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01. JAMES BLACKSHAW & LUBOMYR MELNYK - Tascheter
02. JAMES BLACKSHAW & LUBOMYR MELNYK - Venant
03. JAMES BLACKSHAW & LUBOMYR MELNYK - Satevis
04. JAMES BLACKSHAW & LUBOMYR MELNYK - Haftorang
ARTIST
TITLE
The Watchers
FORMAT
CD

LABEL
CATALOG #
IMPREC 375CD IMPREC 375CD
GENRE
RELEASE DATE
3/25/2013

"The Watchers is a historic collaboration between Lubomyr Melnyk and James Blackshaw. These new pieces are being released as a CD/LP with material exclusive to each format. LP is pressed in an edition of 500. 'I first met Lubomyr Melnyk at a festival called Hea Uus Heli in October 2008. We were both scheduled to play that day and I was very excited to see him perform. Before the show I bought several LPs from him and mentioned as much. Lubomyr (more than modest and courteous, as he always is) asked me what I was doing at the festival and I replied that I was also performing at the festival a little later, to which he responded "I'll come and watch you," before being ushered into the hall to play one of the most staggeringly sonorous and beautiful sets I've ever heard. It was overwhelming, full of pathos and I left the hall with those incredible overtones hanging in my ears for hours. A couple of hours later, I was onstage when I glanced up and saw Lubomyr, true to his word, stood in the audience watching me attentively. I felt incredibly nervous. It's not everyday you get to play for someone who has greatly inspired and influenced your own music. After the show, I packed up my guitar and came out to meet the crowd. The first person who greeted me was Lubomyr: friendly, full of enthusiasm and keen to hear about my music, my processes, the way in which I made music. Yet again, I was overwhelmed - for very different reasons. "You have invented continuous music for guitar!" We all met at the Vortex Jazz Cafe around midday. We set up, Lubomyr at the grand piano, me directly facing him with my 12-string guitar and began. I would retune at random between songs and together we would find interesting chord progressions, hints of melodies and ways in which to weave those immense overtones that Lubomyr is able to generate on the piano with those of my guitar. No more than two takes per song. Improvisation, spontaneous composition, whatever you want to call it. Either way, it truly felt as if the piano and guitar were as one -- inseparable, parts of a bigger whole, a means by which for two people to make one sound. It never felt forced and never less than engaging. Lubomyr was always humble, jovial and open to ideas. The whole session lasted six hours.'" -- James Blackshaw, October 2012.