|
|
|
|
|
|
|
|
|
|
|
CD
|
|
KRANK 240CD
|
"South Carolina singer and producer Niecy Blues describes her songwriting process like an undertow: 'I feel a strange pull, and let it carry me, following swirling leaves... whole days roll by, forgetting about the body.' Their full-length debut, Exit Simulation, captures this sense of deep-rooted divination, cycling between simmering ballads, ghosted R&B, downtempo gospel, and looped vocal improvisations -- often within the same track. The title is taken from a science fiction novel she read during the purgatory of the pandemic, alluding to a dimensional ideation of departure -- 'the permission to imagine leaving.' Recorded in her current home of Charleston, she characterizes the album's mood in terms both reflective and raw: an exploration of things suppressed, foundations beginning to crack, 'talking myself off a ledge.' The music of Niecy Blues transposes reverie and reckoning into emotive devotionals of keys, guitar, bass, synth, and bewitched voice, steeped in sacred atmospheres gleaned from a youth spent in a religious Oklahoma household: 'My first experience with ambient music was church -- slow songs of worship, with delay on the guitar... even if you don't believe, you feel something.'"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
KRANK 240LP
|
LP version. "South Carolina singer and producer Niecy Blues describes her songwriting process like an undertow: 'I feel a strange pull, and let it carry me, following swirling leaves... whole days roll by, forgetting about the body.' Their full-length debut, Exit Simulation, captures this sense of deep-rooted divination, cycling between simmering ballads, ghosted R&B, downtempo gospel, and looped vocal improvisations -- often within the same track. The title is taken from a science fiction novel she read during the purgatory of the pandemic, alluding to a dimensional ideation of departure -- 'the permission to imagine leaving.' Recorded in her current home of Charleston, she characterizes the album's mood in terms both reflective and raw: an exploration of things suppressed, foundations beginning to crack, 'talking myself off a ledge.' The music of Niecy Blues transposes reverie and reckoning into emotive devotionals of keys, guitar, bass, synth, and bewitched voice, steeped in sacred atmospheres gleaned from a youth spent in a religious Oklahoma household: 'My first experience with ambient music was church -- slow songs of worship, with delay on the guitar... even if you don't believe, you feel something.'"
|