|
|
|
|
viewing 1 To 8 of 8 items
|
|
|
|
|
|
|
|
|
|
|
|
2CD
|
|
MOABIT 023CD
|
"M_Sessions is offering a contemporary version of Mania D., Malaria and Matador's music for the 40th anniversary plus the rare originals. Bringing the past into the now and into the future. Monika Werkstatt seemed the perfect choice for new interpretations. Founded in 2015, comprising female electronic musicians and producers from the entourage of Monika Enterprise and Moabit Musik. The loose collective played dozens of improvised concerts around Europe and released a studio album and live recordings in everchanging artist constellations. The M_Sessions involved Pilocka Krach, Beate Bartel, Midori Hirano, Mommo G, Lucrecia Dalt, Antye Greie-Ripatti, Natalie Beridze, Annika Henderson and myself. Here the form of interpretation is focusing on keeping the freedom of their improvised work and adapting it to the collective appropriation of songs. I cannot imagine a better reinterpretation of the material with its real-life ups and downs and with its enthusiasm. The original core team of Beate Bartel, Bettina Köster, Manon P. Duursma and myself selected 'Rare Originals' from the repertoire of the three bands where we saw special relevance and beauty -- these tracks are on LP2. We rediscovered live tracks, living room recordings and demo versions from our times long gone." --G.Gut
M_Sessions is offering some rare originals by Mania D., Malaria and Matador for the 40th anniversary, as well as contemporary versions performed by Monika Werkstatt. Double-CD version includes booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
MOABIT 023LP
|
Double LP version. Two individual sleeves inside slip-case; includes 16-page full-size booklet, large poster, and download code. "M_Sessions is offering a contemporary version of Mania D., Malaria and Matador's music for the 40th anniversary plus the rare originals. Bringing the past into the now and into the future. Monika Werkstatt seemed the perfect choice for new interpretations. Founded in 2015, comprising female electronic musicians and producers from the entourage of Monika Enterprise and Moabit Musik. The loose collective played dozens of improvised concerts around Europe and released a studio album and live recordings in everchanging artist constellations. The M_Sessions involved Pilocka Krach, Beate Bartel, Midori Hirano, Mommo G, Lucrecia Dalt, Antye Greie-Ripatti, Natalie Beridze, Annika Henderson and myself. Here the form of interpretation is focusing on keeping the freedom of their improvised work and adapting it to the collective appropriation of songs. I cannot imagine a better reinterpretation of the material with its real-life ups and downs and with its enthusiasm. The original core team of Beate Bartel, Bettina Köster, Manon P. Duursma and myself selected 'Rare Originals' from the repertoire of the three bands where we saw special relevance and beauty -- these tracks are on LP2. We rediscovered live tracks, living room recordings and demo versions from our times long gone." --G.Gut
M_Sessions is offering some rare originals by Mania D., Malaria and Matador for the 40th anniversary, as well as contemporary versions performed by Monika Werkstatt.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
MOABIT 022LP
|
2023 restock. January 1981 found Gudrun Gut and Bettina Koster in Christopher Franke's Berlin-Spandau Studio recording their first Malaria! EP (Zensor Records). Christine Hahn of The Static with Glenn Branca and Barbara Ess, joined in from New York, and Manon P. Duursma fresh from Nina Hagen's O.U.T. project, and Susanne Kuhnke completed the line-up. Malaria! started touring intensively soon after the release of their 12", commencing with a concert with New Order at Brussel's Ancienne Belgique, and going on from there to concerts with Siouxsie and the Banshees, Birthday Party, The Slits, The AuPairs, Raincoats, Nina Hagen, John Cale, and Einstürzende Neubauten. They played venues as diverse as the Mudd Club, Peppermint Lounge and Studio 54 in New York, the Documenta in Kassel, the Bat Cave in London, Les Bains Douche in Paris, Milky Way and Paradiso in Amsterdam, ICA in London, the Piazza Santa Maria Novella in Florence, and Markthalle in Hamburg and naturally, again and again, at the SO36 in Berlin. While touring, Malaria! used their time off to record in Studios in New York, London, Brussels, New Orleans, and in Berlin -- How Do You Like My New Dog? 7" (1981), Weisses Wasser 12" (1982), New York Passage 12" (1982), Revisited cassette (1983), and the Emotion album (1982). At the BBC studios in London, Maida Vale, Malaria! recorded a John Peel Session. Malaria! took a break in 1984 -- Bettina and Christine re-located to New York, and Gudrun and Manon stayed in Berlin to form Matador with Beate Bartel, but not before they recorded their mini-album, Beat The Distance (1985). In 1992 Gudrun, Bettina, Christine, and Manon met up in New Orleans with Jim Thirlwell (Foetus) to record Elation 12". Elation was followed by Cheerio (1993), which again was recorded in Berlin. Chicks on Speed did their own version of Malaria!'s song, "Kaltes Klares Wasser" in 2001, and the remix went into the German Top 10. Malaria! has been an instrumental part of Berlin music history, as recently presented at the "Zurück zum Beton" at Düsseldorf's Kunstakademie, Kunsthalle Wien "Punk!", "Geniale Dilletanten" Goethe Institut, and in B-Movie.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MOABIT 020LP
|
Beate Bartel and Gudrun Gut share history. They were both part of Mania D., "the first German punk band". Beate continued with Liaisons Dangereuses and Gudrun with Malaria!. Then they experimented in sound and visual arts and released three albums with Matador, along with Manon P. Duursma. After 25 years, they are part of the same project again, both producing five tracks for Myra Davies's spoken word album Sirens (MOABIT 021CD). This instrumental vinyl edition provides extended mixes, which differ from the original recordings. Gudrun Gut is known for her activities in the Berlin music scene since the '80s, with Malaria! and recent solo work as well as collaborations with AGF (Greie Gut Fraktion) and Hans-Joachim Irmler (Gut Und Irmler). Beate Bartel was a part of the experimental impulse that made its way into today's art world and museums. Growing up in west Berlin, Beate Bartel's interest in sounds and noise made her a sound engineer and she became a founding member of bands like Mania D., Einstürzende Neubauten, Liaisons Dangereuses and Matador, with Gut and Duursma. Davies and Gut have worked together since 1991 on several releases, notably Miasma 1 (1993), 2 (1997) and 3 (2002), and multi-media performances. Includes a download code.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
MOABIT 021CD
|
Sirens is the new album from Canadian spoken word poet Myra Davies, with music by Berliners Gudrun Gut and Beate Bartel. Myra Davies is back with a new packet of witty stories and poetic reportage in a dynamic current of electronica by Berliners, Gudrun Gut and Beate Bartel. Movement is a major theme. Davies's eye, insightful yet detached, wanders assertively over land to sea to outer space, through time; past to present to future. Her observations and reflections on art, culture, convention, capitalism, express instability and the contingent, even conjectural, nature of existence. Yet, they suggest (without promising) the possibility of optimistic resolution. For Davies, the personal is political and art is more so. The album includes a three-track riposte to Götterdammerung, the final opera in Richard Wagner's Ring Cycle. Two tracks tell the story. The third, "Do Ya", links the epic to us. Wagner was called "the great seducer" because he aimed to "take" his audience in an emotional gut grab that's been described as "artistic rape". No invitation here to sink hypnotically into the dark ambient tones Gut and Bartel provide for Davies, who, in telling the story, frequently pops out of it to comment. Indeed, the point of revisiting this end time for übermenschen is to draw attention to the eagerness with which people give themselves to art, politics, love, war, consumption, work, religion, pop culture, technology, vanity, and thus to bondage. Fortunately, the message is delivered in a tempestuous roil of words and music; This is a Pandora's box of biting zeitgeist - past, present and future - propelled by beats, contrapuntal dynamics, broken rhymes, scraps from here and there, and fragments of great white dead men. A personal note from Myra Davies: "The word 'siren' contains both allure and danger warning. Come hither. Stay away. Such isometric emotional dualities can drive a person around a post like a work donkey. I question such 'native' impulses and the romantic notion that emotion is the seat of authenticity, our true core. Our minds - amygdala included - are colonized. Yet the human brain is flexible. It's possible to take territory, to write our own code. 'Your mission, if you choose to accept it.' Thanks for listening." Davies and Gut have worked together since 1991 on several releases, notably Miasma 1 (1993), 2 (1997) and 3 (2002), and multi-media performances. Comes as a digipak; Includes 20-page booklet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
MOABIT 019CD
|
Danielle de Picciotto is a wanderer. She explores the regions between the inner and outer realms of our collective psyche and gathers impressions, which accumulate into the many-tentacled beast that is her artistic output. Expressing the wonder of worlds invisible to most, she is initiated and an initiator, someone who has made the first steps and opens the gates for others to follow. She was born in Tacoma, Washington, but did not mark the place in her memory, as her father moved the family on shortly after her birth, due to his position in the US army. She spent her childhood all over North America until she settled as a young woman in West Berlin, a city that no longer exists. There she was caught up in the relentless creative turmoil this unique enclave had to offer and was able to interact with and influence its community for more than two decades, co-founding the first Berlin Love Parade in 1989 with Matthias "Dr. Motte" Roeingh. Originally a fine artist, Danielle has, over the years, embraced many fields of artistic expression and, aside from large-scale paintings and her signature intricately detailed drawings, embraced literature, film, and, foremost, music to will her extraordinary vision into existence. She now presents Tacoma, her first solo album following several collaborations with Alexander Hacke (Einstürzende Neubauten) (POTOMAK 919808, POTOMAK 954952) and the first release on Gudrun Gut's Moabit label since 2008. On this album, Danielle creates sonic scenery unlike any other. Employing unusual instruments like the hurdy-gurdy and the autoharp, while accompanying her spoken-word poetry and delicate vocal stylings with multi-layered violin harmonies, she evokes imagery of lonesome desert landscapes, enchanted forests, and otherworldly trance-states while straddling maritime thunderstorms by combining recordings of nature's manifold phenomena with radio interferences, reverberating tribal percussions, electronic treatments, and the soothing and genuinely organic vibrations of acoustically generated drones and internal mantras. Her lyrics focus on the mystical implications of the nomadic life, clairvoyant renderings of female intuition, and tales of dreamlike revelations, while the instrumental pieces of this astonishing album transport the listener into paths never tread, or, like Danielle herself, who only recently returned for the first time to the place of her birth, into a journey to the beginning of time.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
MOABIT 017CD
|
Canadian spoken-word artist Myra Davies presents Cities and Girls, a fresh collection of witty stories. As with their Miasma trilogy, Davies' stories have been set to music by Gudrun Gut (Malaria!), as well as Beate Bartel (Liaisons Dangereuses) and the team of Danielle de Picciotto/Alexander Hacke (Einstürzende Neubauten, Sprung Aus Den Wolken, M.D.K., Crime & The City Solution), who provide the musical accompaniment on two tracks. Berlin electronica is the warp in which Davies weaves reportage on global life in the early 21st century. Cities and Girls are prevalent themes. Even though she currently resides amidst The Rocky Mountains, Davies asserts that "the city is our social heart and creative core." She also addresses modern issues in girlhood, such as the tenuousness of abortion rights in the U.S., as well as those girls who have passed on before us: in fact, there are several dead people walking around in this album. The stories on Cities and Girls range widely in time and space. For the composers, the challenge was to find musical ideas that support specific story settings and also ground the track within the album as a whole.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
MOABIT 015CD
|
Double CD for the price of one (reissue of a 1996 album, plus 2nd CD of remixes by Thomas Fehlmann, The Orb, Ellen Allien, and more) from Berlin's Gudrun Gut. Gudrun currently runs the Monika label, was a early member of Einsturzende Neubauten and most famously founded the 1980s band Malaria! She has collaborated with Blixa Bargeld, Anita Lane, Thomas Fehlmann, etc. "The summer of 1994, a flat share in Berlin's Potsdamerstraße and it's blazing hot. Back then I was busy tinkering with some simple bass loops on my computer and my loop machine. The speakers helped to spread the loops across the entire flat, a perfect match for the relaxed summer feel. Laurie said: 'it's like being under water, in the ocean.' An ocean club -- all of a sudden, my future had a new home. After years and years of playing in bands I wanted to pursue my own visions -- but continue to work with friends. I wanted to create a loose collective, an open club for members: Members of the Oceanclub. I locked myself in the studio with longtime Australian friend Anita Lane and the loops became tracks. Johnny Klimek loved the result and offered to help out on production. In Inga Humpe I rediscovered an old friend from the 80s at the E-Werk and we decided to re-explore the strange power of the butterfly. My work was beginning to take shape. Further new members included Danielle de Picciotto and my Malaria and Matador sidekick Manon P. Duursma, I also invited Katharina Franck, Jovanka von Willsdorf (Quarks) and Jayney Klimek and, naturally, included a track by my Miasma partner Myra Davis. In the end, we also needed the obligatory male joker: my Schöneberg neighbour and old partner in crime Blixa Bargeld joined me in an homage to the sun, adding additional sparkle to the ladies' circle. In 1996 the resulting album Members of the Ocean Club was finally released by Alternation. By now the Oceanclub network spans the entire globe, and I am very proud to reintroduce you to its beginnings with this double CD. The remixes featured on CD 2 were only ever released on vinyl and, like the original recordings, have long been discontinued." -- G.Gut, Berlin July 2004. Remixers include, Klaus Schulze, Paul van Dyk, Thomas Fehlmann, Johnny Klimek, Ian Pooley, Orb, Spinout Butterfliege, Ellen Allien, Corbra.
|
|
|
|