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01. SIMON O'CONNOR - I
02. SIMON O'CONNOR - II
03. SIMON O'CONNOR - III
04. SIMON O'CONNOR - IV
05. SIMON O'CONNOR - V
06. SIMON O'CONNOR - VI
07. SIMON O'CONNOR - VII
08. SIMON O'CONNOR - VIII
09. SIMON O'CONNOR - IX
ARTIST
TITLE
What Is Living And What Is Dead
FORMAT
CD

LABEL
CATALOG #
ERGODOS 021CD ERGODOS 021CD
GENRE
RELEASE DATE
9/2/2016

What Is Living And What Is Dead marks the solo debut of Irish composer Simon O'Connor on the Ergodos label. An immaculately crafted, beautiful and poignant collection of nine piano pieces, this album is the result of over three years work from conception to release. "I wanted to create something that could make a profound emotional connection with people, music that could really draw listeners inward to themselves and awaken a sense of joy in the beauty of the world around them," says O'Connor of the 57-minute long collection, which takes its title from a lecture given by the late historian and social commentator Tony Judt, "More than ever, I felt the need to create music that could reconnect every listener to an innocent sense of wonder; music that takes its joy in simple melody and delicate harmony; music that is - at its core - an embodiment of optimism." Childlike melodies are pitched against ever-changing harmonic landscapes, in a desperate plea for beauty in a world gone austere. This is a wordless political polemic that cries out for more space, beauty, slowness and understanding in a time of pessimism and intellectual voids. Performed by Ireland's foremost young pianist Michael McHale, What Is Living And What Is Dead is the work of the Irish production duo of Garrett Sholdice and Benedict Schlepper-Connolly. Recorded in Berlin and then completed in Munich by renowned mastering engineer Christoph Stickel (ecm, Deutsche Grammophon, Sony Classical). Simon O'Connor is a Dublin-based composer who formed seminal Dublin psych-rock band The Jimmy Cake. A graduate of Trinity College, Dublin, where he studied with composers Donnacha Dennehy and Kevin Volans, O'Connor has for many years worked primarily in a tonal, minimal palette, writing for chamber ensembles and solo musicians.