movie. You find various orchestrations of the main theme, cues with a sexy flavor for a handful of nocturnal sequences and two tracks reused from prior films scored by Umiliani, Johnny Moggi Quintet (1975) and News! News! News! (1979). It's a nice tribute to the great Tuscan maestro that can't be missing from his fans' collections and which we are glad to offer in the DDJ series, namely dedicated to music of the '70s and '80s. The CD is presented in a transparent jewel case. Includes 12-page booklet with graphic layout by Daniele De Gemini and liner notes by Marco Ferretti. Mastering by Enrico De Gemini.
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DDJ 051CD
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L'Ultimo Squalo (The Great White) is a 1981 movie directed by Enzo G. Castellari, an Italian reply to the horror genre dedicated to shark movies, a trend that started a few years before with Spielberg's Jaws (1975). In this movie, there is an enormous white shark disrupting the summer of a coastal city in Georgia, in a crescendo of tension and horror that will end in a terrible 1-on-1 between the monster and Peter Benton (James Franciscus), protagonist of the movie and unwitting shark hunter. The music, composed by the De Angelis brothers, Guido and Maurizio, contributes to the obsessive and thrilling moments in which the shark appears, dramatic and melodic when the story becomes more emotional. The wonderful score is also connoted by music by the two composers sung by the vocalist Ywonne Wilkins, plus a cue taken from the OST Uno Sceriffo Extraterrestre Poco Extra Molto Terrestre that provides great variety to the listening experience. Aside from being released here for the first time in any format, the score of L'Ultimo Squalo marks the beginning of a tighter collaboration between Beat Records and Cabum. The two historical labels will give life to a series of releases dedicated to wonderful music produced through the iconic De Angelis bros' label, a series that will offer a righteous tribute to these wonderful scores, much loved and long-awaited, popular staples of the two composer's live concerts. Mastering by Enrico De Gemini. CD version includes a 12-page booklet; liner notes and graphic layout by Daniele De Gemini.
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DDJ 004DLX-LP
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LP version. 180 gram vinyl. L'Ultimo Squalo (The Great White) is a 1981 movie directed by Enzo G. Castellari, an Italian reply to the horror genre dedicated to shark movies, a trend that started a few years before with Spielberg's Jaws (1975). In this movie, there is an enormous white shark disrupting the summer of a coastal city in Georgia, in a crescendo of tension and horror that will end in a terrible 1-on-1 between the monster and Peter Benton (James Franciscus), protagonist of the movie and unwitting shark hunter. The music, composed by the De Angelis brothers, Guido and Maurizio, contributes to the obsessive and thrilling moments in which the shark appears, dramatic and melodic when the story becomes more emotional. The wonderful score is also connoted by music by the two composers sung by the vocalist Ywonne Wilkins, plus a cue taken from the OST Uno Sceriffo Extraterrestre Poco Extra Molto Terrestre that provides great variety to the listening experience. Aside from being released here for the first time in any format, the score of L'Ultimo Squalo marks the beginning of a tighter collaboration between Beat Records and Cabum. The two historical labels will give life to a series of releases dedicated to wonderful music produced through the iconic De Angelis bros' label, a series that will offer a righteous tribute to these wonderful scores, much loved and long-awaited, popular staples of the two composer's live concerts. Mastering by Enrico De Gemini.
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BCM 9587CD
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$23.50
PREORDER
RELEASE DATE: 11/22/2019
Beat Records presents for the first time on CD the complete edition of the soundtrack by Nino Oliviero and Bruno Nicolai from Il Pelo Nel Mondo (aka "Go, Go, Go World!"), a documentary directed in 1964 by Renato Marvi and Antonio Margheriti. A report on the most extreme customs in the most diverse corners of the world, the various episodes include -- in addition to some strip-teases -- visions of half-naked savages, documentation on the beheading of roosters, the slaughter of wild boars, the milking of Swiss cows, the sale of Chinese children in Hong Kong, prostitution and even some religious processions. This film is part of the famous trend of the "mondo movie". At the time, C.A.M. issued a 33rpm with 22 selections in mono; the same material was reissued in America by the Musicor Records label. For this release, Beat Records were able to use the master tapes of the mono recording session, which allowed us to discover 19 unreleased tracks. Throughout the 41 tracks, the listener will be immersed in fascinating sound dimensions that describe musically all the visual stimuli in the documentary.) This premiere "mondo" CD pays homage with great affection to the musical art of two titanic Italian musicians, the Maestros Nino Oliviero and Bruno Nicolai, and will certainly be welcome in every collection dedicated to high quality film music. This beautiful soundtrack will guide you around the world with almost seventy minutes of great, timeless music. Available packaged in a jewel case with a 12-page booklet designed by Daniele De Gemini with mastering and liner notes by Claudio Fuiano.
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DDJ 002DLX-LP
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A breaking release -- co-produced with Ribot, long-time publishling company of Fabio Frizzi -- of the score for Shark Rosso Nell'oceano (aka Devil Fish), another chapter in the DDJ series in which Beat Records continues releasing scores of a more potent and dynamic flavor. Directed by Lamberto Bava in 1984, Shark Rosso Nell'oceano marks one of two collaborations between the director and musician (the other being Blastfighter, released the same year). It's an aquatic monster movie, a spin-off of the most popular adventure/horror movies from the other side of the ocean, dedicated to the ancestral fight between man and shark, the latter portrayed in a more horrific and evolved, almost alien, shape. The score presents a real treat for all fans of Frizzi and '80s electronic/synth sounds, never before released and now available thanks to the miraculous discovery in an old archive of a multitrack master tape featuring the original recording session on separate channels. Thanks to an accurate restoration and new mix by Alessio Contorni at Octopus Studios (supervised by Frizzi), it was possible to produce an LP featuring the score of this rare soundtrack, yet another example of the fascinating compositional style of Frizzi during the period (including Zombie Flesh Eaters, The Beyond, City of the Living Dead, etc.), music which has become iconic in the collective consciousness of horror and thriller music lovers. Incidentally, on his "Zombie Apocalypse" world tour, Frizzi performs a suite from this score during the concert, always among the most appreciated moments at these events! 180 gram vinyl. Liner notes by Fabio Frizzi. Graphic design by Daniele De Gemini and Alessio Iannuzzi.
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DDJ 003LP
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Finally, an important void in Guido & Maurizio De Angelis's discography is filled. Nearly 40 years since its theatrical release in 1982, one of the most long-awaited scores for the fans of the two Roman musicians is now available. Directed by Michele Lupo and starring Bud Spencer and Jerry Calà, the movie tells the story of an ex-pugilist who is given the chance to amend an old wrong he suffered while supporting the cause of a young athlete's gym. For this soundtrack, the two brothers build a score based on the theme "Fantasy", a very popular cue held dear by generations of cartoons lovers since this melody is also the Italian main title of "Galaxy", the famous cartoon that follows the adventures of two heroes onboard a space train. Another theme is the Italian answer to the Philadelphia Rocky fanfares composed by Bill Conti few years before, a cue that keeps an epic and sporty tone but more in line with the comedy aura of that movie. Also present are other cues synchronized with the movie's key scene, as variants of the two main themes or as alternate solutions. The CD is presented as a deluxe edition in the DDJ DLX series, mastered from the original elements and remastered by Enrico De Gemini and arranged in film sequence with the addition of some bonus tracks and outtakes. Includes a full-color, 12-page booklet with liner notes by Daniele De Gemini and original artwork painted by Renato Casaro, kindly granted by the artists.
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CD
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BCM 9583CD
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Beat Records presents for the first time on CD the complete edition of the soundtrack by Piero Piccioni for L'Italia Vista Dal Cielo, a series of fourteen documentaries directed by Folco Quilici from 1966 to 1978, all commissioned, sponsored, and produced by Italian Esso with the aim of portraying the scenic, artistic and architectural beauties of each region of Italy with aerial shots taken by helicopter. The most prestigious theaters were chosen in the capitals of the interested regions, such as the Teatro La Fenice in Venice, the Teatro Massimo in Palermo, the Teatro Argentina in Rome, the Teatro Nuovo in Milan, the Teatro San Carlo in Naples, the Petruzzelli Theater in Bari and the Municipal Theater in Bologna, screened in the presence of political, civil, cultural, and religious representatives. The films were also shown in schools and universities and in the main cities of each region, eventually also disseminated abroad with English, French, German, and Spanish versions. Numerous screenings were organized together with the Italian embassies and institutes of culture through an agreement with the Ministry of Foreign Affairs. The films were put on display at fairs, Italian festivals, and other events. Presented here are the beautiful scores by Piccioni for the L'Italia Vista Dal Cielo episodes "Emilia," "Marche", and "Sicilia" in their entirety, assembled from the stereo master tapes of the original recording sessions. Previously, only one mono track called "Primavera" was issued on a C.A.M. library LP. For the regions "Emilia" and "Marche," Piccioni composed a score that is a true hymn to the joy of living. The main titles theme ("Primavera") provides the background for the aerial shots of colorful balloons flying in the background of a blue sky with green landscapes below, a perfect marriage of music and image. The pleasing motif is performed by a symphonic orchestra with beat arrangements. Piero Piccioni reprises this main theme with many wonderful versions, including Latin American, beat, sacred, cheerful, sad, slow, fast, etc., each allowing the listener to realize the greatness of this musician. For the "Sicily" region, Piero Piccioni wrote pastoral passages of rare beauty with sparse instrumentation including organ, guitar, flute, and oboe. This CD represents another wonderful addition to the ever-growing discography of Piccioni. Jewel case with a 12-page booklet designed by Alessio Iannuzzi. Mastering and liner notes by Claudio Fuiano.
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CD
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CFS 003CD
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Beat Records release for the first time on CD -- complete and in stereo -- the scores by Riz Ortolani for the comedy movies Un Caso Di Coscienza, directed in 1970 by Giovanni Grimaldi, and Non Commettere Atti Impuri, directed in 1971 by Guilio Petroni. For Un Caso Di Coscienza, Ortolani composed a wild shake theme that is introduced in the opening titles in a vocal version (with lyrics by the actor Fiorenzo Fiorentini and orchestra conducted by Natale Massara) performed by Il Supergruppo. This beat motif is revisited throughout the film in different versions and for the party scene in the Baron Favara palace. Ortolani composed other motifs for a magical and mysterious theme with ancient flavor for flutes and guitar, another danceable shake, an evocative piece with solo organ for the mass scene, and atmospheric lounge music for romantic or dining sequences. Beat Records used everything that was recorded in stereo during the recording session, stored in the private archives of the Ortolani family. The cue sheets indicate that track 12 was considered for a single that was never released, but in 1970 the song featured in the opening titles was officially released on Ricordi LP with the title Il Supergruppo, formed by members of other bands known in the '60s: Victor Sogliani of Equipe 84, Mino Di Martino of Giganti, Gianni Dall'Aglio of Iribelli, Petruccio Montalbetti of Dik Dik, and Ricky Gianco who supervised the production of the 33rpm. There is also a promotional white-label single featuring the song (same piece on both sides). For Non Commettere Atti Impuri, Ortolani composed a brilliant soundtrack that opens with a lively, beat-flavored main theme introduced in "Titoli Di Testa" and reprised as a shake. For the tender love story between the boy and girl, Ortolani composed a delicate motif with several variations, an agitated theme for psychedelic organ and percussion, religious music for organ and organ with Gregorian chant, and sensual music for the scenes with Barbara Bouchet, The main theme is reprised in the finale with rock guitar and brass, the middle portion featuring drums in a shake tempo with Gregorian chant. The material from Non Commettere Atti Impuri comes from the stereo master recordings stored in Beat Records' archives. Co-produced by Claudio Fuiano for CFSoundtracks and Daniele De Gemini for Beat Records. Mastering by Claudio Fuiano and Enrico De Gemini.
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