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Search Result for Genre Misc
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DVD
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SMD 039DVD
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$14.00
PREORDER
RELEASE DATE: 10/9/2020
"Formed in 1970, Kraftwerk's contribution to the development of electronic music remains unsurpassed. Having inspired everyone from Bowie to Joy Division to Radiohead, this mysterious collective has also proven responsible for entire genres to emerge -- electronica, techno and synth-pop to name but three. This DVD reviews the career and music of Kraftwerk, from their inception in the late 1960s through their most celebrated period in the mid-1970s, culminating with their resurgence during the 1980s. The film further explores how Kraftwerk both fitted into and pulled away from the electronic wing of what is often lazily referred to as 'Krautrock'. Showing respect too for many of the groups' German contemporaries from a similar impulse, and tracing the unfolding of electronics in German contemporary music generally, this program presents a fascinating story previously untold on film. Featuring exclusive and extensive interviews with ex-Kraftwerk members -- Karl Bartos and Klaus Röder, German ambient and electronic musicians - Dieter Moebius (Kluster/Harmonia), Hans Joachim Rodelius (Kluster/Harmonia), Klaus Schulze (Tangerine Dream/ Ash Ra Tempel and Solo), Wolfgang Siedel (Eruption), Conrad Schnitzler (Kluster/ Solo), Klaus Löhmer (engineer, Kraftwerk album) and many others. Also boasting further contributions from Electronic music experts and writers, and rare studio and live footage of the band, these all together make for perhaps the best film on the subject ever to emerge."
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MVD 3691DVD
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"A 1981 drama from 'No Wave' director Amos Poe shot in New York City. A psychotic street saxophonist lures victims into dark city spots with his haunting music -- then shoots them. Seedy characters, including a cop with a junkie wife, an upstairs sax-hating prostitute and other lost souls litter the landscape. Features Cookie Mueller (Pink Flamingos, Desperate Living) Susan Tyrell, (Cry Baby, Forbidden Zone)."
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MVD 3689DVD
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"See Debbie Harry in this 1976 drama from 'No Wave' filmmaker Amos Poe. This is the story of Rico in New York City, who imagines he lives in Paris during the time of 'New Wave' filmmaking. He's a photographer who thinks he's an outsider, so he uses his camera like a gun, loading it with bullets of film. He seeks reality to fulfill his fantasy. but, he's also a romantic, and this is his downfall, especially when he falls in love with the adorable Blondie. When Rico falls in love, the delicate balance of the world he has made for himself is disrupted."
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MAG
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WIRE 440
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$10.00
PREORDER
RELEASE DATE: 10/2/2020
"Sun Ra Arkestra -- as the intergalactic orchestra releases its first studio album in over 20 years, John Morrison talks to its leader Marshall Allen in Philadelphia about preserving Sun Ra's cosmic legacy. Plus, an astral traveller's guide to Sun Ra on film and video, and news of the latest recordings from the archive. The Primer -- Fugazi and associates. As Washington's hardcore standard bearers continue their legacy through new bands Coriky and The Messthetics, Joe Thompson of Hey Colossus provides a user's guide to recordings from Rites Of Spring and Fugazi through to their many solo projects."
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MVD 3690DVD
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"This is a 1978 New York drama from 'No Wave' director Amos Poe. European Max Menace arrives in New York City on an unknown mission. Boredom sets in as he waits for his assignment. Alienation thrusts him into entanglements with women, weirdos and creeps. Their unstructured lives echo the purposely-meandering storyline. The Foreigner is about the reality of being meaningless in a hostile city."
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GH 8393BK
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$26.50
PREORDER
RELEASE DATE: 9/18/2020
Grim Humour ran between 1983 and 1993 and proved itself one of the most popular UK fanzines throughout this time due to its documenting many groups, large and small, who initially arrived from the punk/post-punk world and its cousins in industrial or electronic music, whilst coupling this to an interest in horror films, underground cinema, literature, graphic novel/comics and more esoteric areas. Although the passions for matters beyond music grew as the 'zine itself grew, the early editions captured here in what is to be the first of two book volumes reflect the work of several teenage friends so devoted to the music they enjoyed they felt compelled to delve further into it. Naive, impassioned, and underpinned by a modicum of sarcasm that got cranked higher in later editions, Grim Humour perfectly balanced deference with irreverence when it came to music. Throughout the approximately 300 pages collected here, original pages are reprinted alongside re-edited interviews, reviews and other such features from the first ten editions of the 'zine, published between 1983 and 1987. Also featuring new text exclusive to the book by some of the groups, as well as a number of essays by those either involved with the 'zine or who avidly read it, this book serves as a (perhaps cracked) snapshot of a time when independent music didn't necessarily mean "indie". Comprising interviews with Killing Joke, Abbo (UK Decay), And Also The Trees, Crass, Virgin Prunes, Death In June, Portion Control, Nick Cave, Sonic Youth, Coil, The Leather Nun, The Damned, The Fall, Fools Dance (featuring Simon Gallup of The Cure), Big Black, Head Of David, Alternative TV, and many others, this book helps illustrate just how far punk and its own darkened tendrils actually reached in an age when fanzines and their concomitant cousins in mail art, cassette labels and suchlike helped fill in the gaps the music weeklies simply couldn't. This will be of interest to all who grew up through this era and still have a place for it in their hearts, besides those with a lot of interest in any of the groups featured. 300 pages; A4 softcover.
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AV 309DVD
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"Academy Award-winner William Friedkin (The Exorcist, The French Connection) directs Al Pacino as an undercover cop pitched into New York's seedy underbelly in Cruising. New York is caught in the grip of a sadistic serial killer who is preying on the patrons of the city's underground bars. Captain Edelson (Paul Sorvino) tasks young rookie Steve Burns (Pacino) with infiltrating the S&M subculture to try and lure the killer out of the shadows -- but as he immerses himself deeper and deeper into the underworld, Steve risks losing his own identity in the process. Taking the premise and title from reporter Gerald Walker's novel, Cruising was the subject of great controversy at the time of its release and remains a challenging and remarkable movie to this day, with Pacino's haunted lead performance as its magnetic centrepiece."
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MAGAZIN 021
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Zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. Issue #21 includes: interviews with Anthony Pateras, Asma Maroof, Ben Vince, MC Buzzz, Dasychira, East Man, Laila Sakini, Lung Dart, Lyra Pramuk, Mark Knekelhuis, Sicaria Sound, Sonia Calico, Stine Janvin, and VTSS. Essays on Nicolás Jaar as well as by Annie Garlid and Flora Yin-Wong. Contributions by A ?lolder (aka Powell, Michael Amstad, and Marte Eknæs), Èlg, and the Nihilist Spasm Band. Columns by Alex Rudolph (feat. poetry by Chirstof Szalay), George Gatsas (photos), and Michael Eby ("Art Review" on an exhibition by Graham Lambkin). Bi-lingual EN/DE; 144 pages; size 200 x 285mm; edition of 2000.
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BLU-RAY
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MVD 4099BR
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$19.00
PREORDER
RELEASE DATE: 9/11/2020
"Where Does a Body End? is an intimate portrait of the band SWANS, from their roots as a brutal, confrontational post-punk band that emerged from the same early 1980s era NYC that gave us Sonic Youth (and, somehow, Madonna) through their ill-fated bid at mainstream success in the '90s indie-rock gold rush, through breakups and chaos (on and offstage) to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips back through their most popular songs. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982 -- singer, songwriter Michael Gira. With unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs, the film brings us along the path they needed to carve for themselves. The film is many things, a musical history, a time-capsule, a tour diary, a concert film, but mostly it's the story of a life in the arts, frequently difficult, spanning decades without a safety net, creating the work because Gira says 'What else am I going to do?' As bandmate Thor Harris notes, 'Michael is not a fearless person, but he is a fearless artist.'"
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MVD 4075DVD
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"Where Does a Body End? is an intimate portrait of the band SWANS, from their roots as a brutal, confrontational post-punk band that emerged from the same early 1980s era NYC that gave us Sonic Youth (and, somehow, Madonna) through their ill-fated bid at mainstream success in the '90s indie-rock gold rush, through breakups and chaos (on and offstage) to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips back through their most popular songs. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982 -- singer, songwriter Michael Gira. With unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs, the film brings us along the path they needed to carve for themselves. The film is many things, a musical history, a time-capsule, a tour diary, a concert film, but mostly it's the story of a life in the arts, frequently difficult, spanning decades without a safety net, creating the work because Gira says 'What else am I going to do?' As bandmate Thor Harris notes, 'Michael is not a fearless person, but he is a fearless artist.'"
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2xBLU-RAY
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MVD 3893BR
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Deluxe edition; 156 minutes of bonus material. "Where Does a Body End? is an intimate portrait of the band SWANS, from their roots as a brutal, confrontational post-punk band that emerged from the same early 1980s era NYC that gave us Sonic Youth (and, somehow, Madonna) through their ill-fated bid at mainstream success in the '90s indie-rock gold rush, through breakups and chaos (on and offstage) to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips back through their most popular songs. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982 -- singer, songwriter Michael Gira. With unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs, the film brings us along the path they needed to carve for themselves. The film is many things, a musical history, a time-capsule, a tour diary, a concert film, but mostly it's the story of a life in the arts, frequently difficult, spanning decades without a safety net, creating the work because Gira says 'What else am I going to do?' As bandmate Thor Harris notes, 'Michael is not a fearless person, but he is a fearless artist.'"
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MAG
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WIRE 439
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"Mourning [A] BLKstar: We meet the Cleveland Afrofuturist collective that is channelling the spirit of James Baldwin to forge new songs for the Black diaspora on recent album The Cycle and single 'Juneteenth'; Bunita Marcus: The Brooklyn pianist and composer reflects on six decades in new music and her influence on Morton Feldman as her Lecture For Jo Kondo receives a new recording. Lao Dan: The former member of post-punk unit Red Scarf talks about blazing a trail for free music in China, staging site-specific performances in caves and multitasking across saxophone, flute, dulcimer and more; Invisible Jukebox - Tricky: Bristol's finest sits down with The Wire's mystery record collection in his current base of Berlin."
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SHELTER 123BK
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This is not a study. It is a manifesto for a peculiar conviction: that music remains to be discovered, that it is still hidden. That, nonetheless, it does sometimes appear, but most often incompletely and unevenly. And that what we have hitherto referred to as "music" is in fact only a preliminary, a prodrome. That all musics produced up until now have been nothing but simulacra, rituals to call music forth. This may sound crazy, and indeed unwelcome. But the sole concern of the following text will be to make this statement legible, understandable, and perhaps even to some extent acceptable. Its hope is that, setting out from a few intuitions, the possibility of a music to come can be formulated. That this obscure becoming will emerge, one trait at a time; that the shape of this music to come will reveal itself, gradually, by way of a cluster of assumptions, the reading of a multiple history, and the examination of damaging paradigms that have taken music far from itself. That the subjectivity of a writing, with all of its beliefs, its errors, its biases, its injustices and its shaky certainties, may yet manage to cast a singular and inspiring light upon the idea of music -- this, ultimately, is the ambition of the lines to come. 56 pp; cover thread sewn silkscreened softcover; 11x16 cm.
François J. Bonnet is a Franco-Swiss composer, writer and theorist based in Paris. He's the Director of INA GRM and also produces radio shows for national radio France Musique. His music, often released under the Kassel Jaeger project name, has been presented worldwide.
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SPECTRES 002BK
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To resonate: re-sonare. To sound again -- with the immediate implication of a doubling. Sound and its double: sent back to us, reflected by surfaces, diffracted by edges and corners. Sound amplified, swathed in an acoustics that transforms it. Sound enhanced by its passing through a certain site, a certain milieu. Sound propagated, reaching out into the distance. But to resonate is also to vibrate with sound, in unison, in synchronous oscillation. To marry with its shape, amplifying a common destiny. To join forces with it. And then again, to resonate is to remember, to evoke the past and to bring it back. Or to plunge into the spectrum of sound, to shape it around a certain frequency, to bring out sonic or electric peaks from the becoming of signals. Resonance embraces a multitude of different meanings. Or rather, remaining always identical, it is actualized in a wide range of different phenomena and circumstances. Such is the multitude of resonances evoked in the pages below: a multitude of occurrences, events, sensations, and feelings that intertwine and welcome one other. Everyone may have their own history, everyone may resonate in their own way, and yet we must all, in order to experience resonance at a given moment, be ready to welcome it. The welcoming of what is other, whether an abstract outside or on the contrary an incarnate otherness ready to resonate in turn, is a condition of resonance. This idea of the welcome is found throughout the texts that follow, opening up the human dimension of resonance, a dimension essential to all creativity and to any exchange, any community of mind. Which means that resonance here is also understood as being, already, an act of paying attention, i.e. a listening, an exchange. Addressing one or other of the forms that this idea of resonating can take on (extending -- evoking -- reverberating -- revealing -- transmitting), each of the contributions brought together in this volume reveals to us a personal aspect, a fragment of the enthralling territory of sonic and musical experimentation, a territory upon which resonance may unfold. The book has been designed as a prism and as a manual. May it in turn find a unique and profound resonance in each and every reader. Features writings by: Jean-Luc Nancy, Tomoko Sauvage, Christian Zanési, Maryanne Amacher, Christina Kubisch, Okkyung Lee, David Toop, Pali Meursault, David Rosenboom, Chris Corsano, Ellen Fullman, and The Caretaker. Editors: François J. Bonnet, Bartolomé Sanson. Binding: thread-sewn metallic softcover; Size: 135 x 200 cm; Page count: 196 pp.; First edition: 2500 copies; Language(s): French/English. Published by Shelter Press with the support of INA GRM.
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MAG/CD
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WIRE 438
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"The Wire Tapper 53! -- attached to the cover of every copy of the August issue will be a CD of the latest in our ongoing series of underground music anthologies, featuring 16 new tracks by Beatriz Ferreyra, Max Eilbacher, Sheng Jie, Chouk Bwa & The Ångströmers, Manongo Mujica & Terje Evenson, Tolouse Low Trax, McPhee/Rempis/Reid/Lopez/Nilssen-Love, and more. Meanwhile, in the magazine: Six-string theories -- An extended feature exploring the cosmos of fingerpicking guitar new and old, with outlaw counter-cultural storyteller Marisa Anderson profiled by fellow guitarist James Toth aka Wooden Wand, plus Robbie Basho, Sarah Louise, Glenn Jones on tuning, and much more. The Primer: DJ tools -- From beats 'n' breaks to locked grooves and sample libraries, Michaelangelo Matos provides a user's guide to the DJs' weapons of choice that have shaped club sounds of the last 40 years. Invisible Jukebox: John Edwards x Caroline Kraabel -- Two of London free music's most energetic improvisors test their reactions in our regular mystery record text."
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MAG
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UT 054
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"In this special issue we pay tribute to Phil May of the Pretty Things. Included our interviews with those who knew him best, including his close friend and lifelong collaborator, Dick Taylor, as well as an array of rare and previously unseen Pretty Things photos. Also this issue, the story behind the Electras' gnarly sixties punk masterpiece 'Dirty Old Man,' the tale of Midwest psychedelic masters the Paisleys (Cosmic Mind at Play), Southern California garage-psych combo the Search, guitarist Craig Tarwater (Hawk & the Randelas, Sons of Adam, Daily Flash, Arthur Lee & Love), and a night of music and mirth with Hasil Adkins. We also explore the world of gypsy jazz guitarist Gabor Szabo and its intersections with pop and psychedelia in the 1960s, and tell the strange story of the San Jose garage pop group People, who recorded a hit version of the Zombies 'I Love You,' only to become enmeshed in the sinister world of Scientology. All this and a lot more, including as always our expansive review sections covering all the latest reissues and rock & roll-related books."
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TEENBEAT 564DVD
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"A documentary film from Mark Robinson (Unrest, Teen-Beat), about his favorite rock star, Butch Willis. Butch Willis is a Washington, D.C. rock legend. Born and raised in 1960s suburban Maryland, he came of age in the late '70s post-hippie subculture. After sharing an apartment with infamous local music icon Root Boy Slim, Butch was inspired to become a rock n' roll star himself. The unique and unusual brand of 'outsider music' that Butch Willis & The Rocks created captivated the local music scene beginning with their appearance at the seminal Primitive Night in 1984. Amateur On Plastic chronicles Butch's life and career from the beginning all the way through to present day. It features a host of Butch-appointed band managers Joe Lee (Joe's Record Paradise), Jeff Mentges (No Trend), Jeff Krulik (Heavy Metal Parking Lot), and director Mark Robinson (Unrest/Teen-Beat). Also co-starring is Al Breon, the Rocks' innovative 'throat guitarist.' The film combines archival footage, interviews, and performances of his hit songs 'Drugs,' 'The Garden's Outside,' 'TV's From Outer Space,' and 'The Girl's on My Mind.' Amateur On Plastic also parallels the 1990's era of seminal indie record label Teen-Beat. Behind-the-scenes glimpses of the label's concerts and private parties provide much of the background and feature members of the bands Unrest, Versus, Tuscadero and more."
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Cassette + Book
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TTP 106BK
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A boxed set of cassette and companion book of poetry and drawings. Synthesist and filmmaker Sean Hellfritsch and author-illustrator Rob Moss Wilson met in 2008 while constructing a treefort together in Santa Cruz, California. Rob was invited to intern on a property where Sean was busying his hands with permaculture and animal husbandry, but after just a brief time working together the two realized each other's ability to cultivate forts of a more abstract nature. From that point forward, the structures they built would be made of sound, language, light, and spirit culminating in Big Lunch, a union of spoken-word poetry, ambient composition, and pen-and-ink drawings that weds Hellfritsch's bubbly, revitalizing synth work to Wilson's emotionally honest, casually profound poems and drawings. When taken as a purely auditory journey, Big Lunch is a succession of koan- like musings delivered in Wilson's unpretentious tone, which is both deepened and given levity by Hellfritsch's sonic water coloring. Wilson's words meet us right where we are: the dirt-spatter on our cars, the push-pull of grocery store impulses, standout joggers clad in blue jeans, and any number of modern niceties that become hilarious and humbling when simply noticed. In fact, noticing these details might be Wilson's superpower. Recognizing this knack throughout years of friendship, Hellfritsch and partner Kaitlyn Aurelia Smith put themselves up to the task of capturing the literary side of Big Lunch -- which was first printed as a standalone book of writings and drawings a few years back.
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TRESOR 318BK
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Tresor announce the Drexciyan journey's continuation with the release of The Book Of Drexciya Volume 1, a graphic novel which covers the first five vivid chapters of this powerful mythology, a crucial Afrofuturist work. African pregnant women thrown off the slave ships gave birth underwater to amphibious creatures. They could breathe as they did in their mothers' wombs, they had webbed hands and feet and became the Drexciyan wave jumpers: great warriors of the abyss. Revealed in the inner sleeve notes of The Quest (1997), through a map of the diasporic black culture, Drexciya illustrated four phases: The Slave Trade, Migration Route of Rural Blacks to Northern Cities, Techno Leaves Detroit, Spreads Worldwide, and The Journey Home (Future). It introduces the very creatures and warriors found in these pages, such as Wavejumpers and Deep Sea Dwellers. The return home is of destination future, where lays the population of their abyss. Follow the story of the first Drexciyan, his subaquatic birth, growing up in the caves of Ociya Syndor, later to become Drexaha, the empire's first king. Get introduced to Dr. Blowfin, Master of Alchemy and Quantum Genetics, who masterminded Drexciyan computer systems and network, based on Genetic Intelligence and DNA matrix systems. Hear the story of the birth of the wavejumpers, the mightest warriors of Drexciya. Enter Bubble Metropolis, thriving with its central command, aquabahns and aqua wormhole gateways to the cephalopod-like oceanic Cruisers. Authored by Abdul Qadim Haqq and Dai Sato, it features the art of Haqq, Leo Rodrigues, Alan Oldham, Hector Rubilar, Leonardo Gondim, Daniel Oliviera, and Milton Estevam. Haqq's legendary concept imagery associated with the Detroit techno community and beyond for almost 30 years and his contributions to the mythology at the time of conception makes him uniquely positioned to lead this endeavor. Dai Sato is most known for his screenwriting for animes Cowboy Bebop and Ghost in the Shell. This project comes with the full support of living Drexciya member Gerald Donald and Helen Stinson, the surviving mother of James Stinson. Graphic novel; hardcover; 76 pages.
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HZB 008BK
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$28.00
PREORDER
RELEASE DATE: 7/10/2020
"Hozac Books is proud to present our third art book, I'm Just The Drummer the Bob Bert artist compendium of photography and interviews, establishing his irreplaceable link between the 1970s no wave movement and contemporary noise rock. Although Bert's immediate work is best known drumming in his wide array of musical projects he's been involved with (such as Sonic Youth, Pussy Galore, Chrome Cranks, Lydia Lunch, and many more) since the early 1980s, the focus of his book isn't drum-centric as it is an encapsulation of the artistic world he's developed within. It's not a drumming instructional guide, or a critical assessment of how the drummers in bands are treated, but a 200+ page guide through Bob's musically adventurous life, and what a ride! Starting out with his teenage love of photography and his process of capturing the underground downtown figureheads as well as the emerging unknown no wave bands, Bob was just as much of an enthusiastic fan of music as he was a fixture in some of the most crucial music of the 1980s, '90s, and beyond. And that's what's really important in the long run, as his excitement for music bursts from each page, providing the springboard to his long-running life in bands on the fringe of the mainstream. But Bob Bert wasn't just that figure at the intersection of commonality of several pivotal bands with an edge over the last 30 years, oh no. He also has (not surprisingly) impeccable taste in music and culture, which could only sprout forth in the 1990s with an inevitable 'zine,' and thus, BB Gun Magazine was born. Spanning from 1995 until 2004, and covering emerging underground music, film, and outer artists sub-underground, as well as Hollywood-level impresarios, I'm Just The Drummer contains a wealth of interview excerpts from the elusive original magazines, along with his photography accompaniment. From Nancy Sinatra to Vincent Gallo, and from Suicide to Cynthia Plaster Caster, Bert's undeniable love of his subjects is hard to conceal, and his book is a perfect representation of an ongoing life of true adventure, traveling the world, and illuminating the darkest corners of our cultural curiosities. 200+ pages, paperback."
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WIRE 436
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"Superproducer Alejandra Ghersi uses the dream space of electronic music to warp voices, explore the body and stretch the fabric of time. After new record @@@@ and collaborations with Björk, SOPHIE and many more, she talks to Steph Kretowicz about her transgressive engagement with sound; The Williamsburg Pioneers: Val Wilmer revisits the breakout days of Brooklyn's free jazz scene and the group centered around the late drummer Rashied Ali, as his legendary Survival Records label is reactivated; Invisible Jukebox, AGF meets Vladislav Delay: For the first time in The Wire's history, our longrunning Invisible Jukebox feature takes place between two musicians, as AGF and Vladislav Delay take turns to play each other tracks with the other asked to guess and comment on what they're hearing; Greg Fox: Brooklyn's avant drummer for hire was the pulse behind Liturgy, Guardian Alien, Zs and more before channelling meditative vibrations in his solo work including new album Contact; Global Ear special: As Covid-19 continues to put music on lockdown, another cross-section of artists, organisers, educators and creatives around the world tell us what's happening where they are and where we might go from here; Epiphanies, Sonic Boom: Ex-Spaceman Pete Kember reflects on his psychedelic/intellectual journey through music, science and ecology as he releases a long-awaited new album; Unlimited Editions: Josh Feola tells the story of Indonesian free download label Yes No Wave and its legendary founder Wok The Rock; Unofficial Channels, The Leaf Explorers, Inner Sleeve; Plus interviews with DJ Marcelle/Another Nice Mess, Robert Ridley Shackleton, and sound artists Simon Kirby, Tommy Perman and Rob St John of the Concrete Antenna project."
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MVD 3266DVD
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"Rolling Stone: Life and Death of Brian Jones is the new documentary from acclaimed filmmaker Danny Garcia. Exploring the rise of Brian Jones and the Rolling Stones as well as the untimely death of Jones, Garcia paints an interesting and revealing picture of doomed pop star. Danny Garcia has directed Stiv, Looking For Johnny, Rise and Fall of The Clash."
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R 075BK
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Sean McCann, Recital label head, on Papers (April 2020): "In addition to the musical objects she creates, Sarah Davachi is also immersed in the theoretical issues that surround her practice. This twin engagement began in her youth in Canada, studying philosophy and music, and working at a specialized musical instrument museum. Her compositional ambitions led to the doorstep of Mills College, fertile with history. Accompanied by a thesis for pipe organ and electronics, she also wrote a tangential document that ties experimentalism and phenomenology and the concept of the 'irreal.' A few years passed as Davachi continued to research and write with an extensive content development project for the museum in Canada. Since 2017, she has been working toward her PhD in musicology at UCLA, with a dissertation on critical organology (the study of musical instruments) and texture in early music, popular music, and experimental music. Papers positions historical and technological conclusions to face their philosophical underpinnings. Illuminating the mysteries of temperament and character in harmony, placing medievalism into the present, giving a narrative of studio recording as world making, and musing on her revered theories about art. Two of the essays dissect sympathetic compositions: Natura Morta by Walter Marchetti and In A Large, Open Space by James Tenney. Fingerprints bordering pathos. The book concludes with six artifact studies: an Italian virginal, a Bösendorfer piano, the Novachord, the Mellotron, the modern harp, and the OSCar synthesizer. Comprehensive details of their development, mechanisms, and cultural significance are laid to bare. I walked downstairs a few weeks ago and Sarah was tuning her harpsichord with a hammer given to us by our friend James Rushford, who had accidentally bought the wrong type a few years back. I sat on the chair beside her; she was setting the instrument to a quarter-comma meantone temperament (from roughly the late 1400s). With only a laymen's understanding of tuning, Sarah demonstrated for me an explanation so simple and beautiful that it made me smile continually. The unique identity of each triad, in this early form, became tangible that afternoon. I could hear how one interval sounded apart from the same in another key. The book elucidates similar experiences. When I read Papers, I admire Sarah's ability to frame the tableau of history with an elegant open end."
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WIRE 435
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"Diamanda Galás -- a new interview with the grand storyteller of hard times as she rises again with the reissue of her 1982 debut album The Litanies Of Satan and a new piano and vocal piece DE-FORMATION. David Behrman -- the live electronics innovator and League Of Automatic Music Composers member talks to Julian Cowley. Amon Tobin -- the electronica survivor and Nomark records boss submits to the Invisible Jukebox test. Marc Arcadipane -- the original gabber head talks about the sounds that made him hardcore. And much more!"
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UT 053
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"Once again we've dug deep to bring you some truly eye-opening stories and interviews. At last the story of the Groupies of 'Primitive' infamy is unveiled by Jeff Jarema and it's as depraved and comical as you could wish for. We're also thrilled to present Ned Hayden's revelatory, no-holds-barred interview with Johnny Blitz of the Dead Boys and Rocket From The Tombs. Then there's Jonathan Paley's career-spanning conversation with Steve Cataldo taking in his psychedelic days with the Front Page Review, Saint Steven, as well as Boston '70s punk renegades the Nervous Eaters. Skip Spence's wilderness years are explored, along with the tragic life of original LOVE drummer Don Conca (immortalized in their song 'Signed DC'), NYC garage outfit the Outsiders ('The Guy With the Long Liverpool Hair'), Hungarian beat combo Atlas, and Seattle garage rockers the Time Machine. Also, Wally Bryson talks Raspberries, Bill Furbee unpacks the history of the song 'Train Kept A-Rollin',' and Cyril Jordan pays fond tribute to his recently departed friend Roy Loney. And of course, our comprehensive review sections covering the latest reissues and rock-related books."
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