Forced Exposure - EXPERIMENTAL

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Artist	Title	Format	Label	Catalog #

DE OLIVEIRA, JOCY	Raga na Amazonia	LP	DISCOS NADA	NADA 005LP
$27.00 PREORDER RELEASE DATE: 1/28/2022 For the first time on vinyl, this compilation brings excerpts from electroacoustic pieces written by Jocy de Oliveira from 1987 to 1993. It is rather fascinating Jocy de Oliveira's journey as a creative and sensitive inhabitant of our planet. She is a masterful composer, interpreter, multimedia artist, and storyteller. Her pieces are influenced by the avant-garde of the 20th century and all cultures and languages on Earth, emphasizing the importance of feminism, science, and the environment. Jocy started composing at the age of six and was introduced to piano studies at a very young age by her mother who was a poet and pianist. In 1959 she recorded A Música Século XX de Jocy (1960), an "Anti-Bossa Nova" record that was not understood by anyone in the '50s, but 62 years latter it became a cult classic (and has just been reissued). Her talent and dedication brought her to work alongside 20th-century music masters such as Igor Stravinsky, Oliver Messaien, Luciano Berio, Claudio Santoro, John Cage, Xenaxis, and Karlheinz Stockhausen. This became a vital experience in her artistic life and she performed world premieres of works by many of these great composers. Jocy witnessed and experienced the rupture of several paradigms of Western music. She incorporated serialism and electroacoustics, dialogued with ritualistic music and indeterminacy that boomed in the revolutionary 1960s. This album is dedicated to a production that goes from the mid-80s to the early '90s. On side A, "Oniric" presents electronic music performed in real-time along with voice. The following pieces are two ragas: "O Contar De Uma Raga" (Telling Of A Raga), and "Raga na Amazônia" (Raga in the Amazon) and last is "Solaris" with Ricardo Rodrigues on reeds and oboe. In all these pieces Jocy plays the keyboards. Jocy plays synthesizers in all tracks and is accompanied by great musicians as Ayrton Pinto, Joseph Celli, Sang Won Park, Ricardo Rodrigues, and Anna Maria Kieffer. The LP comes with an insert with unseen photos and two texts, one by Jocy de Oliveira and other by the musician and researcher Paulo Beto.

Artist	Title	Format	Label	Catalog #
MASONNA	Frequency L.S.D.	LP	COLD SPRING RECORDS	CSR 297LP
$29.00 PREORDER RELEASE DATE: 12/17/2021 Originally released on CD in 1998, Frequency L.S.D. is now presented on vinyl for the first time. Features 14 ear-wrenching, extreme Japanese noise tracks from Maso Yamazaki (Controlled Death). "Frequency L.S.D. is the best Masonna CD ever, and one of the top five noise albums of all time" --Matt Kaufmann, Exile Osaka. "The cult icon of Japanoise once again makes another proverbial anti-statement with his uniquely harsh blend of screams, feedback, and constantly changing blasts, rumbles and blips of sonic destruction... The main attraction of this release to new and old fans alike is the use of '60s psychedelia in the warped textures of sound laid out in each track. Instead of being treated to a barrage of uncontrolled, harsh, and maddening noise, we are treated to lengthy explorations into the joys of warped synthesizer repetition and digitally altered radio frequency loops... the best noise release put out by any artist and, after just one listen, it's not hard to hear why" Chronicles Of Chaos. Personnel: Maso Yamazaki - voice, microphone, EXPJ Ringmodulater, Colorsound pedals, '60s fuzz noise canister; Spectral Audio Analogsynth, Sherman Filterbank, delay. 180 gram vinyl; edition of 400.

Artist	Title	Format	Label	Catalog #
BEAT, JANET	Pioneering Knob Twiddler	LP	TRUNK	JBH 091LP
$27.50 PREORDER RELEASE DATE: 12/17/2021 "Before we go on, Janet Beat does exist. This is not some invented composer, cunningly dreamt up so I can sell some modern sonic noodlings as old ones to unsuspecting record buyers . . . Very few people have heard of her or heard her music. And, with this release, as we are entering a rather crowded musical market (one full of wondrous new old discoveries, represses, reissues etc.), I thought hard about what to call it. Having batted about things like 'Electronic Lady', 'The Beat Goes On' and other such obvious tripe, I looked long and hard at the photo she sent me of her in her home studio in the 1960s. The one on the front of this sleeve. The album title quickly became obvious, and I sent it over to Janet explaining that although it was a little suggestive, it was true and would work very well on lots of levels . . . So, who exactly is Janet Beat? She's written a small bio for us here, but I first came across her via legendary Glaswegian collector and chum Andrew Divine, who mentioned an electronic cue on a 1981 privately pressed LP by the Scottish Society Of Composers. I tracked her down and suggested we release all her music to a wider audience. Janet was thrilled by the idea, and our first long conversation revealed much about the battles she'd fought following her calling of a life in music. She'd submerged herself into tape manipulation and concrete composition in the early 1960s. This went against her father's wishes (music was no job for a woman) and he ended up using all her original tapes to hold up his tomato plants in the kitchen garden. So, although she was composing and creating wild music in that period, it's all gone and will never be heard again. She battled on with her music through the following decades, even playing live at specialist electronic events and concerts. But here, where you'd expect enthusiastic support, she found that fellow male musician would sabotage her equipment, steal power leads, damage her chances of playing live whenever they could. I found these stories quite shocking -- having never heard such things from any other female musician of that early period. I knew the career was a tough one, but never knew it had reached such unpleasantly low levels. But now Janet has told me what she went through, I'm sure she wasn't alone. And this could possibly explain the dearth of female artists emerging from the early scene. Musically on this album we have her electro-acoustic compositions that have survived, dating from 1978 onwards. As you will hear, Janet is a unique talent, conjuring all sorts of sublime musical visions from limited resources. Some of it sounds like Forbidden Planet, some of it sounds like it has come from another planet..." --Jonny Trunk

Artist	Title	Format	Label	Catalog #
LOPEZ, FRANCISCO	Hidden Island Music (untitled #398)	LP	KEROXEN	KRXN 017LP
$23.50 PREORDER RELEASE DATE: 12/10/2021 Francisco López offers a brand-new field recording composition based on the recordings he did in the island of Tenerife whilst visiting for a performance at the Keroxen Festival, 2020. Internationally recognized as one of the major figures of the sound art and experimental music scene, Francisco has an ear-like gift to point his microphones (and our ears) to the most special and unlikely of sound sources. For almost forty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, the presentation here is not unlike his most famous and celebrated works whilst still maintaining its unique relevance among a prolific catalogue of sounds. Entitled Hidden Island Music the work explores its aforementioned "hidden sounds" of Tenerife with a high sensorial mix of environmental and "industrial" recordings taken in and around the Massifs of Teno and Anaga and later composed into a unique sonic journey through the huge sound pits of this rugged region of north Tenerife. Another masterful work from one of the masters of his craft, shifting from the limits of our perception to the most dreadful abyss of sonic power, a profound and transcendental listening open to sensory and spiritual expansion. Original environmental sound matter recorded at multiple locations in Macizo de Teno and Macizo de Anaga (Tenerife), November 2020. Evolved, composed, edited, mixed and mastered at "mobile messor" (Tenerife, Den Haag) and Dune Studio (Loosduinen), 2020-21. Cover photography by Néstor Torrens Back. Photography by Francisco López.

Artist	Title	Format	Label	Catalog #
NURSE WITH WOUND	Surveillance Lounge (Double CD)	2CD	DIRTER PROMOTIONS	DPROM 072LTD-CD
$20.00 PREORDER RELEASE DATE: 12/10/2021 Long out-of-print and much in-demand, this classic Nurse With Wound CD is now back as a double-CD. This double-CD set includes a CD of a completely unreleased alternate mix. Packaged in a stunning matte digipak, with all the information in a clear gloss spot varnish. This is only visible from certain angles! Nurse With Wound playing The Surveillance Lounge were and are Steven Stapleton, Andrew Liles, David Tibet, Nadja Belabidi, Lynn Jackson, Ollie Mathura O'Keeffe, Freek Kinkelaar, Miranda Kinkelaar, Melon Liles, and Maude Swift.

Artist	Title	Format	Label	Catalog #
ACETATE	Oceans Of Silver & Blood	CD	CONFRONT RECORDINGS	CORE 002EP
$12.50 PREORDER RELEASE DATE: 12/3/2021 Second release in Confront Recordings' CD EP length series. Personnel: Joachim Nordwall - analog synthesizer and effects, tape; Mark Wastell - tam tam, timpani. Originally released September 2014 on a clear lacquer dubplate in an edition of 20 copies. Cover photograph by David Sylvian. Design by Matthew Brandi. Composed by Joachim Nordwall. Produced by Mark Wastell.

Artist	Title	Format	Label	Catalog #
LANERI, ROBERTO	South Of No Border	CD	BLACK SWEAT RECORDS	BS 068CD
$19.00 PREORDER RELEASE DATE: 12/3/2021 Roberto Laneri's works always convey a clear artistic certainty: a total composer with an eclectic cultural background. In this latest adventure it seems to propose a kind of weird and curious exotica music; his Mediterranean ragas release glows and shadows, but the music plays more the plateaus of the Maghreb than the Indus Valley. Like a sorcerer piper, the sax shapes alchemy and hypnotic phrasing become: vague dances of camels, ecstatic progressions of an aboriginal vortex or a mystic Arabesque tropicalisms. He doesn't neglect his training as a jazz clarinetist, with gentle and smooth orchestral veins that are decidedly retrò and old-style; remembering the dreamlike compositions of Nino Rota for Fellini's movies. There is no lack of esoteric voices from distant islands, Amazonian soundscapes, or rocking Brazilian moods. Laneri filters hidden traces of different traditions, creating unknown geographical syntheses without borders, furious extrapolations of compositional elements and famous themes misrepresentations. A visionary gaze, but also a good dose of ironic pleasure and fairytale humor. Not surprisingly, the original cover art of Noura Tafeche does nothing but suggest the idea of a tasty psychedelic fruit-salad.

Artist	Title	Format	Label	Catalog #
LANERI, ROBERTO	South Of No Border	LP	BLACK SWEAT RECORDS	BS 068LP
$25.00 PREORDER RELEASE DATE: 12/3/2021 LP version. Roberto Laneri's works always convey a clear artistic certainty: a total composer with an eclectic cultural background. In this latest adventure it seems to propose a kind of weird and curious exotica music; his Mediterranean ragas release glows and shadows, but the music plays more the plateaus of the Maghreb than the Indus Valley. Like a sorcerer piper, the sax shapes alchemy and hypnotic phrasing become: vague dances of camels, ecstatic progressions of an aboriginal vortex or a mystic Arabesque tropicalisms. He doesn't neglect his training as a jazz clarinetist, with gentle and smooth orchestral veins that are decidedly retrò and old-style; remembering the dreamlike compositions of Nino Rota for Fellini's movies. There is no lack of esoteric voices from distant islands, Amazonian soundscapes, or rocking Brazilian moods. Laneri filters hidden traces of different traditions, creating unknown geographical syntheses without borders, furious extrapolations of compositional elements and famous themes misrepresentations. A visionary gaze, but also a good dose of ironic pleasure and fairytale humor. Not surprisingly, the original cover art of Noura Tafeche does nothing but suggest the idea of a tasty psychedelic fruit-salad.

Artist	Title	Format	Label	Catalog #
BLIJWEERT, ELKO	De Nor Des Hoofds / Prison Of The Mind	LP	ULTRA ECZEMA	UE 303LP
$32.00 PREORDER RELEASE DATE: 11/26/2021 De Nor ("the can", or prison, in comic book Dutch) is an open-air venue/sculpture/pavilion at the Middelheim Museum in Antwerp. During its inaugural summer, Elko Blijweert played a live concert there that left an indelible mark on those lucky enough to witness it. What exactly did he do, you ask? Well, Blijweert basically used the entire garden as an instrument alongside an array of pre-programmed pedals, keyboards, drum machines, guitars, a mandolin, and booze-bottle flutes. This record, a re-created version of that fabled performance, is a concept album of sorts. Your personal prison experience begins on side one. You will be miserable! Terrified! You will fantasize about being released, or escaping, every night. The entire ordeal is narrated song-by-song with Blijweert's liner notes. Back in civilian life, Blijweert is a master multi-instrumentalist and serial collaborator. He has played with Bad Influence, Front 242, The Tone Zones, Autistik Youth, Dead Man Ray, Kiss My Jazz and countless others. Dedicated to Marc Blijweert, Elko's father.

Artist	Title	Format	Label	Catalog #
YOUNGS, RICHARD	CXXI	LP	BLACK TRUFFLE	BT 081LP
$29.50 PREORDER RELEASE DATE: 11/26/2021 Black Truffle announce the latest offering from underground legend Richard Youngs. Hyperactive since the late 1980s, Youngs is widely celebrated for his remarkably extensive and varied body of recordings. His works range freely over a vast terrain, wandering from tender acoustic balladry to raging psychedelic noise and orchestral D-beat, always imbued with his distinctive, often mournful, melodic sensibility and irrepressible sense of joyous experimentation. Comprised of two side-long pieces, CXXI carried on the experiments with chance operations used to generate material on many of Youngs' recent releases. On "Tokyo Photograph", a slowly changing, randomly generated sequence of 121 minor chords played by sine waves and accented with a brushed snare hit on every change provides the harmonic foundation for Youngs' fragile yet impassioned vocal performance, shards of field recordings and electronics and Sophie Cooper's long, tape-echoed trombone notes. While the melancholic drift of the chords calls up prime Robert Wyatt sides like Old Rottenhat or Dondestan, only the most vestigial sense of song remains here, as Youngs arranges his minimal ingredients over a spacious fifteen-minute expanse that often drops to nothing more than the rich hum of sine waves. "The Unlearning" carries on directly from the first side, presenting another, more harmonically varied, sequence of randomly generated chords played by sine waves, distressed with tape echo flourishes and sparsely sprinkled with electronic touches. Like some of Youngs' most single-minded instrumental works in recent years, such as his recordings of foot-played guitar or his shakuhachi pieces, "The Unlearning" is deeply meditative but entirely remote from ambient or minimalist clichés. Named after the number of chord changes on the opening piece and (Chicago-style) the number of records Youngs has released, CXXI arrives in a striking monochrome sleeve featuring play-along chord charts for both pieces. Both rigorously conceptual and endearingly off-the-cuff, CXXI is classic Richard Youngs.

Artist	Title	Format	Label	Catalog #
ORGON, SION	Dust	LP	LUMBERTON TRADING COMPANY	LUMB 029LP
$22.00 PREORDER RELEASE DATE: 11/26/2021 For a number of years now, Sion Orgon has been crafting music that fuses abstract electronic mulch with the kind of bright melodies one would expect from a shiny pop group. Using avant-garde sensibilities and a vision partly shaped by his affiliation with both Thighpaulsandra and Coil, the Welsh producer/musician has never been afraid to push these into areas most artists of a similar disposition would never be bold enough to touch. At once catchy, psychedelic, filmic and disturbed, Sion Orgon's work has a very distinctive feel to it that only arrives from a craftsman firmly locked on to his own path. Dust is the very latest collection of work, comprising six new tracks featuring Thighpaulsandra (Coil, Spiritualised, Julian Cope) on half of them and a number of other guests, including Claudio Gian, Lara Ward and Richard Johnson (Splintered, Theme). Somewhere amongst the many convoluted folds of often weird 'n' wonderful sounds are texts spoken by a number of random Finnish and Latvian people, further enhancing the multi-dimensional stealth attack of any one of the songs presented here. Like, again, his regular collaborator Thighpaulsandra's work, Sion's is enmeshed in rich layers and tangents so disparate they'd never make sense in anybody else's hands, and despite the countless such claims put forward by those essentially creating music permanently stuck in first gear this truly is aimed at those who demand far more from their listening experience. Limited to 300.

Artist	Title	Format	Label	Catalog #
PARADISO INFERNAL	Paradiso Infernal	LP	TROST	TROST 213LP
$22.50 PREORDER RELEASE DATE: 11/26/2021 Paradiso Infernal is a new electronics and guitar duo from Vienna, comprising of members Christina Nemec and Christian Schachinger. Schachinger and Nemec have previously collaborated in the trio Shampoo Boy with Peter Rehberg, a powerful alloy of extreme noise, dark drones, luminous ambience and fundaments of rock (Blackest Ever Black). Schachinger was involved in the '90s indie band Occidental Blue Harmony Lovers, the Schlager Coverband Der Scheitel and most notably Peterlicker a noise rock band feat. Rehberg (Editions Mego). Nemec's background lies in avant-rock and industrial outfits such as Bray and the feminist performance group SV Damenkraft. She remains highly active as a solo artist and composer, both as Chra and under her own name. Her latest solo album SEAMONS was released on Editions Mego in 2020 (EMEGO 285LP). Chra's music is abstract and enigmatic, she creates dark, raw electronic soundscapes that don't want to "please" at any moment. Paradiso Infernal spark off abstract electronic/guitar noise-layers in reminiscence of avantgarde composer Giacinto Scelsi. Paradiso Infernal was recorded and processed by Christina Nemec and Christian Schachinger at TROST Waldviertel Studios 2020-2021. Mastering by Martin Siewert. Artwork by Susi Klocker. Personnel: Chra / Christina Nemec: electronics, field recordings, effects; Christian Schachinger: guitar, effects.

Artist	Title	Format	Label	Catalog #
HAINO/JIM O'ROURKE/OREN AMBARCHI, KEIJI	Each side has a depth of 5 seconds A polka dot pattern in horizontal array A flickering that moves vertically	LP	BLACK TRUFFLE	BT 074LP
$29.00 PREORDER RELEASE DATE: 11/26/2021 The trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi return to Black Truffle with their tenth release, recorded live in Tokyo in February, 2017. While many of the trio's recent works have seen them focusing primarily on their core guitar/bass/drums power trio format, on Each side has a depth of 5 seconds A polka dot pattern in horizontal array A flickering that moves vertically these three multi-instrumentalists strike into new territory, utilizing an almost entirely electronic set-up, with Haino on electronics, drum machine and suona (a Chinese double-reed horn), O'Rourke on synth, and Ambarchi on pedal steel and electronics. Dedicated to the memory of legendary Tokyo underground figure Hideo Ikeezumi, founder of PSF Records and the Modern Music shop and a long-term collaborator with Haino, the LP, (recorded the night Ikeezumi passed away), begins in a somber, meditative space of rippling, burbling electronics and distant jets of white noise. Though much of the "Introduction" that occupies the record's first side is spacious and at times almost hushed, the performance is full of unexpected twists and turns, momentary events, and fleeting impressions. The trio conjures up a free-flowing surge of sound in which individual contributions are often difficult to distinguish, calling up echoes of vintage live-electronic sizzle like It's Viaje or the cavernous expanse of David Behrman's Wave Train. The LP's second side opens in a similarly reflective realm, before Haino's suona enters, taking the music in a more austere, hieratic direction, as the reed's piercing tones are accompanied by O'Rourke's uneasy, sliding synth figures and Ambarchi's shimmering Leslie cabinet tones. On the side's second piece, Haino's signature hand-played drum machine takes center-stage, at first sounding out massive, isolated strikes, before eventually building to a tumbling, Milford Graves-esque wall of thunder. As O'Rourke's synth squelches and stutters and Ambarchi's heavily effected pedal steel somehow begins to sound like a kind of hellish blues harmonica, this passage offers up one of the most electrifying and bizarre moments in the trio's catalogue to date. Containing some of the most abstract music the trio have waxed since their very first collaboration over a decade ago, this new missive from underground experimental music's preeminent power trio shows them restless and risk-taking, clearly enjoying their remarkable improvisational chemistry while also continuing to push themselves into new directions. Gatefold sleeve with artwork and design by Lasse Marhaug; inner sleeve with live pics by Ujin Matsuo.

Artist	Title	Format	Label	Catalog #
BEHRMAN, DAVID	ViewFinder / Hide & Seek	LP	BLACK TRUFFLE	BT 082LP
$29.50 PREORDER RELEASE DATE: 11/26/2021 Black Truffle announce ViewFinder / Hide & Seek, a new release from acclaimed American experimental composer David Behrman, presenting recordings made in collaboration with Jon Gibson and Werner Durand between 1989 and 2020. Last heard from on Black Truffle as part of the collaborative art song/live electronics madness of She's More Wild (BT 059LP), these recordings find Behrman continuing the pioneering work in interactive electronics that have established him as one of the major living experimental composers. Side A presents excerpts from two live realizations of "Unforeseen Events" (1989), the fourth in a series of pieces focusing on the interactions between instrumental performers and responsive software. Like the classic earlier works in the series, On the Other Ocean (1977), Interspecies Smalltalk (1984) and Leapday Night (1986), "Unforeseen Events" is an "unfinished composition" in which a computer system listens for and responds to specific pitch cues from an instrumentalist. Performed by the composer on electronics and Werner Durand on soprano saxophone in Berlin in 1989, the first realization immediately ushers the listener into an environment of long soprano notes, lush, sustained synth harmonies, randomized percussive interjections and distantly burbling arpeggiated patterns. The 1999 realization recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman's interactive pieces, in which, as he notes, "performers have options rather than instructions". Beginning in a roughly similar area to the version with Durand, this later recording eventually becomes substantially more active, as polyrhythmically layered arpeggios and percussive patterns respond to fast chromatic lines and dynamic phrases from the saxophone, moving Gibson in turn to respond with cycling figures and moments of extended technique that touch on the soprano languages pioneered by players like Steve Lacy and Evan Parker. On the B side, you are treated to a new collaborative work from Behrman and Werner Durand, building on the 2002 installation work "ViewFinder", in which a camera detecting physical motion triggered changes to electronic sound. The piece presented here is a long-distance studio construction, recorded by Behrman in the Hudson Valley and Durand in Berlin, offering up an expansive duet between Behrman's lush, gliding synth tones and the alien, untempered tones of Durand's invented and adapted wind instruments. Gatefold sleeve; art by Terri Hanlon; archival photographs and new liner notes from Behrman and Durand.

Artist	Title	Format	Label	Catalog #
FERRARI, LUC	Et Apres	2LP	PLANAM	PLANAM 048LP
$46.50 PREORDER RELEASE DATE: 11/26/2021 PLANAM presents ...et après a suite created by Ensemble Laborintus highlighting their collaboration with Luc Ferrari and well underlining the creative heights reached by the composer during the last years of his career. Laborintus, so named in homage to Luciano Berio, was an ensemble born in 1993 and dissolved in 2014, formed by Hélène Breschand (harp), César Carcopino (percussions), Sylvain Kassap (clarinets), Franck Masquelier (flutes) and Anaïs Moreau (cello). The main vocation of the ensemble was to give voice to the music of today by working in close collaboration with living and active composers, confronting current technologies, as well as practicing improvisation and musical theater. Laborintus developed a special relationship with composers, with Luc Ferrari in particular. Each creation was the occasion for an in-depth encounter. For Laborintus, the music of Luc Ferrari was always a bearer of joy, a carnal joy -- a joy of sound, and a joy of playing. There is a balance between the concrete character of the sounds that builds a poetic topology, and the virtuosity of the score, which allows a pleasurable physical involvement in the heart of sound. Bristling with stunning dances of acoustic and electronic sound, ...et après -- collecting a full two LPs worth of material -- presents the final unreleased work that Ensemble Laborintus created in collaboration with Ferrari, including "Bonjour, comment ça va?", two realizations of "Tautologos III" featuring the voice of Brunhild Ferrari and a new version of Ferrari's work "À la recherche du rythme perdu", created under the supervision of Brunhild Ferrari for harp and percussion; as well as an homage to the composer, composed by Sylvain Kassap titled "Arezzo" and Hélène Breschand "L", for flute, clarinet, cello, harp, percussion and fixed sounds. Both "Arezzo" and "L" were composed using sound archives by Luc Ferrari. This double LP also includes as a "bonus" the realization of Ferrari's "À la recherche du rythme perdu", recorded live by Hélène Breschand and eRikm in 2019. The selection of tracks and the title of the album ...et après were chosen in the spirit of a continuation with the legacy of Luc Ferrari: a balance between heritage, transmission, and continuity, transformation over time. Like Russian dolls that fit together Luc encouraged encounters and bonds are still forged today, through his music. Privately produced by Laborintus and issued by PLANAM. Gatefold sleeve; edition of 500.

Artist	Title	Format	Label	Catalog #
TOMOKAWA, KAZUKI	Kazuki Tomokawa 1975-1977	3CD BOX	BLANK FORMS	BF 026-28CD
$33.50 PREORDER RELEASE DATE: 11/19/2021 A poet, soothsayer, bicycle race tipster, actor, prolific drinker, self-taught guitarist, and living legend of Japanese sound, Kazuki Tomokawa catapulted into Tokyo's avant-folk scene in the mid-1970s, forging a sound and sensibility marked by throat-wrenching vocals and searing ennui. Among his musical peers in postwar Japan, Tomokawa distinguished himself as a pioneer of radical individualism. He had "the personality of a hydrogen bomb" -- as the notorious ultraleft band the Brain Police once put it -- and a sound to match. Now, Blank Forms Editions gathers Tomokawa's earliest records for the first time in a deluxe three-CD box set comprised of Finally, His First Album (Harvest Records, 1975), Straight From The Throat (Harvest Records, 1976), and A String of Paper Cranes Clenched Between My Teeth (Harvest Records, 1977). In each record, Tomokawa shouts, cries, wails, and croons, his folk stylings tinged with psychedelia and swelling into ground-shaking rock. Many tracks are performed in his native Akita dialect, a highly regional vernacular of north Japan rarely heard beyond the prefecture, and even less often used in music. Matching his guttural, all-out vocals are profoundly existential meditations on everyday life and the world around him; this is, as record executive Kiichi Takara dubs it, "I-music". It looks toward the interior, the quotidian, and the domestic with piercing and ever-honest eyes. The accompanying liner notes (here translated for the first time) include introductions by Takara, a round table discussion with Brain Police, and lyrics for all three albums -- tracking the rise of Tomokawa as the "screaming philosopher" of Japan. The box set will be in conjunction with the release of each record in LP format in 2022, and the musician's 2015 memoir, Try Saying You're Alive! (Blank Forms Editions, 2021), the first-ever English translation of his prose; together they provide the definitive introduction to the singular world of Kazuki Tomokawa. Kazuki Tomokawa (b. 1950) is a prolific singer-songwriter from Hachiryū Village (now the town of Mitane) in the Akita Prefecture area of northern Japan. Since his first release in 1975, he has recorded more than thirty albums. The 2010 documentary about his life, La Faute des Fleurs, won the Sound & Vision award at the Copenhagen International Documentary Film Festival, and that same year saw the Japanese release of the book Dreams Die Vigorously Day by Day, a collection of his lyrics spanning forty years. His most recent albums are Vengeance Bourbon (2014) and Gleaming Crayon (2016), both on the Modest Launch label.

Artist	Title	Format	Label	Catalog #
ONDA WITH CHARMAINE LEE AND ZACH ROWDEN, AKI	A Letter from Souls of The Dead	BOOK/7" FLEXI	PORTLAND INSTITUTE FOR CONTEMPORARY ART	PICA 001BK
$25.50 PREORDER RELEASE DATE: 11/19/2021 The soundtrack for Aki Onda's the first major solo exhibition A Letter from Souls of The Dead at Portland Institute for Contemporary Art (PICA) from July 10-September 4, 2021.Commissioned by PICA and curated by Kristan Kennedy, artistic director and curator of visual art, this exhibition features collections of found objects such as bells, surplus electronics, photographs, and old-fashioned slide projections. The soundtrack for this exhibition was composed by Onda in collaboration with New Yorked-based vocalist Charmaine Lee and New Haven-based musician Zach Rowden.

Artist	Title	Format	Label	Catalog #
PITRE, DUANE	Omniscient Voices	LP	IMPORTANT RECORDS	IMPREC 501LP
$27.50 PREORDER RELEASE DATE: 11/19/2021 Duane Pitre returns to Important Records with Omniscient Voices, an articulate, intense and emotionally resonant set of five pieces for justly tuned piano and electronics. Omniscient Voices is a uniquely distinct work that follows Pitre's trilogy of releases which culminated with 2015's Bayou Electric (IMPREC 421CD/LP) and included the critically acclaimed Feel Free (2012) and Bridges (IMPREC 390CD/LP, 2013) albums. Where those albums were rooted in long form pieces, Omniscient Voices is a collection of shorter pieces, offering more harmonic variety than previous works, with a unique sound and feel that is still unmistakably the work of Duane Pitre. In 2019, after a five-year period where Pitre did not focus on outward facing music, but instead on his own personal practice, a small idea in the form of a question came to him: would the combination of his latest computer -- and electronic-based experiments, used in conjunction with justly tuned piano, produce interesting results; simply put, would it "work"? Concurrently, Pitre was studying a handful of Morton Feldman scores for their focus on tonal clusters, reading a book on Arvo Pärt's life and work, and contemplating the pulse-based rhythms of Steve Reich and Phillip Glass. In 2020, with no intention of making a new album, the composer tried to answer this question. The results would spawn five pieces that would become Omniscient Voices. On this new work, Pitre finds himself giving equal priority to both piano and electronics, utilizing his Max/MSP-based generative network to real-time convert precomposed piano motifs, into data, which is then used to communicate with two polyphonic, microtonal hardware synthesizers whose patches Pitre authored; this process generates the electronic component of the album. Pitre also utilizes controlled improvisation to interact with the piano-reactive electronics in a spontaneous and inspired manner, going back and forth between these two pianistic approaches. In all, this approach creates a "musical feedback loop" of sorts. Despite Omniscient Voices being the culmination of 15 years of hard work and inspiration, this beautiful album somehow materialized in a natural, intuitive and effortless way. Mastered and cut by Golden and pressed at RTI for maximum fidelity. Artist's statement: "When making the pieces that would become Omniscient Voices, I often viewed the piano as human action, a single note becoming a single gesture that has the potential to change the electronic environment, the electronics becoming the environment surrounding that human in the natural world, who then has the power to change their actions based on their surroundings. All actions have consequences. The interconnectedness of everything. Single actions making waves of change."

Artist	Title	Format	Label	Catalog #
DAVACHI & SEAN MCCANN, SARAH	Mother of Pearl	LP	RECITAL	R 092LP
$27.50 PREORDER RELEASE DATE: 11/19/2021 Mother of Pearl is the first duo album from composers Sarah Davachi and Sean McCann. Two people, a couple, recording together at home. A slow, autumnal album made with no preconceptions or planning. Intimate, intended for only Sarah and Sean. Sessions were captured simultaneously in two ways to build the shared space of perception. Sculpted hesitations made late at night. Short statements of melody are left space to rest and repose. The presence of room tone and the air are characters in all of these recordings -- weaving freely within the music. Four-handed piano, two electric pianos, two guitars, viola, bells, tape. Golden hour, late night. The first recording sessions bookend the album, made in an afternoon in 2020. Recorded at home in Glendale, California and at a farmhouse on Sean's birthday, nearby goats and wine and a supersonic jet launch. Take refuge in pleasure.

Artist	Title	Format	Label	Catalog #
TAZARTES & RHYS CHATHAM, GHEDALIA	Two Men In A Boat	LP	SUB ROSA	SR 520LP
$16.00 PREORDER RELEASE DATE: 11/19/2021 "The beauty of all this, as well as its sorrowful brutality, is even more powerful and stupefying since Ghédalia's sudden departure. Because retrospectively, not only is this recording the trace of a rare moment in a Parisian garden, it also summons a ghost, that of a loved one that is gone, and of his voice, which is fully alive here." Tazartes and Chatham had met once in 1977 at CBGC's and had not seen each other since then when they were asked by their mutual agent to play a private show in Paris. This happened in September 2018 in a house with a garden where sax player Steve Lacy had lived back in the 1990s. This album presents the recording of this show plus another show at La semaine du bizarre festival in Montreuil, France a year later, mixed with a couple of studio sessions. This was probably the last music Tazartès, who died in February 2021, recorded. His unique singing blends perfectly with Chatham's loops on electric guitar, trumpet and flute. Clear vinyl. Rhys Chatham is a composer, guitarist, trumpet player and flutist from Manhattan, currently living in Paris, who altered the DNA of rock and created a new type of urban music by fusing the overtone-drenched minimalism of the early 60s with the relentless, elemental fury of the Ramones -- the textural intricacies of the avant-garde colliding with the visceral punch of electric guitar-slinging punk rock. -Chatham's trumpet work deploys extended playing techniques inherited from the glory days of the early New York minimalist and '70s loft jazz period. Ghédalia Tazartes: French cult artist with an uncompromising character who defied categorization. He recorded alone more than 20 albums, calling his Art "Impromuz" for lack of a better term. Before the years 2000s, his public appearances remained exceptional events. Ghédalia Tazartès' music has always been a mystery. It switches from musique concrète to -- existing or invented -- ethnic music, from poetry to noise, or from loops and collages to sad and extremely beautiful tunes in a second, but it constantly is in flux and coherent. In 2004, Ghedalia finally decided to do live performances again. He first worked with other musicians (Les Reines d'Angleterre, David Fenech & Jac Berrocal, Norscq & Black Sifichi, Nicolas Lelièvre) then went solo for ten years. Since then, Tazartes has played many shows across Europe. Ghedalia died at his home in Paris on 9th February 2021.

Artist	Title	Format	Label	Catalog #
LEE, OKKYUNG	Na-Reul	CD	CORBETT VS. DEMPSEY	CVSD 082CD
$15.00 PREORDER RELEASE DATE: 11/19/2021 Okkyung Lee's is perhaps the most harrowing of the Black Cross Solo Sessions stories. At the onset of COVID, the cellist was called to travel to Korea to be with her dying father. The trip was sudden and didn't allow her to bring her instrument, but once there she was unable to return to New York because of the stringent lockdown. For months she was stranded without her cello, unable to practice or make any music. This intense alienation took a long time to lift. Indeed, even after she made it back to the States, Lee found it impossible to reconnect with the music for a period. The invitation to make a new solo CD for BCSS inspired her to jump-start her playing and in the process, she has made one of the most profound and beautiful CDs in recent memory, an almost impossible to describe amalgam of string and wood and voice and magic. Lee does not release many records, so each one is a major event. A stunning studio production, Na-Reul is that and more, its nine tracks, as Lee puts it, a "raw and direct" response to the traumatic events of 2020 and the turbulent emotions that accompanied it. With liner notes by the artist and artwork and design by Christopher Wool.

Artist	Title	Format	Label	Catalog #
ATRAX MORGUE	Sickness Report	LP	URASHIMA	UMA 077LP
$26.00 PREORDER RELEASE DATE: 11/12/2021 Sickness Report was released in 1996 in CD format for Release Entertainment, a sub-label of Relapse were made by Marco Corb, post-industrial sound soaked in death. The A side of the record closes with "Brain Penetration", aseptic and sharp as a razor blade, which bangs you straight in the stomach. The second side of the vinyl continues to drag your mind into the perverse ecosystem created by the author, until you get to exhaustion with "Slow Agony Of A Dying Organism", where the sound of a distorted synth seems to sigh the last gasps: mind stir the suggestion of the powerful, death-diluted stuff that is put into your hands. Stunning and immersive from start to finish, Sickness Report, is pure gold and a highpoint of Atrax Morgue career; it sounds as prescient today as it did at the mid of the '90s. An absolute must that can't be missed. Carefully remastered for the vinyl edition by Andrea Marutti. Edition of 199; virgin black vinyl; A3 size poster.

Artist	Title	Format	Label	Catalog #
M.S.B.R.	Structured Suicide	LP	URASHIMA	UMA 150LP
$26.00 PREORDER RELEASE DATE: 11/12/2021 Originally released in 1993. MSBR (Molten Salt Breeder Reactor), aka Koji Tano, was one of the most respected noise artists to arise from Japan's exciting noise/experimental music scene of the 1990s. Much of his material was self-released on his own label, the astounding MSBR Records, which was dedicated to the production of limited-edition releases with incredible artwork. MSBR present a music elaborated with previously chosen source of sounds, whose origins are either naturel or artificial, with use of Korg guitar synthesizer and some effects, working in analog sounds. Oscillating between grappling electro noise (as he describes his musical style) and pure noise, the really surprising quality of the sound research leads to a tremendous kind of noise-texture. After his debut LP and a lathe cut seven-inch, Structured Suicide is third MSBR release and first on tape in amazing package as everything other release by artist. The long track that occupies the entire A side of the cassette and the first track of the B side of over a quarter of an hour, are filled with excellent harsh noise with strong influences of concrete and electroacoustic music, deep and calmer rumble and ambient effluence. Structured Suicide is a terrific undertaking into the wickedness of mechanized clatter as a foreboding, consuming pollution, the unrelenting and ever-building storm of machines slowly lulling the living into bleak states of masochistic artificiality. This is the classic sound of MSBR, which envelops you with its texture of noise scales, suffocating and enthralling, without an immediate impact, but which then, at its harshest, hits you with devastating force! The other two quite short tracks that close the album is less conventional and show how much the artist wants to experiment, without closing himself in a pre-packaged genre. Vinyl comes in only 199 copies with cover that faithfully reproduces the style of original art work, with vinyl labels that replicates inlay tape card. An awesome artefact of early 1990s Japan noise music, resting at the borders of electroacoustic, Urashima's long-awaited, first ever vinyl reissue of Koji Tano's epoch-making album, Structured Suicide, emerges 28 years later as a stunning testament to the importance of the creative expansion to which it belongs.

Artist	Title	Format	Label	Catalog #
NIAGARA	1807: Musicas Retiradas Dos CDRs	LP	DISCREPANT	CREP 086LP
$21.00 PREORDER RELEASE DATE: 11/12/2021 In what seems like some sort of cosmic alignment bound to happen, the ever prolific and somewhat elusive Niagara make their way into the Discrepant catalog with 1807. Compiling tracks recorded between 2014 and 2018 that appeared scattered among very limited and long out-of-print self-released CDRs, the record feels as much out of time as deeply resonant with these times with no dancefloors. Stripping away most of the beat-based approach of early Príncipe releases and Ascender EPs, these 17 vignettes presented in the classic dance maxi 12" format dabble with escapism in a manner that projects them as potential DJ tools for lockdown. Deeply idiosyncratic, the trio from Loures shows an internal coherence that while not easy to grasp given their mutating creative impulses, weaves each different path into a sonic fiction all their own. Cobbled together from countless hours of jamming on warm spectral synths, field recordings, otherworldly textures or devious drum machines 1807 paints a vivid and dreamlike escape route that goes from the hypnotic arpeggios and rarefied synths of "Esc8" through the glowing tones and fragmented melodies of "Egyptiu" and into the malfunctioning swirl of the stark "Esc 10" or the polluted 4/4 thump and funky guitar line of "Mapas". Equally disruptive and inviting. All tracks composed by Niagara between 2014-2018.

Artist	Title	Format	Label	Catalog #
ATRAX MORGUE	Close To A Corpse	2LP/2CD	URASHIMA	UMA 078LP
$47.50 PREORDER RELEASE DATE: 11/12/2021 Originally released in 2003. On February 24, 2001 Marco Corbelli take part in the performance "Autopsia dell'opera d'arte vivente come vivisezione del corpo di dio" in the Viareggio art gallery, Studio D'Arte Memoria Indelebile. Together with three other artists he stages an autopsy on a shapeless body, which represents the living work of art. Corbelli actively participates in the pseudo autopsy, as well as sounding the live event. The recording of the sound performance will be released two years later on Slaughter Productions in an extremely limited box set titled Close To A Corpse consisting of three CDr. The first two CDr contain the complete live recording in the Tuscan art gallery. They are improvised synthesizer recordings, an infected and purulent soundtrack, which actually transports you to the mortuary of a corpse and you can smell its stench pervading your senses. The pauses between one burst of sounds and the other are just the introduction to the next nightmare. The third CDr contains ten wonderful unreleased tracks recorded in the studio in September 2002, apart from Basic Procedure Autopsy (recorded and released in 1995), without the use of vocals or other effects: just the faithful "Sequential Circuits Six-Trak". Both the live tracks and those recorded in the studio represent the artist's sonic maturity and stand out from the rest of his discography for their eccentricity and the ability to make exceptional use of analog synthesizers, pulsating tones and enveloping frequencies by mixing a shocking atmosphere of hellish manifestation, where cruelty and compulsive disorders are more evident and interesting, showing Corbelli deeper work, pushing himself further into the experience of his concrete "noise" vision. Comes in a double vinyl for studio tracks and double CD for live tracks, fully remastered by Andrea Marutti. Edition of 199.

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