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LP
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WWSLP 087LP
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$31.50
PREORDER
RELEASE DATE: 5/24/2024
Wewantsounds presents this reissue of Harold Land's 1971 Mainstream Records LP Choma (Burn), recorded in Los Angeles with Bobby Hutcherson and featuring Reggie Johnson on bass, Ndugu and Woody Theus on drums, Bill Henderson and Harold Land Jr. on piano/Fender Rhodes. Together the musicians create a superb spiritual mix of funky and modal jazz that was the trademark of the Harold Land-Bobby Hutcherson quintet between 1968 and 1972. Choma (Burn) is reissued here in its original gatefold artwork with all the photos scanned from first generation negatives recently found in the Mainstream Records vaults, and comes with newly remastered audio and a two-page insert including new liner notes by Kevin Le Gendre. Growing up in San Diego, and settling in Los Angeles early on, Harold Land became a pioneer of the hard bop style by recording with the Clifford Brown-Max Roach Quintet in 1954. Through his involvement with the quintet, he became acquainted to Bob Shad who had produced the recordings on his EmArcy label. Becoming a prominent voice on the West Coast jazz scene at the end of the '50s, Land recorded many albums for Pacific Jazz as a leader and, in the late '60s, he started a fruitful collaboration with vibraphonist Bobby Hutcherson forming the Harold Land/Bobby Hutcherson Quintet in 1968. The quintet would last until the early '70s and record a handful of highly acclaimed albums for Blue Note, Cadet and Mainstream Records. Choma (Burn), comprised of four tracks, has an interesting instrumentation and features two drummers -- Ndugu and Woody "Sonship" Theus -- playing simultaneously alongside Reggie Johnson's chunky double bass and Bill Henderson and Harold Land Jr.'s piano and Fender Rhodes. A must have for all fans of the Harold Land-Bobby Hutcherson Quintet fans, Choma (Burn) catches the musicians at the height of their creative peak.
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LP
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WWSLP 075LP
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Wewantsounds reissue for the first time Harold Land's classic LP Damisi, recorded in Los Angeles for Bob Shad's Mainstream Records and released in 1972. Featuring Buster Williams (b), Ndugu (ds), Bill Henderson (keys), and Oscar Breashear (tp), the album was recorded at a crucial time when Land was shifting to a more spiritual sound. The session is a superb mix of funk and modal jazz and features monster grooves. Harold Land was born in Houston in 1928 and grew up in San Diego, California. in 1954, he joined the Max Roach/Clifford Brown Quintet recording one of the most important albums in the development of hard Bop, which was produced by Bob Shad, then the head of the Emarcy jazz label. Land quickly moved to Los Angeles and became a key saxophone player on the West Coast scene, recording as a leader for Contemporary and Pacific Jazz Records in the sixties. In 1968, he started a fruitful collaboration with vibe player Bobby Hutcherson forming the Harold Land/Bobby Hutcherson Quintet that would last until 1971. Together they produced several records for Blue Note, Cadet, and Mainstream Records. Shad decided to go back to his jazz roots and record young emerging talents plus a handful of seasoned musicians from his Emarcy days, including Harold Land. He primarily recorded out of New York City but went to Los Angeles in 1971 with his A&R Ernie Wilkins for a short trip to record a few sessions with the sax player. Shad brought back three albums: two with the Land/Hutcherson Quintet -- A New Shade of Blue reissued by Wewantsounds (WWSCD 008CD/WWSLP 008LP) and Choma both released in 1971 -- and Damisi recorded with Oscar Brashear on trumpet replacing Hutcherson, released in 1972. Damisi, comprised of five extended tracks, kicks off with the up-tempo post bop "Step Right Up to the Bottom" before switching to the slow burning funk of "In The Back In The Corner, In the Dark" showcasing Buster Williams's formidable bassline and Ndugu's funk chops. Side one ends with "Pakistan", a beautifully serene tribute to the country, full of Eastern influences and featuring Land on oboe in the reflective tone. Side two opens with "Chocolate Mess" penned by Ndugu Chancler, a muscular funk groove backing great solos by Land, Oscar Brashear (who would soon join Earth Wind & Fire's horn section) and Bill Henderson on Fender Rhodes. "Damisi" the title track follows up and intricately alternates slow sequences with funkier passages, closing the album on perfect note. Original gatefold sleeve with never-seen session photos; newly remastered audio; includes two-page insert including new liner notes by Kevin Le Gendre.
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CD
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WWSCD 008CD
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Wewantsounds present a reissue of Harold Land's A New Shade Of Blue, originally released in 1971. Following the highly-acclaimed release of Feeling Good (WWSCD 005CD/WWSLP 005LP, 2017) and Inner Peace (WWSCD 007CD/ WWSLP 007LP, 2017) compilations, Wewantsounds present the reissue of two superb classic albums as the first releases in their Mainstream Records Original Classics series: A New Shade Of Blue, presented here, and Buddy Terry's 1971 album Awareness (WWSCD 009CD/WWSLP 009LP). Wewantsounds has gone back to the original negative to reconstruct the original artworks and will add many jaw dropping never-seen photo sessions Recorded in 1971, this beautiful Harold Land record produced by Bob Shad, is nothing but a Harold Land-Bobby Hutcherson quintet album in disguise. The quintet recorded a handful of marvelous albums between 1967 and 1971, mainly under the Bobby Hutcherson name on Blue Note, but they recorded one album on Chess and two for Mainstream Records. A New Shade Of Blue, recorded in Los Angeles where the quintet was based, is one of their best albums and has never been reissued outside of Japan. Featuring a superb line up comprising Buster Williams on bass and Billy Hart on drums -- the rhythm section of Herbie Hancock's Mwandishi (1971) sextet -- the session is augmented by Bill Henderson on piano and Fender Rhodes and Mtume on percussion. Together they create a superb soundscape featuring the quintet's trademark sound, both spiritual and serene, with Land's unmistakable sax playing and Bobby Hutcherson's modal touch. The highlight of the album is the long hypnotic track "Mtume", a deep, slow burner displaying the group's fantastic interplay. Includes unissued session photos taken by LA photographer Dick Sanders and new liner notes by radio DJ and renowned record digger, Sam Barbatano (Sunday Jazz, KTRU Houston). CD version includes a bonus track, a beautiful eight-minute outtake "Dark Mood" briefly issued in 1974 on a Mainstream compilation.
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LP
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WWSLP 008LP
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LP version. Gatefold sleeve. Wewantsounds present a reissue of Harold Land's A New Shade Of Blue, originally released in 1971. Following the highly-acclaimed release of Feeling Good (WWSCD 005CD/WWSLP 005LP, 2017) and Inner Peace (WWSCD 007CD/ WWSLP 007LP, 2017) compilations, Wewantsounds present the reissue of two superb classic albums as the first releases in their Mainstream Records Original Classics series: A New Shade Of Blue, presented here, and Buddy Terry's 1971 album Awareness (WWSCD 009CD/WWSLP 009LP). Wewantsounds has gone back to the original negative to reconstruct the original artworks and will add many jaw dropping never-seen photo sessions Recorded in 1971, this beautiful Harold Land record produced by Bob Shad, is nothing but a Harold Land-Bobby Hutcherson quintet album in disguise. The quintet recorded a handful of marvelous albums between 1967 and 1971, mainly under the Bobby Hutcherson name on Blue Note, but they recorded one album on Chess and two for Mainstream Records. A New Shade Of Blue, recorded in Los Angeles where the quintet was based, is one of their best albums and has never been reissued outside of Japan. Featuring a superb line up comprising Buster Williams on bass and Billy Hart on drums -- the rhythm section of Herbie Hancock's Mwandishi (1971) sextet -- the session is augmented by Bill Henderson on piano and Fender Rhodes and Mtume on percussion. Together they create a superb soundscape featuring the quintet's trademark sound, both spiritual and serene, with Land's unmistakable sax playing and Bobby Hutcherson's modal touch. The highlight of the album is the long hypnotic track "Mtume", a deep, slow burner displaying the group's fantastic interplay. Includes unissued session photos taken by LA photographer Dick Sanders and new liner notes by radio DJ and renowned record digger, Sam Barbatano (Sunday Jazz, KTRU Houston). CD version includes a bonus track, a beautiful eight-minute outtake "Dark Mood" briefly issued in 1974 on a Mainstream compilation.
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