TR 450LP TR 450LP

LP version. Bobby Conn on Recovery: "What's the point of recovery if we were never really healthy to begin with? I started working on this record about four years ago, thinking of the American obsession with self-help, self-care, and self-empowerment as a cruel and cheap substitute for helping each other. It's a concept that rewards those that have the money to help themselves, and blames those that don't for not trying hard enough. Then there were some elections. Now there is a narrative of 'recovering' our stronger, bolder, racially pure, cultural and economic glory days. And then some of my friends started getting sick, or dying or committed suicide . . . I was really into 10cc, J Dilla, Liaisons Dangereuses, Jean-Claude Vannier, Anna Meredith, Slade, D'Angelo, etc. when writing this record, but I'm sure you can hear it for yourself. Musically, this is a collaboration with my partner Monica BouBou on violin and vocals and our super-band of drummer Josh Johannpeter, bassist Jim 'Dallas' Cooper, keyboardist and string player Billie Howard, guitarist Devin Davis, and longtime sound artist DJ LeDeuce. We recorded it over many months in a basement. There is a cameo by synth genius Felix Kubin on 'Brother'. Mixed by the brilliant Tobias Levin and Hannes Plattmeier in Hamburg, Germany. Some notes on each tune: 'Recovery' -- the never-ending journey and an addiction unto itself. 'Disposable Future' -- amazing new technology gives us unlimited choice delivered through devices we cannot control; is this what we were dreaming of? 'Good Old Days' -- nostalgia for the lies of old white men will kill us all. 'No Grownups' -- from the perspective of a teenager trapped in a world where all the adults are self-deluded, irresponsible narcissists in terrible clothes. 'Brother' -- it's easy to ignore the suffering that surrounds us everyday. 'On The Nose' -- grandpa's racism now rebranded as edgy rebellion for the internet generation. 'Bijou' -- an ode to a recently closed gay porn theatre in Chicago that was part of the struggle for sexual liberty. 'Disaster' -- our masters imagine themselves as heroes when the mob storms the gates and burns the palace to the ground. 'Young Man's Game' -- you can't play the same game forever. 'Always Already' -- a misreading of Derrida, Marx and Foucault turned into a nihilist anthem. With apologies to Lionel Richie."