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01. SPACEMEN 3  - The Sound Of Confusion
02. SPACEMEN 3  - 2.35 (Version 1)
03. SPACEMEN 3  - Losing Touch With My Mind
04. SPACEMEN 3  - Amen
05. SPACEMEN 3  - That's Just Fine (Vocal Version)
06. SPACEMEN 3  - Come Down Easy
07. SPACEMEN 3  - Mary Anne
08. SPACEMEN 3  - Feel So Good
09. SPACEMEN 3  - 2.35 (Feedback Version)
10. SPACEMEN 3  - Hey Man
11. SPACEMEN 3  - It's Allright
12. SPACEMEN 3  - 2.35 (Version 2)
13. SPACEMEN 3  - Things'll Never Be The Same
14. SPACEMEN 3  - Transparent Radiation (Organ Version)
ARTIST
TITLE
Taking Drugs To Make Music To Take Drugs To
FORMAT
CD

LABEL
CATALOG #
ORBIT 056CD ORBIT 056CD
GENRE
RELEASE DATE
5/4/2018

Space Age present a reissue of Spacemen 3's Taking Drugs To Make Music To Take Drugs To, originally released in 1990. Re-release, digitally re-mastered featuring Sonic Boom and Jason Pierce. The original appearance of Taking Drugs was a bootleg on the legendary/notorious Father Yod imprint in 1990, later supplemented with contemporary outtakes and cuts for the Bomp reissue in 1994 and one further song for the Space Age version in 2000. The original seven tracks, dated January 1986 and the first recordings to feature Pete Bain on bass, are collectively known as the Northampton Demos. Both Sonic and Pierce have been on record as long preferring these takes to the eventual versions that surfaced for the most part on "Sound Of Confusion". Certainly it's a fine set of performances, showing a definite step toward the more familiar sound of the group and away from the rougher takes on 1995's For All The Fucked Up Children Of The World (ORBIT 039CD). "The Sound Of Confusion", aka "Walkin' With Jesus", rips along with fierce energy, Pierce's singing and the rampaging, primitive wail and rumble of the band just wonderful. "Losing Touch With My Mind" takes things to an even higher level, a huge wallop of feedback and beat (Natty Brooker's drumming in particular delivers just what the doctor ordered), Pierce delivering the lines with a flat, cutting drawl. On the slightly lighter tip, "Come Down Easy" is more or less fully in place (aside from singing about it being 1986!), possessing a more upfront but less vocally distinct feel than The Perfect Prescription (1987) take. The tracks that surfaced on the later reissues come from a variety of different sessions, including the original take on "Feel So Good" and a good live version of "Things'll Never Be The Same", one of several cuts featuring Brooker's drumming replacement Rosco.