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IN STOCK
01. JAMES JOHNSTON - I'd Give You Anything
02. JAMES JOHNSTON - St. Martha's
03. JAMES JOHNSTON - Starless Room
04. JAMES JOHNSTON - Cold Morning Light
05. JAMES JOHNSTON - Dark Water
06. JAMES JOHNSTON - Frozen Time
07. JAMES JOHNSTON - Heart And Soul
08. JAMES JOHNSTON - The Light Of Love
09. JAMES JOHNSTON - Let It Fall
10. JAMES JOHNSTON - When The Wolf Calls
ARTIST
TITLE
The Starless Room
FORMAT
LP+CD

LABEL
CATALOG #
CLOUDS 087LP CLOUDS 087LP
GENRE
RELEASE DATE
1/27/2017

LP version. Includes CD. German record label Clouds Hill present James Johnston's debut solo album The Starless Room. The Starless Room is vast in its scope - visceral, intimate and instinctive. The Starless Room represents a remarkable distillation of both Johnston's lyrical obsessions and prodigious, arguably under-acknowledged talent. Suitably, it's the title track that encapsulates the romantic sweep of the record best, with its star at his most intense and Sebastian Hoffman's string arrangements at their most ambitious. For James Johnston, however, the greatest pleasure of all is a simple one: the slow tempo of the songs, "Something I adore, like a lot of the Isaac Hayes or Ray Charles albums that I love. It almost feels like I'm listening to someone else's record." Like he said, it feels just right. As well as playing with Gallon Drunk, James Johnston has spent considerable time working with others: A mid '90s spell as a touring guitarist in The Bad Seeds led to a full role in Nick Cave's band between 2003 and 2008, and he's performed regularly with other iconic acts, including Lydia Lunch, Faust, and PJ Harvey, on whose The Hope Six Demolition Project (2016) Johnston appears. But if it sounds like he's softened on this album, he argues powerfully otherwise: "The band's records have quite an earthy feel, but in a way this is rawer, more focused and direct, musically and emotionally. The last Gallon Drunk record is my favorite, and it was certain elements of that which I really wanted to take further, to strip away the dissonance and anger, to reject the more familiar sounds in order to free it all up again. So the instrumentation is very different, led by piano and voice, and the overall sound is lush, yet intimate. Overall it's far more reflective of me, both as a person and the sort of music I actually listen to."