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Search Result for Genre Misc
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MAG
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WIRE 431
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$10.00
PREORDER
RELEASE DATE: 1/3/2020
"2019 Rewind: Our massive annual survey of the last 12 months in underground music, including our definitive records of the year charts; opinion, analysis, musings and reflections from 2019's most active and influential critics, artists and musicians; plus Claire Sawers on science fiction in contemporary sounds from Moor Mother to Clipping; Rob Turner on new journeys in longform listening; Emily Bick on why music criticism matters, and more!"
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MAG
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WIRE 430
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"Clipping -- Los Angeles's radical hiphop trio tap into the power of noise and the narratives of Afrofuturism as they talk to Emily Pothast about horror, destruction and the redemptive power of science fiction on new album There Existed An Addiction To Blood. Plus: Once Upon A Time In Glasgow -- Stewart Smith revisits the crucible of free and improvised music at Tom McGrath's Third Eye Centre when Duke Ellington, Derek Bailey, Julius Eastman and others came to Scotland in the 1960s and 70s; Jahtari and friends -- Leipzig's longrunning digi-dub collective talk to Chal Ravens about 8-bit riddims, the Euro-sound system network and their new label Zonedog; Howe Gelb -- the Giant Sand mastermind takes the Invisible Jukebox test. And much more!"
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MAG
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UT 052
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$9.95
PREORDER
RELEASE DATE: 11/29/2019
"It's another exciting issue. Legendary rock photographer Chuck Krall (Creem, Rock Scene, Rolling Stone) opened his archive to us including rare and unseen photos from the 1970s (the Ramones, Bo Diddley, Arthur Lee, the Dead Boys, Flamin' Groovies, Link Wray and more), and also shares his remarkable story. We also have feature stories on Florida '60s garage gods We the People, Aussie proto-punk hard rockers Coloured Balls, mercurial blues guitar master Michael Bloomfield, New England '60s teen crazies Rasputin & the Mad Monks, obscure UK new wavers the Kameras, cult private press psych/hard rock band Seiche, and the early Pretty Things remembered by their first manager, Bryan Morrison. And look for our expansive, mind-bending interviews with Cleveland proto-punk legend Craig Bell (Mirrors, Rocket From The Tombs), eccentric pop genius Brute Force, and the late Don Grady (My Three Sons, Yellow Balloon). All this and more, including our eagerly pored over review sections covering the latest reissues and rock-related books."
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MORR 162BK
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Art book with 100 pictures, 84 pages. 24x24cm, hardcover in linen weave with metallic embossed printing. Kranky veteran Benoît Pioulard (Thomas Meluch) has created his first full-length for Morr Music (MORR 162CD/LP). The release is complemented by the book presented here. A linen book of Polaroid SX70 photographs from more than two years of environmental explorations. The music on Sylva and its 84-page visual companion bear the beauty and strange shapes of nature: desert rock formations and colorful leaves, restless waters and peculiar plants. Meluch's dreamy ambient drones and saturated lo-fi pop embody the impressionist sensation of his visual aesthetic -- with this collection sound and vision are merged into an affectionate study of the organic. No audio is included with this book.
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SPELL 001BK
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$72.00
PREORDER
RELEASE DATE: 11/22/2019
During the height of the turned-on 1960s and '70s Occult explosion, even the under-the-counter men's magazines got in on the act and began a surreal exploration of the haunting netherworld of Witchcraft and Satanism. This monumental art book reveals a world of diabolical smut that was so compelling and obscure that many people today would actually question whether or not the magazines were real or just an elaborate and detailed modern photo editing invention. A few salacious titles and images on the internet sparked imaginations, and strongly inspired bands in the doom/black/heavy metal genre, eventually these alluring images found their way to record covers and T-shirts, but mostly remaining shadowy, mysterious, and elusive. Magazines so impossible to hunt down that their very existence seemed an urban myth. Well, they are real and they are spectacular! These magazines are in fact, out there in the world. They are collecting dust in attics, basements, and garages. Hidden away from sight. Unsavory treasures deemed too filthy and then forgotten by their lustful owners. This massive 384 pages deluxe hardcover book is a glimpse into a vast and shocking world that still remains virtually unknown and unexplored. These artifacts come from a bygone era promoting sexual revolution and freedom with overt and unholy occult themes. If you have any issues with hardcore witchcraft and Satanism, body hair or nudity, don't pick this book up and quickly get it out of your sight, and forget everything we've mentioned. Just remember life's too short to take everything so seriously. Flesh is beautiful It's time to descend into the infernal witches' cauldron and deep down into the hellish pit for a real Black Mass. Includes a thorough review and collector's guide of each rare publication as well as illuminating essays on the subject. Hardcover; 384 pages; limited edition of 1000.
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MAG/CD
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WIRE 429
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"Attached to the cover of every copy of the November issue will be a CD of the latest in our ongoing series of underground music anthologies, featuring 20 new tracks by Hieroglyphic Being, The Art Ensemble Of Chicago, Stephen Mallinder, Verb T & Pitch 92, Rizan Said, Black String, Melaine Dalibert, WaqWaq Kingdom, Richard Skelton, and more. On the cover... Kevin Martin & Stephen O'Malley: Two heavyweights of extreme music go head to head as The Bug's beatmaker and Sunn 0)))'s guitarist discuss the enduring appeal of volume and their many decades at the sharp edge of heavy sound with Mike Barnes. Meanwhile, Francis Gooding delves into the esoteric sounds of O'Malley's groundbreaking Ideologic Organ label, and Joe Muggs talks to Martin's many MC collaborators including Flow Dan, Miss Red, and more. Also inside the issue? Jöelle Léandre: The French free music colossus talks to Louise Gray about playing bass for Giacinto Scelsi, her forthcoming residency at London's Cafe Oto, and 40 years in the European experimental vanguard; Hanna Hartman: The Swedish sound artist uses recordings, radio and raw materials to take modern composition out of the concert hall setting. By Philip Clark; Invisible Jukebox Giant Sand's Howe Gelb; Global Ear Musica Sanae festival sets up residence at a sanatorium in Sokołowsko, Poland; Epiphanies George Xylouris finds the rhythm of life in the up and down stroke of a lute. Plus interviews with Apprentice Destroyer, Joe, and J Pavone String Ensemble."
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DVD
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SM 032DVD
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"As iconic a group as has ever existed, The Velvet Underground were so far ahead of their time, musically, visually and culturally, it's as if they were dropped, ready formed, into New York's avant-garde art scene, from a parallel universe. And in addition to their unique imagery, so perfectly designed by maverick artist and impresario Andy Warhol, their experiments with form and sound that worked in tandem with to-die-for melodies and provocative lyrics, spurred two of the most oft-repeated quotes in the history of rock; the ubiquitous, '50 people bought the first Velvets' record and every one of them went on to form a band', and music-critic Lester Bangs' outrageously perceptive, 'all modern music begins with the Velvet Underground'. This documentary film explores and dissects the roots, formation, recordings, concerts and numerous other activities of The Velvet Underground, across their short career, and features a wealth of rare material. including live and studio musical performances, seldom seen promo films, footage and photographs from Andy Warhol's private collection, obscure interviews with and footage of, Lou Reed, Andy Warhol, Sterling Morrison and John Cale, plus interviews given exclusively for this film with Moe Tucker, Doug Yule and Billy Name, plus contributions from such luminaries as ex- Village Voice music editor Robert Christgau, author of From The Velvets To The Voidoids, Clinton Heylin, Total Rock DJ, author and journalist, Malcolm Dome, Luna main-man Dean Wareham and many others. DVD extras include extended interviews, special feature 'Velvet Reflections', plus full contributor biographies, making this feature a must-have item for all fans of the Velvet Underground and curious music-lovers alike."
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MAG
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HOM 006
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Free magazine from Rush Hour.
After a hiatus Rush Hour are back with the sixth episode of House Of Music! Rush Hour's non-periodical fan zine... All kinds of music reaches our ears every day, but a lot of times we don't really understand what it is we're actually listening to. HOM contextualizes only some of our highlights. The sixth issue holds interviews with Wally Badarou, Kamma & Masalo, John Gomez, and D.C.'s Beautiful Swimmers. Sassy J sums up 14 of her favorite records and we get a look inside the astonishing analog Willen Twee Studios & the Analogue Foundation. And more!
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MAG
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WIRE 428
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"Kim Gordon -- this issue we go deep inside the world of the musician, artist, some-time actor and fashionista as she releases her first ever solo album, with a number of linked features that will map the influence of the Body/Head and one-time Sonic Youth member and the fertile American scene she's been an integral part of for over 30 years. Featuring an in-depth interview with Gordon herself, plus interviews and profiles of her main collaborators, and a look back at the fertile Massachusetts rock scene that sprang up around Sonic Youth in the 2000s and spawned Sunburned Hand Of The Man, Fat Worm Of Error and others. Plus: The Primer -- death metal: Phil Freeman provides a user's guide to the fastest, hardest and most extreme riffs in rock today... and more!"
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LP
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R 064LP
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Recital label head Sean McCann on Towards A Total Poetry: "Culled from live performances in Los Angeles in 1980, Towards A Total Poetry holds radioplays and sound poems by Julien Blaine, Adriano Spatola, F. Tiziano, and Paul Vangelisti. Two concerts were organized by poet and professor Vangelisti and broadcast on his KPFK radio show. A rare gathering of extreme French and Italian sound poets in California, flown out on with an arts funding grant (my, how things have changed!). A jarred specimen on a golden platter of a time passed . . . Sadistically funny, dizzy with confusion: a map lies dissected on the table. Adriano Spatola (1941-1988) is the most beautiful Italian post-war poet, also publisher of Baobab, Tam Tam, Geiger editions. His stage presence is that of a drunken wolverine, thrashing his words and letters, madly chuckling and whispering secrets to himself. Spatola interprets a disfigured rendition of 'Buddenbrooks,' a traumatic and shocking radioplay, held alongside his infamous 'Aviation / Aviateur' and 'Al Capone Poem,' read with explosive tension. His younger brother, F. Tiziano, is a more mysterious figure. His radioplay, 'Los Angeles Bridge,' has four characters: North, South, East, and West. Quibbling through a fever dream over a card game. Professional voice actors were hired for all of the radioplays, translated from Italian by Vangelisti (as with all of Spatola's English publications). French artist and sound poet Julien Blaine (1942) composed the play 'Passe/Futur' -- utilizing his actors as verbal instruments: buzzing and howling as carefully as dots on sheet-music. His sound poems are hilarious, 'Amputation' mimics the sound of four severing surgeries, and 'Mots d'enfants' still confuses me as to what exactly is going on... Paul Vangelisti's works open and close Towards A Total Poetry. The Los Angeles poet and publisher of Red Hill Press organized the affair and was able to hold his own against such powerful artists. Paul's pieces are conceptual, opening with a fitting typewriter hymn, 'Radio,' and concluding with 'Auld Lang Syne,' the Ms of the phone book sung by chorus. These are some of the strangest radioplays in existence. A format I feel is underused. The infusion of drama and comedy and open air to fill... oh, the possibilities. Towards A Total Poetry is of my personal favorites on Recital... exemplifying the core of what I love to publish." Includes 12-page booklet with essays and poems by the artists; Edition of 250.
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DVD
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WNRD 2604DVD
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"This multi award-winning documentary tells the story of jazz pianist Bill Evans' turbulent life and his contribution to jazz music. Features over 40 interviews, including several renowned musicians: Tony Bennett, Billy Taylor, singer Jon Hendricks and jazz drummer Joe LaBarbera. The film also compiles a wide range of historical information about the jazz pianist including his first TV recording which appeared on CBS Look Up and Live in April 1958, playing 'Come Rain or Come Shine'. With the passage of time, Bill Evans has become an entire school unto himself for pianists and a singular mood unto himself for listeners. There is no more influential jazz-oriented pianist and Evans has left his mark on such noted players as Herbie Hancock, Keith Jarrett, Chick Corea, and Brad Mehldau. Borrowing heavily from the impressionism of Debussy and Ravel, Evans brought a new, introverted, relaxed, lyrical, European classical sensibility into jazz -- and that seems to have attracted a lot of young conservatory-trained pianists who follow his chord voicings to the letter in clubs and on stages everywhere. 'This film took me eight years to make. Eight years of tracking down anybody who knew Bill and who played with him, to try and find out as much as I could about the illusive and not easy to understand Bill Evans. I feel very honored to have had the chance to interview and get to know good guys that spent a lot of time with Bill: Billy Taylor, Gene Lees, Tony Bennett, Jack DeJohnette, Jon Hendricks, Jim Hall, Bobby Brookmeyer, Chuck Israels, Paul Motian, Gary Peacock, Joe LaBarbera. It was a once in a lifetime experience talking to these gifted talented guys about their time in jazz music, about their 'Time Remembered' with Bill Evans.' --Bruce Spiegel, producer"
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ROG 092BK
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"William Parker - Conversations III - William Parker (author, interviews), Jeff Schlanger (art), Jacques Bisceglia (photographs), edited by Ed Hazell, Book, 654pages, 33 interviews by William Parker. Philosophy, history, life, love, inspirations, story-tellin' from some of the most creative minds. Powerful interviews." Featuring: Joshua Abrams, Pheeroan Aklaff, Hamiet Bluiett, Karen Borca, Connie Crothers, Steve Dalachinsky, Joe McPhee, Oliver Lake, Klaas Hekmann, Matthew Shipp and others.
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MAG
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WIRE 427
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"Excess All Areas! -- a bumper jam-packed super-heavy special issue of The Wire dedicated to excess, overload and maximalism in music. Following 2018's popular When Less Is More issue on minimalism, this lavish sequel will explore the power of more. From gross out to guitar solos, prog rock to fusion, explosives to strings sections, Excess All Areas! will explore what happens when music goes OTT. Featuring Public Enemy, Frank Zappa, John Coltrane, Alan Silva, Rudolph Grey, REM, and more!"
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BLU-RAY
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AV 219BR
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"Academy Award-winner William Friedkin (The Exorcist, The French Connection) directs Al Pacino as an undercover cop pitched into New York's seedy underbelly in Cruising -- available for the first time on Blu-Ray in a brand new director-approved transfer. New York is caught in the grip of a sadistic serial killer who is preying on the patrons of the city's underground bars. Captain Edelson (Paul Sorvino) tasks young rookie Steve Burns (Pacino) with infiltrating the S&M subculture to try and lure the killer out of the shadows -- but as he immerses himself deeper and deeper into the underworld, Steve risks losing his own identity in the process. Taking the premise and title from reporter Gerald Walker's novel, Cruising was the subject of great controversy at the time of its release and remains a challenging and remarkable movie to this day, with Pacino's haunted lead performance as its magnetic centerpiece."
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3xBLU-RAY
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AA 030BR
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"Akio Jissoji created a rich and diverse body of work during his five decades in Japan's film and television industries. For some, he is best-known for his science-fiction: the 1960s TV series Ultraman and 1998's box-office success Tokyo: The Last Megalopolis. For others, it is his 1990s adaptations of horror and mystery novelist Edogawa Rampo, such as Watcher in the Attic and Murder on D Street. And then there are his New Wave films for the Art Theatre Guild, three of which -- This Transient Life, Mandara and Poem, forming The Buddhist Trilogy -- are collected here. Winner of the Golden Leopard award at the 1970 Locarno Film Festival, This Transient Life is among the Art Theatre Guild's most successful -- and most controversial -- productions. The film concerns a brother and sister from a rich family who defy the expectations placed on them: he has little interest in further education or his father's business, instead obsessing over Buddhist statues; she continually refuses a string of suitors and the prospect of marriage. Their closeness, and isolation, gives way to an incestuous relationship which, in turn, breeds disaster. Mandara, Jissôji's first colour feature, maintained the controversial subject matter, focusing on a cult who recruit through rape and hope to achieve true ecstasy through sexual release. Shot, as with all of Jissôji's Art Theatre Guild works, in a radically stylised manner, the film sits somewhere between the pinku genre and the fiercely experimental approach of his Japanese New Wave contemporaries. The final entry in the trilogy, Poem, returns to black and white and is centred on the austere existence of a young houseboy who becomes helplessly embroiled in the schemes of two brothers. Written by Toshirô Ishidô (screenwriter of Nagisa Ôshima's The Sun's Burial and Shôhei Imamura's Black Rain), who also penned This Transient Life and Mandala, Poem continues the trilogy's exploration of faith in a post-industrial world."
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R 061BK
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"The Book of Numbers and Spells is multi-hatted composer and inventor Charlie Morrow's first book. Number and letter games bejewel the pages of this anthology (pulling pieces and writings from 1974 to 2019). These works are largely text scores. It wasn't until I saw Charlie perform 'Ten the Long Way' with a room full of participants that the performative power became clear to me. Chanting numbers: the meditative, transparent, and unifying joy that swept across the room was beautiful. Charlie, a born networker of people and ideas, has naturally included two close friends in the book. Jerome Rothenberg provides a poetic essay, 'A Gematria Sampler', along with a compelling article written by composer Tom Johnson. These supplements embolden the scope and richness of Morrow's transparent systems." --Sean McCann, June 2019
"The range of Charlie Morrow's work if laid out end to end would show him clearly -- though never completely -- as a protean and transformational composer and performer. He is, from where I see him, both the leading proponent of an active ethnopoetics in avant-garde musical performance and a master of new technologies as they come into contemporary practice. It's this dynamic of old and new that a gathering like this again makes plain. The effect, all in all, is cumulative, the power in the ensemble, the full range of his explorations: shamanic-inspired dream chants, animal language events, performance pieces based on modern signal codes and ancient numerologies, soundscapes derived from the new wilderness of urban spaces and the old wilderness of arctic tundras, recompositions of familiar repertory works and of long neglected or forgotten chants and hymns, works for multiple massed single instruments (ocarinas, tubas, cellos, harps), international radio events in celebration of winter and summer solstices, and an extraordinary range of massive public spectacles. Now after fifty years of active engagement, the work, as serious and deeply rooted as it gets, is conceived and played out with a boundless energy and good humor -- in a style as distinctive as his familiar and ever present bowler hat." Jerome Rothenberg, 2019
130 pages; 6x9" perfect bound. Limited edition of 100; hand numbered in red ink.
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MAG
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MAGAZIN 019
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For its 19th edition, the Swiss magazine zweikommasieben presents a view on ambiguity as a hallmark of contemporary art and music, especially within our scene and its culture. After all, one would be hard-pressed to classify the work of its artists in terms of a singular activity, style, scene, or context. Félicia Atkinson, who has contributed a series of collages to this issue of zweikommasieben, is not simply a musician, but also a poet, visual artist, publisher, label owner, and more. The DJ and producer Parris, who was interviewed for this issue, places himself in a musical "no-man's land", although he grew up listening to grime and dubstep. The feeling of not belonging has been an issue for Phillip Sollmann, aka Efdemin, throughout his entire career. Until recently, Sollmann was set on keeping two fields of interest -- a career in techno and his pursues in sound art projects -- separate from each other. In the interview he talks about how realizing that such a clear distinction was not necessary and how the resulting aesthetic cross-fertilization has had an impact on himself. Finally, Caterina Barbieri, Cam Deas, Kali Malone, and Robin Buckley, aka rkss, who all pop up in this issue of zweikommasieben in one way or another, all understand their craft as a rupture with established musical genres and associated aesthetic norms, albeit in different contexts and using different means. There is no doubt that ambiguity, uncertainty, tension, and conflict lead to friction, but at the same time ambivalence, complexity, and multiplicity generate enormous aesthetic potential. Full content: Interviews with Cam Deas, Caterina Barbieri, Die Wilde Jagd, Gaika, Hdmirror, Kali Malone, Michele Rizzo, Parris, and rkss; a portrait of Efdemin; an essay on "Radio Spectral" by Francois J. Bonnet as well as a photo essay on the Rhizom Festival; regular columns like Anna Froelicher's "Track Down Fiction" (text), Georg Gatsas' "We Are Time" (photos), or Simian Keiser's "Sound Texts" (poetry); Contributions by Collapsing Market, Félicia Atkinson, and Wolf Eyes. Bi-lingual: English, German; 136 pages; size: 200x270x9 mm; edition of 2000.
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WIRE 426
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"Attached to the cover of every copy of the August issue will be a special double CD marking 50 volumes of The Wire's ongoing series of underground music compilations. Disc one will be the usual Tapper mix of all new tracks, while disc two will contain a selection of exclusive tracks and edits drawn from previous volumes in the series. In all The Wire Tapper 50 will contain 40 new and archival tracks by Guapo, Arthur Russell, Rhys Chatham, Orchestra Of The Upper Atmosphere, Tirudel Zenebe, Ammar 808, Carl Stone, Félicia Atkinson, Headboggle, Michael Donnelly, Minyo Crusaders, Angelina Yershova, SSSS and more. Meanwhile, inside the issue: Oren Ambarchi -- the globetrotting Australian guitarist, multi-instrumentalist and label runner is part of the glue that holds the international underground together through collaborations with Keiji Haino, Jim O'Rourke, Ash Ra Tempel, Vibracathedral Orchestra and countless others. He talks to Bruce Russell of The Dead C about the nomadic life of the modern musician. Plus: Keith & Julie Tippetts -- Mike Barnes meets the godparents of British spiritual jazz and improvisation to discuss half a century of playing from Spontaneous Music Ensemble to King Crimson; Pierre Bastien -- the French rhythmic explorer and instrument inventor takes the Invisible Jukebox test; Rangers -- Joseph Stannard picks his way through the blasted rock soundscapes of Texas's Joe Knight -- and more."
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UT 051
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"This issue we turn up the volume all the way for the story of Randy Holden's days with Blue Cheer along with the making of his heavy rock colossus Population II. From the sixties garage band universe, we're presenting must-read features on the Night Shadows (aka Little Phil & the Night Shadows), and the Bad Seeds ('King of the Soap Box'). We also have fascinating interviews with Wally Bryson (the Choir, Cyrus Erie), John Dalton of the Kinks and the (pre-Creation) Mark Four, and the second and final installment of our interview with Lenny Kaye, rock writer supreme and Patti Smith's right-hand man. Harvey Kubernik covers (Ike and) Tina Turner in the '60s and '70s; Eric Davidson takes the lid off the epic new Peter Laughner box set; King Khan reveals the secrets of the Black Power Tarot; and Tim Stegall pays tribute to the recently departed Roky Erickson. All this and more, including our expansive review sections covering the latest reissues and rock-related books."
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BLANK 004BK
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Taking its name from Maryanne Amacher's visionary, unrealized opera, the fourth issue of Blank Forms' journal, Intelligent Life, features a select group of unpublished, newly translated, or otherwise rare texts. The issue opens with a short literary essay by the author Marcia Douglas, in which a deep bass riddim guides a deaf narrator and a reincarnated Bob Marley through important sites in Rastafarianism's development. Next come two interviews with crucial figures in postwar avant-garde music: the Japanese guitarist Kazuo Imai and the American composer Robert Ashley, along with pianist and frequent collaborator "Blue" Gene Tyranny. The previously unpublished interview with Imai was conducted by Blank Forms' editor and artistic director Lawrence Kumpf during Imai's first trip to the United States, in 2018, and finds the artist reflecting on recent work with the collective Marginal Consort as well as his foundational experiences playing with two other titans of Japanese experimentalism, Takehisa Kosugi and Masayuki Takayanagi. The interview with Ashley and "Blue" Gene, meanwhile, first published in German in 1984 on the occasion of a staging of Ashley's opera Atalanta, was translated for the first time into in English for this publication. Intelligent Life continues with a series of longer pieces showcasing a diverse set of complex practices and histories, beginning with that of Detroit-based artist Onyx Ashanti. Onyx contributes his own Octavia Butler-referencing "sonocybernetic manifesto", first published online in 2016, which exists simultaneously as theoretical treatise, memoir, and practical guide to his idiosyncratic technology-based practice. Following this is a comprehensive essay on Catherine Christer Hennix's engagement with intuitionism and other esoteric approaches to math, written by the mathematician and musician Spencer Gerhardt. Gerhardt's lucid, previously unpublished essay serves as a necessary complement to Blank Forms Editions' forthcoming collection of Hennix's abstruse, mostly unpublished body of writing, Poësy Matters and Other Matters. The issue continues with a sort of titular essay, a rich analysis of Amacher's "Intelligent Life" -- the first such piece on this work -- by Amacher scholar Amy Cimini. Intelligent Life was an incredibly prescient work that sought to upend any remaining vestiges of traditional operatic form and staging. Intelligent Life -- the journal issue -- then concludes with a lengthy interview with the artist Walter De Maria. One of the few interviews De Maria gave in his lifetime, this one, created for the Archives of American Art in 1972, sheds significant light on De Maria's early intellectual and artistic development as well as his work as a musician. Although he largely stopped playing music by 1970, and although few recordings of his efforts exist, De Maria played alongside musicians ranging from Lou Reed to Don Cherry to Henry Flynt. Edited by Lawrence Kumpf. Other contributors and featured artists include: Werner Durand, Peter Gente, Heidi Paris, Adrian Rew, Paul Cummings. 302 pages; 6x8 inches; paperback.
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SHELTER 111BK
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Speaking And Listening is a book conceived by the artists Yann Sérandour, Félicia Atkinson, Julien Bismuth, and the curator Sophie Kaplan, revolving around questions of narrative, listening and improvisation. It is the last episode in the cycle While I was also listening [...], developed in 2017 and 2018 at La Criée contemporary art center in Rennes, which included in-house and off-site events in the form of exhibitions, events, and residencies. At the art center, five group and solo exhibitions with their associated events succeeded and dialogued with one another, providing both specific and general perspectives onto different forms of narration. The cycle was accompanied by an extra muros program that unfolded at different times and in different locations: concomitant residencies in Bretagne and the US, a project of research/action at the Kandinsky Library of the Musée national d'art Moderne in Paris, a period of research at the Getty Research Institute in Los Angeles, and a series of events in Los Angeles and New York (Human Resources, County Museum of Art, Hammer Museum Los Angeles, Museum of Contemporary Art, San Diego, Artist's Institute and Emily Harvey Foundation, New York). In the continuum of these experiences, the book has been designed to be a distinct voice, generating new contents appropriate to the medium. The book is centered around a long unpublished transcript of a talk poem by the American poet and performance artist David Antin, entitled framing and being framed. Adding to the corpus of Antin's works, this typically autobiographical text reveals Antin's eloquent use of quotidian events to philosophical ends. The contributions that respond to Antin's text are themselves innovative, composed by poets, thinkers and artists from different generations and nationalities, linked by their common interest in investigating questions of orality, listening, narrative, transmission, improvisation, translation, utterance and enunciation. speaking and listening thus defines the contours of a transatlantic and intergenerational scene, for whom the work of art -- in dialogue with its viewers, readers, and listeners -- is an object to be redefined, retold and replayed again and again. Features: David Antin, François J. Bonnet, David Horvitz, Julien Bismuth, Yann Sérandour, Hanne Lippard, Christian Xatrec, Félicia Atkinson, Christine Sun Kim, Charles Bernstein, and Sophie Kaplan. 240 pp. thread-sewn softcover with flaps; Size: 170x227mm; Language(s): English.
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MAG
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WIRE 425
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"Moor Mother -- Philadelphia poet, punk, polymath and noise maker Camae Ayewa has been kicking against the system with collaborations including Irreversible Entanglements, Kevin Martin aka The Bug, alongside her own mixtapes and albums addressing the legacy of colonialism and present day police violence. Plus: Latin freestyle -- Peter Shapiro provides a user's guide to 1980s-era New York's freshest and flyest dance sound; Ellen Arkbro -- the Swedish composer and La Monte Young student talks drones and tones."
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WIRE 424
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"Charles Hayward -- the post-punk and prog veteran has moved in and out of cold storage with This Is Not This Heat and turns to the piano with his new song project. Plus: 75 Dollar Bill -- Dave Mandl talks to the Fourth World guitar-percussion duo and East Coast live sensation of Che Chen and Rick Brown. Caterina Barbieri -- Louise Gray looks into the ecstatic computer music of the Italian composer and drone explorer... and more!"
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RER ARBOOK1
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"Slim, 44-page perfect bound, paperback containing four stories. Illustrated by Mary Thomas. These four stories were written while Allen was working and touring with the Cleveland band, Pere Ubu, and refer directly to those years. Previously published in The Cleveland Edition, The Re Records Quarterly and The Penguin Book of Rock and Roll Writing. Allen Ravenstine was born in Canton, Ohio in 1950. In 1968 his parents were killed in a car crash. He was a student at Ohio State University when students protesting the Vietnam War were shot at Kent State. All universities in Ohio closed, so he left Columbus, where he was studying English literature, never to return. In the following years he worked with an EML analog synthesizer and a Teac four-track tape recorder and in 1974 bought the Plaza, a ramshackle apartment building in Cleveland's inner city, which soon became the home of painters, poets, writers and musicians. In 1975, he co-founded the legendary Cleveland band, Pere Ubu in which he worked until 1988... leaving to become an airline pilot. Taking up music again in 2012, he appeared with Robert Wheeler in the film 'I Dream of Wires', recorded two album length records, 'Farm Report' and 'City Desk'. In 2014, he released his first solo CD, 'The Pharaoh's Bee'. The critically acclaimed 'Waiting for the Bomb' followed in 2018. Allen lives in New York City with his wife Ann."
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WIRE 423
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"Tanya Tagaq -- the Inuk throat singer, artist and activist talks to Phil England about new EP Toothsayer, soundtracking the Arctic landscape alongside London electronic musician Ash Koosha, radical vocal technique, life, death, climate change and land struggles in her native Canada, and the possibility of a world without borders. Plus: Marcus Boon feels the vibrations of Ottawa-based indigenous electronic dance crew A Tribe Called Red. Daniel Spicer provides a user's guide to the recordings of composer, bassist and cosmic traveler William Parker... and more!"
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