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Search Result for Genre Misc
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MAG/CD
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WIRE 429
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$10.00
PREORDER
RELEASE DATE: 11/8/2019
"Attached to the cover of every copy of the November issue will be a CD of the latest in our ongoing series of underground music anthologies, featuring 20 new tracks by Hieroglyphic Being, The Art Ensemble Of Chicago, Stephen Mallinder, Verb T & Pitch 92, Rizan Said, Black String, Melaine Dalibert, WaqWaq Kingdom, Richard Skelton, and more. On the cover... Kevin Martin & Stephen O'Malley: Two heavyweights of extreme music go head to head as The Bug's beatmaker and Sunn 0)))'s guitarist discuss the enduring appeal of volume and their many decades at the sharp edge of heavy sound with Mike Barnes. Meanwhile, Francis Gooding delves into the esoteric sounds of O'Malley's groundbreaking Ideologic Organ label, and Joe Muggs talks to Martin's many MC collaborators including Flow Dan, Miss Red, and more. Also inside the issue? Jöelle Léandre: The French free music colossus talks to Louise Gray about playing bass for Giacinto Scelsi, her forthcoming residency at London's Cafe Oto, and 40 years in the European experimental vanguard; Hanna Hartman: The Swedish sound artist uses recordings, radio and raw materials to take modern composition out of the concert hall setting. By Philip Clark; Invisible Jukebox Giant Sand's Howe Gelb; Global Ear Musica Sanae festival sets up residence at a sanatorium in Sokołowsko, Poland; Epiphanies George Xylouris finds the rhythm of life in the up and down stroke of a lute. Plus interviews with Apprentice Destroyer, Joe, and J Pavone String Ensemble."
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MAG
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WIRE 428
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"Kim Gordon -- this issue we go deep inside the world of the musician, artist, some-time actor and fashionista as she releases her first ever solo album, with a number of linked features that will map the influence of the Body/Head and one-time Sonic Youth member and the fertile American scene she's been an integral part of for over 30 years. Featuring an in-depth interview with Gordon herself, plus interviews and profiles of her main collaborators, and a look back at the fertile Massachusetts rock scene that sprang up around Sonic Youth in the 2000s and spawned Sunburned Hand Of The Man, Fat Worm Of Error and others. Plus: The Primer -- death metal: Phil Freeman provides a user's guide to the fastest, hardest and most extreme riffs in rock today... and more!"
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LP
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R 064LP
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Recital label head Sean McCann on Towards A Total Poetry: "Culled from live performances in Los Angeles in 1980, Towards A Total Poetry holds radioplays and sound poems by Julien Blaine, Adriano Spatola, F. Tiziano, and Paul Vangelisti. Two concerts were organized by poet and professor Vangelisti and broadcast on his KPFK radio show. A rare gathering of extreme French and Italian sound poets in California, flown out on with an arts funding grant (my, how things have changed!). A jarred specimen on a golden platter of a time passed . . . Sadistically funny, dizzy with confusion: a map lies dissected on the table. Adriano Spatola (1941-1988) is the most beautiful Italian post-war poet, also publisher of Baobab, Tam Tam, Geiger editions. His stage presence is that of a drunken wolverine, thrashing his words and letters, madly chuckling and whispering secrets to himself. Spatola interprets a disfigured rendition of 'Buddenbrooks,' a traumatic and shocking radioplay, held alongside his infamous 'Aviation / Aviateur' and 'Al Capone Poem,' read with explosive tension. His younger brother, F. Tiziano, is a more mysterious figure. His radioplay, 'Los Angeles Bridge,' has four characters: North, South, East, and West. Quibbling through a fever dream over a card game. Professional voice actors were hired for all of the radioplays, translated from Italian by Vangelisti (as with all of Spatola's English publications). French artist and sound poet Julien Blaine (1942) composed the play 'Passe/Futur' -- utilizing his actors as verbal instruments: buzzing and howling as carefully as dots on sheet-music. His sound poems are hilarious, 'Amputation' mimics the sound of four severing surgeries, and 'Mots d'enfants' still confuses me as to what exactly is going on... Paul Vangelisti's works open and close Towards A Total Poetry. The Los Angeles poet and publisher of Red Hill Press organized the affair and was able to hold his own against such powerful artists. Paul's pieces are conceptual, opening with a fitting typewriter hymn, 'Radio,' and concluding with 'Auld Lang Syne,' the Ms of the phone book sung by chorus. These are some of the strangest radioplays in existence. A format I feel is underused. The infusion of drama and comedy and open air to fill... oh, the possibilities. Towards A Total Poetry is of my personal favorites on Recital... exemplifying the core of what I love to publish." Includes 12-page booklet with essays and poems by the artists; Edition of 250.
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WNRD 2604DVD
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"This multi award-winning documentary tells the story of jazz pianist Bill Evans' turbulent life and his contribution to jazz music. Features over 40 interviews, including several renowned musicians: Tony Bennett, Billy Taylor, singer Jon Hendricks and jazz drummer Joe LaBarbera. The film also compiles a wide range of historical information about the jazz pianist including his first TV recording which appeared on CBS Look Up and Live in April 1958, playing 'Come Rain or Come Shine'. With the passage of time, Bill Evans has become an entire school unto himself for pianists and a singular mood unto himself for listeners. There is no more influential jazz-oriented pianist and Evans has left his mark on such noted players as Herbie Hancock, Keith Jarrett, Chick Corea, and Brad Mehldau. Borrowing heavily from the impressionism of Debussy and Ravel, Evans brought a new, introverted, relaxed, lyrical, European classical sensibility into jazz -- and that seems to have attracted a lot of young conservatory-trained pianists who follow his chord voicings to the letter in clubs and on stages everywhere. 'This film took me eight years to make. Eight years of tracking down anybody who knew Bill and who played with him, to try and find out as much as I could about the illusive and not easy to understand Bill Evans. I feel very honored to have had the chance to interview and get to know good guys that spent a lot of time with Bill: Billy Taylor, Gene Lees, Tony Bennett, Jack DeJohnette, Jon Hendricks, Jim Hall, Bobby Brookmeyer, Chuck Israels, Paul Motian, Gary Peacock, Joe LaBarbera. It was a once in a lifetime experience talking to these gifted talented guys about their time in jazz music, about their 'Time Remembered' with Bill Evans.' --Bruce Spiegel, producer"
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ROG 092BK
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"William Parker - Conversations III - William Parker (author, interviews), Jeff Schlanger (art), Jacques Bisceglia (photographs), edited by Ed Hazell, Book, 654pages, 33 interviews by William Parker. Philosophy, history, life, love, inspirations, story-tellin' from some of the most creative minds. Powerful interviews." Featuring: Joshua Abrams, Pheeroan Aklaff, Hamiet Bluiett, Karen Borca, Connie Crothers, Steve Dalachinsky, Joe McPhee, Oliver Lake, Klaas Hekmann, Matthew Shipp and others.
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MAG
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WIRE 427
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"Excess All Areas! -- a bumper jam-packed super-heavy special issue of The Wire dedicated to excess, overload and maximalism in music. Following 2018's popular When Less Is More issue on minimalism, this lavish sequel will explore the power of more. From gross out to guitar solos, prog rock to fusion, explosives to strings sections, Excess All Areas! will explore what happens when music goes OTT. Featuring Public Enemy, Frank Zappa, John Coltrane, Alan Silva, Rudolph Grey, REM, and more!"
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BLU-RAY
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AV 219BR
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"Academy Award-winner William Friedkin (The Exorcist, The French Connection) directs Al Pacino as an undercover cop pitched into New York's seedy underbelly in Cruising -- available for the first time on Blu-Ray in a brand new director-approved transfer. New York is caught in the grip of a sadistic serial killer who is preying on the patrons of the city's underground bars. Captain Edelson (Paul Sorvino) tasks young rookie Steve Burns (Pacino) with infiltrating the S&M subculture to try and lure the killer out of the shadows -- but as he immerses himself deeper and deeper into the underworld, Steve risks losing his own identity in the process. Taking the premise and title from reporter Gerald Walker's novel, Cruising was the subject of great controversy at the time of its release and remains a challenging and remarkable movie to this day, with Pacino's haunted lead performance as its magnetic centerpiece."
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3xBLU-RAY
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AA 030BR
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"Akio Jissoji created a rich and diverse body of work during his five decades in Japan's film and television industries. For some, he is best-known for his science-fiction: the 1960s TV series Ultraman and 1998's box-office success Tokyo: The Last Megalopolis. For others, it is his 1990s adaptations of horror and mystery novelist Edogawa Rampo, such as Watcher in the Attic and Murder on D Street. And then there are his New Wave films for the Art Theatre Guild, three of which -- This Transient Life, Mandara and Poem, forming The Buddhist Trilogy -- are collected here. Winner of the Golden Leopard award at the 1970 Locarno Film Festival, This Transient Life is among the Art Theatre Guild's most successful -- and most controversial -- productions. The film concerns a brother and sister from a rich family who defy the expectations placed on them: he has little interest in further education or his father's business, instead obsessing over Buddhist statues; she continually refuses a string of suitors and the prospect of marriage. Their closeness, and isolation, gives way to an incestuous relationship which, in turn, breeds disaster. Mandara, Jissôji's first colour feature, maintained the controversial subject matter, focusing on a cult who recruit through rape and hope to achieve true ecstasy through sexual release. Shot, as with all of Jissôji's Art Theatre Guild works, in a radically stylised manner, the film sits somewhere between the pinku genre and the fiercely experimental approach of his Japanese New Wave contemporaries. The final entry in the trilogy, Poem, returns to black and white and is centred on the austere existence of a young houseboy who becomes helplessly embroiled in the schemes of two brothers. Written by Toshirô Ishidô (screenwriter of Nagisa Ôshima's The Sun's Burial and Shôhei Imamura's Black Rain), who also penned This Transient Life and Mandala, Poem continues the trilogy's exploration of faith in a post-industrial world."
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R 061BK
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"The Book of Numbers and Spells is multi-hatted composer and inventor Charlie Morrow's first book. Number and letter games bejewel the pages of this anthology (pulling pieces and writings from 1974 to 2019). These works are largely text scores. It wasn't until I saw Charlie perform 'Ten the Long Way' with a room full of participants that the performative power became clear to me. Chanting numbers: the meditative, transparent, and unifying joy that swept across the room was beautiful. Charlie, a born networker of people and ideas, has naturally included two close friends in the book. Jerome Rothenberg provides a poetic essay, 'A Gematria Sampler', along with a compelling article written by composer Tom Johnson. These supplements embolden the scope and richness of Morrow's transparent systems." --Sean McCann, June 2019
"The range of Charlie Morrow's work if laid out end to end would show him clearly -- though never completely -- as a protean and transformational composer and performer. He is, from where I see him, both the leading proponent of an active ethnopoetics in avant-garde musical performance and a master of new technologies as they come into contemporary practice. It's this dynamic of old and new that a gathering like this again makes plain. The effect, all in all, is cumulative, the power in the ensemble, the full range of his explorations: shamanic-inspired dream chants, animal language events, performance pieces based on modern signal codes and ancient numerologies, soundscapes derived from the new wilderness of urban spaces and the old wilderness of arctic tundras, recompositions of familiar repertory works and of long neglected or forgotten chants and hymns, works for multiple massed single instruments (ocarinas, tubas, cellos, harps), international radio events in celebration of winter and summer solstices, and an extraordinary range of massive public spectacles. Now after fifty years of active engagement, the work, as serious and deeply rooted as it gets, is conceived and played out with a boundless energy and good humor -- in a style as distinctive as his familiar and ever present bowler hat." Jerome Rothenberg, 2019
130 pages; 6x9" perfect bound. Limited edition of 100; hand numbered in red ink.
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MAG/CD
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WIRE 426
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"Attached to the cover of every copy of the August issue will be a special double CD marking 50 volumes of The Wire's ongoing series of underground music compilations. Disc one will be the usual Tapper mix of all new tracks, while disc two will contain a selection of exclusive tracks and edits drawn from previous volumes in the series. In all The Wire Tapper 50 will contain 40 new and archival tracks by Guapo, Arthur Russell, Rhys Chatham, Orchestra Of The Upper Atmosphere, Tirudel Zenebe, Ammar 808, Carl Stone, Félicia Atkinson, Headboggle, Michael Donnelly, Minyo Crusaders, Angelina Yershova, SSSS and more. Meanwhile, inside the issue: Oren Ambarchi -- the globetrotting Australian guitarist, multi-instrumentalist and label runner is part of the glue that holds the international underground together through collaborations with Keiji Haino, Jim O'Rourke, Ash Ra Tempel, Vibracathedral Orchestra and countless others. He talks to Bruce Russell of The Dead C about the nomadic life of the modern musician. Plus: Keith & Julie Tippetts -- Mike Barnes meets the godparents of British spiritual jazz and improvisation to discuss half a century of playing from Spontaneous Music Ensemble to King Crimson; Pierre Bastien -- the French rhythmic explorer and instrument inventor takes the Invisible Jukebox test; Rangers -- Joseph Stannard picks his way through the blasted rock soundscapes of Texas's Joe Knight -- and more."
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MAG
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MAGAZIN 019
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For its 19th edition, the Swiss magazine zweikommasieben presents a view on ambiguity as a hallmark of contemporary art and music, especially within our scene and its culture. After all, one would be hard-pressed to classify the work of its artists in terms of a singular activity, style, scene, or context. Félicia Atkinson, who has contributed a series of collages to this issue of zweikommasieben, is not simply a musician, but also a poet, visual artist, publisher, label owner, and more. The DJ and producer Parris, who was interviewed for this issue, places himself in a musical "no-man's land", although he grew up listening to grime and dubstep. The feeling of not belonging has been an issue for Phillip Sollmann, aka Efdemin, throughout his entire career. Until recently, Sollmann was set on keeping two fields of interest -- a career in techno and his pursues in sound art projects -- separate from each other. In the interview he talks about how realizing that such a clear distinction was not necessary and how the resulting aesthetic cross-fertilization has had an impact on himself. Finally, Caterina Barbieri, Cam Deas, Kali Malone, and Robin Buckley, aka rkss, who all pop up in this issue of zweikommasieben in one way or another, all understand their craft as a rupture with established musical genres and associated aesthetic norms, albeit in different contexts and using different means. There is no doubt that ambiguity, uncertainty, tension, and conflict lead to friction, but at the same time ambivalence, complexity, and multiplicity generate enormous aesthetic potential. Full content: Interviews with Cam Deas, Caterina Barbieri, Die Wilde Jagd, Gaika, Hdmirror, Kali Malone, Michele Rizzo, Parris, and rkss; a portrait of Efdemin; an essay on "Radio Spectral" by Francois J. Bonnet as well as a photo essay on the Rhizom Festival; regular columns like Anna Froelicher's "Track Down Fiction" (text), Georg Gatsas' "We Are Time" (photos), or Simian Keiser's "Sound Texts" (poetry); Contributions by Collapsing Market, Félicia Atkinson, and Wolf Eyes. Bi-lingual: English, German; 136 pages; size: 200x270x9 mm; edition of 2000.
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MAG
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UT 051
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"This issue we turn up the volume all the way for the story of Randy Holden's days with Blue Cheer along with the making of his heavy rock colossus Population II. From the sixties garage band universe, we're presenting must-read features on the Night Shadows (aka Little Phil & the Night Shadows), and the Bad Seeds ('King of the Soap Box'). We also have fascinating interviews with Wally Bryson (the Choir, Cyrus Erie), John Dalton of the Kinks and the (pre-Creation) Mark Four, and the second and final installment of our interview with Lenny Kaye, rock writer supreme and Patti Smith's right-hand man. Harvey Kubernik covers (Ike and) Tina Turner in the '60s and '70s; Eric Davidson takes the lid off the epic new Peter Laughner box set; King Khan reveals the secrets of the Black Power Tarot; and Tim Stegall pays tribute to the recently departed Roky Erickson. All this and more, including our expansive review sections covering the latest reissues and rock-related books."
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BLANK 004BK
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Taking its name from Maryanne Amacher's visionary, unrealized opera, the fourth issue of Blank Forms' journal, Intelligent Life, features a select group of unpublished, newly translated, or otherwise rare texts. The issue opens with a short literary essay by the author Marcia Douglas, in which a deep bass riddim guides a deaf narrator and a reincarnated Bob Marley through important sites in Rastafarianism's development. Next come two interviews with crucial figures in postwar avant-garde music: the Japanese guitarist Kazuo Imai and the American composer Robert Ashley, along with pianist and frequent collaborator "Blue" Gene Tyranny. The previously unpublished interview with Imai was conducted by Blank Forms' editor and artistic director Lawrence Kumpf during Imai's first trip to the United States, in 2018, and finds the artist reflecting on recent work with the collective Marginal Consort as well as his foundational experiences playing with two other titans of Japanese experimentalism, Takehisa Kosugi and Masayuki Takayanagi. The interview with Ashley and "Blue" Gene, meanwhile, first published in German in 1984 on the occasion of a staging of Ashley's opera Atalanta, was translated for the first time into in English for this publication. Intelligent Life continues with a series of longer pieces showcasing a diverse set of complex practices and histories, beginning with that of Detroit-based artist Onyx Ashanti. Onyx contributes his own Octavia Butler-referencing "sonocybernetic manifesto", first published online in 2016, which exists simultaneously as theoretical treatise, memoir, and practical guide to his idiosyncratic technology-based practice. Following this is a comprehensive essay on Catherine Christer Hennix's engagement with intuitionism and other esoteric approaches to math, written by the mathematician and musician Spencer Gerhardt. Gerhardt's lucid, previously unpublished essay serves as a necessary complement to Blank Forms Editions' forthcoming collection of Hennix's abstruse, mostly unpublished body of writing, Poësy Matters and Other Matters. The issue continues with a sort of titular essay, a rich analysis of Amacher's "Intelligent Life" -- the first such piece on this work -- by Amacher scholar Amy Cimini. Intelligent Life was an incredibly prescient work that sought to upend any remaining vestiges of traditional operatic form and staging. Intelligent Life -- the journal issue -- then concludes with a lengthy interview with the artist Walter De Maria. One of the few interviews De Maria gave in his lifetime, this one, created for the Archives of American Art in 1972, sheds significant light on De Maria's early intellectual and artistic development as well as his work as a musician. Although he largely stopped playing music by 1970, and although few recordings of his efforts exist, De Maria played alongside musicians ranging from Lou Reed to Don Cherry to Henry Flynt. Edited by Lawrence Kumpf. Other contributors and featured artists include: Werner Durand, Peter Gente, Heidi Paris, Adrian Rew, Paul Cummings. 302 pages; 6x8 inches; paperback.
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SHELTER 111BK
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Speaking And Listening is a book conceived by the artists Yann Sérandour, Félicia Atkinson, Julien Bismuth, and the curator Sophie Kaplan, revolving around questions of narrative, listening and improvisation. It is the last episode in the cycle While I was also listening [...], developed in 2017 and 2018 at La Criée contemporary art center in Rennes, which included in-house and off-site events in the form of exhibitions, events, and residencies. At the art center, five group and solo exhibitions with their associated events succeeded and dialogued with one another, providing both specific and general perspectives onto different forms of narration. The cycle was accompanied by an extra muros program that unfolded at different times and in different locations: concomitant residencies in Bretagne and the US, a project of research/action at the Kandinsky Library of the Musée national d'art Moderne in Paris, a period of research at the Getty Research Institute in Los Angeles, and a series of events in Los Angeles and New York (Human Resources, County Museum of Art, Hammer Museum Los Angeles, Museum of Contemporary Art, San Diego, Artist's Institute and Emily Harvey Foundation, New York). In the continuum of these experiences, the book has been designed to be a distinct voice, generating new contents appropriate to the medium. The book is centered around a long unpublished transcript of a talk poem by the American poet and performance artist David Antin, entitled framing and being framed. Adding to the corpus of Antin's works, this typically autobiographical text reveals Antin's eloquent use of quotidian events to philosophical ends. The contributions that respond to Antin's text are themselves innovative, composed by poets, thinkers and artists from different generations and nationalities, linked by their common interest in investigating questions of orality, listening, narrative, transmission, improvisation, translation, utterance and enunciation. speaking and listening thus defines the contours of a transatlantic and intergenerational scene, for whom the work of art -- in dialogue with its viewers, readers, and listeners -- is an object to be redefined, retold and replayed again and again. Features: David Antin, François J. Bonnet, David Horvitz, Julien Bismuth, Yann Sérandour, Hanne Lippard, Christian Xatrec, Félicia Atkinson, Christine Sun Kim, Charles Bernstein, and Sophie Kaplan. 240 pp. thread-sewn softcover with flaps; Size: 170x227mm; Language(s): English.
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WIRE 425
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"Moor Mother -- Philadelphia poet, punk, polymath and noise maker Camae Ayewa has been kicking against the system with collaborations including Irreversible Entanglements, Kevin Martin aka The Bug, alongside her own mixtapes and albums addressing the legacy of colonialism and present day police violence. Plus: Latin freestyle -- Peter Shapiro provides a user's guide to 1980s-era New York's freshest and flyest dance sound; Ellen Arkbro -- the Swedish composer and La Monte Young student talks drones and tones."
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WIRE 424
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"Charles Hayward -- the post-punk and prog veteran has moved in and out of cold storage with This Is Not This Heat and turns to the piano with his new song project. Plus: 75 Dollar Bill -- Dave Mandl talks to the Fourth World guitar-percussion duo and East Coast live sensation of Che Chen and Rick Brown. Caterina Barbieri -- Louise Gray looks into the ecstatic computer music of the Italian composer and drone explorer... and more!"
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RER ARBOOK1
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"Slim, 44-page perfect bound, paperback containing four stories. Illustrated by Mary Thomas. These four stories were written while Allen was working and touring with the Cleveland band, Pere Ubu, and refer directly to those years. Previously published in The Cleveland Edition, The Re Records Quarterly and The Penguin Book of Rock and Roll Writing. Allen Ravenstine was born in Canton, Ohio in 1950. In 1968 his parents were killed in a car crash. He was a student at Ohio State University when students protesting the Vietnam War were shot at Kent State. All universities in Ohio closed, so he left Columbus, where he was studying English literature, never to return. In the following years he worked with an EML analog synthesizer and a Teac four-track tape recorder and in 1974 bought the Plaza, a ramshackle apartment building in Cleveland's inner city, which soon became the home of painters, poets, writers and musicians. In 1975, he co-founded the legendary Cleveland band, Pere Ubu in which he worked until 1988... leaving to become an airline pilot. Taking up music again in 2012, he appeared with Robert Wheeler in the film 'I Dream of Wires', recorded two album length records, 'Farm Report' and 'City Desk'. In 2014, he released his first solo CD, 'The Pharaoh's Bee'. The critically acclaimed 'Waiting for the Bomb' followed in 2018. Allen lives in New York City with his wife Ann."
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MAG
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WIRE 423
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"Tanya Tagaq -- the Inuk throat singer, artist and activist talks to Phil England about new EP Toothsayer, soundtracking the Arctic landscape alongside London electronic musician Ash Koosha, radical vocal technique, life, death, climate change and land struggles in her native Canada, and the possibility of a world without borders. Plus: Marcus Boon feels the vibrations of Ottawa-based indigenous electronic dance crew A Tribe Called Red. Daniel Spicer provides a user's guide to the recordings of composer, bassist and cosmic traveler William Parker... and more!"
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DVD
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TROST 184DVD
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My Talk With Florence is a biographical interview-film of Florence Burnier-Bauer and her intimate story. A life full of violence and abuse; in the family, on the road, and finally in the commune of the Viennese actionist artist Otto Muehl. This is a big showdown with the dark side of Otto Muehl as an icon of counterculture and social experiments. Directed and written in 2015 by Austrian film maker Paul Poet -- Foreigners Out! Schlingensiefs Container (2002), Empire Me (2011). The DVD contains the 128-minute film in German and English, a 20-minute-TV-interview with Paul Poet for the Austrian broadcast-show Oktoskop, a short documentary on the 2012 art exhibition of Florence by Paul-Julien Robert, excerpts from the Cinema Concert Version, German and English Trailer. The booklet contains essays about the movie and its impact by Hollywood actress and activist Rose McGowan, Alt-Porn Icon Stoya, Sandra Nigischer (Sorority, Der Standard), Marina Richter (Cineuropa, OneBillionRising), Helga Christina Pregesbauer (Wortflechte), Hanin Hannouch (Kinofrau), Karin Schiefer, Paul Poet, and Florence Burnier- Bauer. Including a special audio-track with the soundtrack by Alec Empire, created for the movie and performed at live-screenings. PAL format and region free.
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UT 050
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"We have some exceptional cover stories for this one, including the tragic mystery story of the Lost & Found from California, an expansive interview with writer/musician/archivist Lenny Kaye (Nuggets, Patti Smith Group), beat group maniacs the Renegades, and girl garage group the Debutantes. Other interviews include glam rock hero Alan Merrill (Vodka Collins, Arrows) and Mike Tingley, who tells the story behind his sought-after 1968 baroque pop album The Abstract Prince. Plus Bob Mosley of Moby Grape, Dutch beat punks the Selfkick and Dat En Wat, Howlin' Wolf, the Doors' Waiting For The Sun, the Pretty Things' Last Stand, and Cyril Jordan explaining folk-rock in his imitable style. Not to forget our popular review sections covering the latest reissues and rock-related books."
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WIRE 422
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"The Wire Tapper 49 -- attached to the cover of every copy of the April issue will be a CD of the latest in our ongoing series of underground music anthologies, featuring 20 new tracks by Efdemin, Ricardo Donoso, Paper Dollhouse, Qasim Naqvi, Milena Glowacka, Anthony Laguerre, and more. Meanwhile, on the cover of the issue: The Great Learning -- a special extended feature on the educators, institutions, schools, and scenes that underpin music in the 21st century. From the great teachers of US free music to bandleading tyrants Captain Beefheart and James Brown, from traditional oral music cultures to the current explosion in hands-on music workshops, from mystic mentor GI Gurdjieff to the school of hard knocks in the New Zealand underground rock scene, this multi-essay feature will include contributions from critics, musicians, and practitioners chronicling the lessons learned by musician of all stripes."
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SPECTRES 001BK
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2nd printing. Published with the support of INA GRM. Composing Listening features texts by: Félicia Atkinson, François Bayle, François J. Bonnet, Drew Daniel, Brunhild Ferrari, Beatriz Ferreyra, Stephen O'Malley, Jim O'Rourke, Eliane Radigue, Régis Renouard Larivière, Espen Sommer Eide, Daniel Teruggi, Chris Watson. This book has been conceived as both a prism and a manual. Following the "traditional" arc of electroacoustic composition (listen-record-compose-deploy-feel), each of the contributions collected together here focuses in on a personal aspect, a fragment of that thrilling territory that is sonic and musical experimentation. Although the term "experimental music" may now have be understood as referring to a genre, or even a particular style, we ought to hold on to the original use of this term, which was based more on an approach than on any particular aesthetic line to be followed. The experimental is first and foremost a spirit, the spirit of the exploration of unknown territories, a spirit of invention which sees musical composition more as a voyage into uncertain territories than as a self-assured approach working safe within the bosom of fully mapped out and recognized lands. 228 pp; thread-sewn softcover; one color offset; Size: 135x200cm; Language(s): French, English.
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MAG
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WIRE 421
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"Stephen Malkmus: The one time Pavement mastermind talks to Raymond Cummings as his solo career takes a turn into the unknown with experimental electronic pop project Groove Denied. Meanwhile, inside the issue... José Maceda: Julian Cowley reflects on the life of the late Filipino composer, ethnomusicologist and musique concrète explorer, as his work is celebrated at the Performing Arts Meeting in Yokohama. Fashion Records: Neil Kulkarni tells the story of the dancehall hit factory that originated the fast chat deejay style of the 80s via the work of Smiley Culture, Asher Senator and others. Donny McCaslin, Tim Lefebvre & Jason Lindner: The careers of David Bowie's Blackstar band have extended in multiple directions since his death to form a fresh new network of chameleonic jazz players. Phil Freeman reports. Invisible Jukebox: Annea Lockwood, Epiphanies: Graham Jeffries on The Velvet Underground."
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BLU-RAY
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AV 186BR
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"For the third and final instalment in his infamous 'Blood Trilogy', Color Me Blood Red, splatter movie pioneer Herschell Gordon Lewis turned to the world of fine art for this tortured tale of a troubled artist turned homicidal maniac. Painter Adam Sorge has found himself in a bit of a creative lull. But when his girlfriend accidentally cuts her finger, he realizes what his work has been missing all this time -- human blood! With pressure mounting from local gallery owner Farnsworth to deliver his next masterpiece, Adam sets about procuring as much glorious hemoglobin as he can muster -- first from himself, and then from anyone unfortunate enough to pass by his sickening studio of slaughter. The final filmic collaboration between H.G. Lewis and producer/master exploiter David F. Friedman, who collectively delivered the equally demented Blood Feast and Two Thousand Maniacs!, Color Me Blood Red is a crazed creation that truly puts the pain in painting."
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DVD
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VON 021DVD
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A milestone film from American composer and filmmaker Phill Niblock, presented for the first time in DVD with two alternate soundtracks. T H I R is a mesmerizing and hypnotic film from his Environments series shot in upstate New York in 1972. This film is one of Niblock's finest and undiscovered jewels. A must have classic release. The material to make the film, T H I R, is taken from "Ten Hundred Inch Radii", a performance of film and music from the series -- Environments, premiered at the Everson Museum in Syracuse NY in 1972. The original music for this film, finished in 1975, was recorded and mixed at Intermedia Sound in Boston, in 1971-2. The DVD features a new soundtrack by Phill Niblock, with the piece "One Large Rose" as well as the original soundtrack from 1972. Filmed with a Beaulieu 16 mm around Keene Valley, New York in the Adirondack Mountains in 1971-1972. T H I R original soundtrack recorded in 1972. T H I R new soundtrack "One Large Rose" (T H I R edit 2015) recorded in 2008. Recorded in Christianskirsche (Hamburg, Deutschland), May 16 and 18, 2008. Final mix at Experimental Intermedia October 13, 2008. "One Large Rose" edited at Experimental Intermedia, February 1, 2015. Edition of 1000. NTSC format, region free.
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